Directed by Benjamin Stoloff, this unexpected gem features Eddie Albert in the title role. Known best for his supporting roles, and later nominated for two Oscars (Roman Holiday (1953) and The Heartbreak Kid (1972)), Albert is the lead in this one, which features several other career supporting actors who, somehow, were never recognized by the Academy of Motion Picture Arts & Sciences: Alan Hale, John Litel, Charles Trowbridge, Paul Hurst, John Ridgely, Douglas Kennedy, Billy Benedict, and even Joe Devlin and Charles Halton, who appear uncredited.One is reminded of James Stewart's "George Bailey" character, but only in the sense that one man could touch so many lives through his selfless choices. Unlike It's a Wonderful Life (1946) though, this film has no fantasy sequence nor does the protagonist ever come to regret his choices, preferring instead to remain anonymous for his sacrifices and expecting nothing else out of life except an opportunity to serve his fellow man.Robert Smith (Albert), called Dreamy by his encouraging, supporting, co-worker and girlfriend Mary (Joan Leslie), works in the classified ads department of one of the three competing newspapers in the city. He dreams of sailing away with his friend "Skipper" Martin (Hale), with whom he's saved just enough to do it. He gives his resignation letter, and the news, to Mary, who's disappointed but puts it on his boss John Wade's desk anyway. Smith picks up his friend in his dilapidated automobile which they've valued at $150, the last of what they need to finally own the Viking, the boat they've mortgaged. He takes the Skipper by his soon-to-former place of employment where Martin can't wait to tell off his cranky old soon- to-be ex-boss (Halton). Unfortunately, however, Smith forgets to set the parking brake and the two witness the car rolling off the dock and into the harbor. Since they can now no longer afford to quit, the Skipper has to swallow his pride and take yet another tongue lashing insult from his current taskmaster, while Smith rushes on foot to reclaim his resignation letter.On his way into the newspaper offices building, Smith runs into, and briefly greets "Limpy" Barnes (Dickie Moore), a disabled boy who sells papers outside its entrance. Upon learning from Mary that she'd put his letter on Wade's desk, he rushes into the office to interrupt his boss (Litel), who'd been having a drink of whiskey, just in time to retrieve the letter. We learn that Smith isn't thought of very highly by his boss, even though Dreamy thinks Wade, a former Major in the armed services, is "tops". Mary is happy that Dreamy isn't going anywhere too soon and the two go out on a date that evening. Their plans to go to a movie are interrupted when they witness a fire. When Smith sees a fire fighter, who'd already rescued several children, fall down, he rushes into the burning building to save him. However, it's the fireman who carries the overcome Smith out and places him on the sidewalk.The next day at the newspaper offices, a box is installed into which the employees are encouraged to submit circulation generation ideas for a possible (financial) bonus. Looking at the headlines of the paper in front of him, Smith (who gave the story to reporter Ridgely) comes up with an idea to recognize heroes, like the fireman O'Connor (Hurst), by giving them an award. Meanwhile, a new young attractive executive William Amesworth (William Lundigan), who happens to be a descendant from the paper's founder, is introduced around the offices by Grover Dillon (Trowbridge). He is instantly attracted to Mary, who works on the phone bank which receives the classified ads. When Wade reads Smith's idea, he adopts it as his own, telling Amesworth, who's naturally impressed. Wade then tells Smith that someone else had submitted the very same idea earlier, then gives his employee apparently the only "pat on the back" he ever has. While this seems to satisfy Dreamy just fine, Mary is upset that he's not willing to fight for his due credit. This happens twice more in the film. When Amesworth shows a public interest in Mary, Smith seems to finally recognize what he's got and, against the advice of the Skipper, who thinks all women are trouble, pledges his love to Mary.Another day, Smith sees a man take a paper from Limpy's stack without paying, and stops him. There's a brief scuffle and Smith's hat falls into the street. When Limpy goes to retrieve it, he's hit by a car. Smith makes sure Limpy is taken care of, eventually giving his apartment to Limpy and his family when, without his income while he recovered, they are evicted. This is the last straw for Skipper, who had tolerated delays in their sailing plans due to Smith's generosity, which prevented them from ever getting over the hump on what they owed on their boat. So, the Skipper leaves in a huff and rues the day he ever made plans with Smith. Meanwhile, Smith tells Mary she is better off without him, that he can't afford to take her out anymore. Though he doesn't tell her why, it's because he's selling everything he owns (including his car, to Devlin) to support Limpy's family, and even pay for an operation to "cure" his limp.Smith's selflessness continues until he crosses the line by helping the fired office boy (Benedict) get a new job from a yet to be printed want ad, though Smith makes sure the salesman (Kennedy) gets his commission by paying it out of his own pocket.This eventually leads to Wade firing Smith. But, never fear, with help from Mary, and the Skipper and O'Connor (sort of), a happy ending, if not tear-jerking like Frank Capra's film, is in order. In fact, the very end of the film is perfect for our Dreamy, given his character.

