The green ray in the title of this French movie (also called green flash) refers to an optical phenomenon in which you can sometimes see, under certain hard to attain conditions, a green light coming from the horizon right after sunset (or right before sunrise). The famous French novelist Jules Verne wrote about this natural occurrence in a book called "The Green Ray" which is briefly referred to in the movie.The film itself is about Delphine (played by Marie Riviere, who has been in several movies of director Eric Rohmer), who works as a secretary in a Paris office. She is a slender, tallish, moderately attractive black haired woman in perhaps her late twenties and has a "difficult" personality. She has recently broken up with her boyfriend, right before the summer holidays, and the prospect of lonely vacations much saddens her (though to some in the audience it might not make the most compelling of tragic situations). So the movie is about her talking with friends about her predicament until she decides to go alone, meeting on the road a few people (including a Swedish woman who she first meets topless at a beach and who is meant to represent sexually liberal attitudes). I'm not going to spoil it for you whether Delphine will find a romantic partner or not during her travels, but the ray of the title does make an appearance.The movie is from 1986 and since it was shot on the street, you can see people with what are now "period" clothes. If you were, like me, a child in the 1980s, you will probably like this.Talky, as expected from the director, but the dialogues are not as pretentious as in other of his movies. Not the best of Rohmer, but very watchable. One problem with the plot is that it is not terribly original, since most of us have seen too many movies about single women around 30 years of age feeling lonely.

A movie about indecision, insecurity, social awkwardness, loneliness, serendipity and a few other... ultimately meaningless bits and pieces. Delphine, the lead character isn't just a complicated, "thinking" secretary, she is also lonely, and has her hols coming up, which she regrettably must face alone. This movie shows her attempts to enjoy her holidays on her own, and whether she succeeds or not in doing so is really what it's all about. Now if that sounds exciting, by all means you might enjoy this movie. I didn't. And that's despite my being generally a fan of Rohmer.That being said, instead, please watch one of the great Rohmer's superior movies 'Le Genou De Claire' (Claire's Knee), 'A Winter's Tale' or even 'Le Signe De Lion'.Sorry to say it but 'The Green Ray' has little of any merit, & arguably stands as one of Rohmer's B Sides: 3/10

The Green Ray is certainly a strange fish - quite simply it's about a single girl's (almost)wasted summer, going on holiday 3 times, and each time finding herself bored and frustrated, and ultimately an outsider. We see scene after scene of holiday makers having a good time, and poor Delphine just not feeling at ease. She is somewhat opinionated, for example in the vegetarian lecture - we've all had to sit through one of those, and liable to burst into self-pitying tears, but Delphine never the less gets my respect for her refusal to opt for second best.Very few directors would be brave enough to make a film like this, but Rohmer pulls it off magnificently, and in the process delivers one of his finest movies. I can see why some viewers might find it a waste of time, but having been on a couple of solo holidays in the past I can sympathise with Delphine's predicament. Plus The Green Ray rewards the patient with a truly poetic finale.

We have been conditioned as a culture to believe that happiness lies in an ideal, future state. For example, we think it will all turn out when we finish school, when we get a job, when we get married, when we have children, then when we get divorced, or when we retire. It is always something or someplace more, better, or different but the more things change, the more they seem to remain the same. In Summer, aka The Green Ray, one of Eric Rohmer's most insightful and charming films, Delphine (Marie Riviere) is a young, intelligent, and good-looking Parisian secretary who has spent her life looking for "Mr Right". Like many who spend their life "searching", she is a perfectionist who keeps people away by maintaining impossible standards, then feels inadequate and unloved when things do not work out. She is interesting rather than interested.When vacation time comes, her girlfriend goes to Greece with a boyfriend and she is left alone and feeling rejected. Turning down an offer to visit Ireland with her sister's family, she decides to take a trip to Cherbourg with a friend and her boyfriend, and does her best to fit in but it only leads to more frustration. After her friends prepare an elaborate dinner she tells them that she doesn't meat, seafood, or eggs and prefers vegetables like lettuce because they make her feel "light". She won't go sailing because it makes her seasick and she refuses a gift of apple blossoms because she thinks it's wrong to tear such large branches from trees. Rohmer impeccably captures Delphine's intense loneliness, a feeling of isolation that is even more pronounced when the people around you are doing what they think will make you happy. Near tears, she returns to Paris after only a few days in Cherbourg, then visits the Alps thinking she will go mountain climbing but she stays only one day.When Delphine borrows a friend's apartment in Biarritz, however, she does settle down long enough to unpack. In Biarritz, the story is pretty much the same, however. Delphine says that she wants to meet people but when the opportunity arises in the form of two young men and Lena (Carita), a young Swedish blond, she runs the other way, although from all indications, leaving seems to be the most sensible option. Lena advises her to play cat and mouse with men. "It's like a card game", she says, "you can't reveal your hand right off". Delphine uses this piece of advice as another reason for beating herself up. "My hand is empty", she declares.Delphine doesn't seem to believe in much, but, like many lonely people, she looks for signs that things are going to turn out all right. She is fascinated with playing cards and when she finds a green card lying in the street, she knows that green is her color of destiny for this year. While strolling the beach at Biarritz she overhears a conversation about a Jules Verne novel about an atmospheric phenomenon known as the Green Ray and she is mesmerized. According to Verne, just before the sun sets below the horizon, if you can see a burst of green light, it will help allow you gain an insight into your true self.A synopsis of the plot, however, tells us little about what actually goes on in this mostly improvised film. Like most Rohmer works, what happens in the silences is more revealing than in the conversations. An entire world is written in the gestures, the facial expressions, and the nuances that reveal each character's personality. Summer is an intimate story of a woman's loneliness that rings true and brought back a flood of painful memories for me. Delphine, for all her warts, is very human. Somewhere up ahead always looks better than right here. When she can open herself up to the perfection of the moment, however, she becomes directly present to the world and can share its ineffable beauty.