The director uses ambient light and realistic locations to give this film a documentary feel that gives the audience a sense that this could be a true story. He elicited passionate performances from every actor. Even characters with one or no lines make you believe in the reality of their world. This is a compelling story with a memorable twist at the end.

The acting and directing of this film were exceptional. Having heard from the director that only natural lighting and fixtures were used, that makes the film all the more impressive. There were a couple of lines that seemed misplaced and it seemed to drag a bit in some places, but that's nothing one more edit couldn't amend. All in all, a touching story, heartfelt acting, great directing and cinematography. I thoroughly enjoyed watching this film. I would recommend for anyone interested in film or just the human condition to watch this.

at my school and from the teaser, the film looks amazing. i'm told if i pusue my masters he'll be one of my professors so im excited.the film seems to be on the depressing side, either that or he he ran out of lights LOL. the camera movements are very much like eavesdropping on the conversation, which i like. like a fly on the wall.i have friend sin ucf film masters and can't wait to see what they come up with. i heat it is tough but this film looks great.I really really wish i knew what happens to the husband. it's gong to bug me until i find out. if anyone knows IM me LOL.

John Goshorn's feature film debut as a director manages to do something that even the most established directors shoot for, it puts a human (and tragic) face on the country's recent economic downturn. In less capable hands this morality tale might be too preachy, or overwrought, but we never find ourselves scolded by the film. Maggie and Jonah want take part in the American dream. They want to own a house. And so they buy a house, but for them, like for so many others that house becomes a noose around their necks when Jonah looses his job at the newspaper. Seeing no other options Jonah makes the ultimate sacrifice to help provide for Maggie. Jennifer Faith Ward and Tom Kemnitz Jr as Maggie and Jonah respectively are incredibly engaging and breathe life into their characters in way that reminds us of early Cassavetes. In fact, that filmmaker is the one that seems to have been this production's patron saint. Goshorn seems completely willing to enclose us in the claustrophobia of realism no matter how uncomfortable or horrific it may be for Maggie and Jonah, or for us.