Playing a role similar to the one he played opposite Lucille Ball in "The Fuller Brush Girl", Eddie Albert is the poster child for Mr. Wimp. He has a dream of being skipper on his own boat but is too scared to reach for his dreams and too manipulated by everybody to stand up for himself. He sets out to resign his job at a newspaper but his fear brings him back. But even at work, he's not appreciated. "Seems to me that there's an awful lot of mind reading going on around here", Albert tells his boss John Litel who seems to rely on his ideas to take credit for. "Got any million dollar ideas you want to give away? Tell Mr. Wade!", girlfriend Joan Leslie tells him, constantly reminding him of the ideas he's constantly giving away. Every time Albert tries to stand up for himself, either his good nature takes over him or somebody tells him he's doing it all wrong. This poor guy can't win, and as much as I like him, I wanted to take him by the shoulders and shake him.It's an O.K. comedy with little to recommend past the sitcom standards of the early 1950's and 60's. If I had a buddy like the overly chatty Alan Hale, I'd have to put in ear plugs because it seems like he never stops spouting unwanted advice. Then, there's his fiancée Joan Leslie who should be president of a club called "Future Nags of America". John Litel is his seemingly decent boss who takes total advantage of Albert's passive nature. Sweet Dickie Moore (just taken from our world a few days before his 90th birthday) is very likable as a handicapped kid who pals around with Albert and really seems to be the only one who respects him. A scene with a beggar being told off by Albert as he hands the poor guy a wad of cash is amusing and very true to life. I've actually seen people do that!The problem here is that the script is excruciatingly noisy and there isn't a moment to rest in the film's 70 minute running time. I really had to turn the volume down because it made me start to get a headache. It's an acceptable little programmer that probably offered some laughs as the bottom of the double bill, but really didn't do all that much for me. Even in the silliest (or noisiest) of the Leon Errol/Edgar Kennedy shorts, I wasn't as frazzled as I was when this one was over.

The only word I can think of for this movie is "meaningless." Think of a Preston Sturgess yarn without Sturgess' wit or imagination. As a low-level classified ad salesman, Eddie Albert dreams of sailing the high seas in search of adventure with his friend or landlord or relative (not quite sure what he is,) the Skipper played by Alan Hale. He's in love with Joan Leslie as Mary, a wide-eyed, too-good-to-be-true coworker but she'll have to wait til he gets the travel bug out of his system. Meanwhile, Mary is ticked off that his brilliant promotional ideas to perk up the paper's circulation are being swiped by his alcoholic boss. Oh, there's also Dickie Moore as a crippled newsboy whose role would have been a lot livelier if he shouted "Shazam." Eddie Albert and Joan Leslie get extra points for playing this humorless claptrap as if they were actually enjoying it.

This probably never figured high in Eddie Albert's resume. Indeed, at first I almost skipped it: The opening scenes with "Skipper" Alan Hale are most unpromising.(All scenes involving him pull the movie down, in fact.) But it is a very sweet tale, once given a chance. Albert plays newspaper clerk Dreamy, who is far too kind and honorable for his own good. The well-being of his charming girlfriend Joan Leslie also suffers.He allows his boss to steal his ideas and take credit for them. He helps out any of the downtrodden. Figuring most noticeably in this category is Limpy, the lame newspaper boy, played by Dickie Moore. He and his family are recipients of great, selfless kindness by Dreamy.It has a happy ending, though not a typical Hollywood ending: After Dreamy has been recognized for the hero he is, he is given some news that thrills him. Indeed, it could be seen as good news. But his final line is funny,ironic, a bit off-kilter, and very touching.