The Girl in Lovers Lane
The Girl in Lovers Lane
NR | 16 June 1960 (USA)
The Girl in Lovers Lane Trailers

Two drifters contend with love and murder in a small town.

Reviews
sailor-mac-43282

For years, when MST3K fans have been polled about which riffed films were "not completely terrible," this movie has come up (along with the Godzilla and Gamera movies). It's easy to see why - unlike complete train wrecks like Space Mutiny and Manos the Hands Of Fate, you can tell that this could have been a halfway decent film if it had a little more of a budget - better sets, better costumes, a competent script editor to fix the problematic ending. The acting isn't terrible, some of the characters are actually likable, and Jack Elam's villain is genuinely creepy. It made for a very underrated MST3K episode - one of the funniest of the later Joel era. (The show's writers reported being genuinely traumatized by the film's ending - and you just KNOW that it was a rare film that could get that crew to genuinely care about the characters).

... View More
InzyWimzy

This one is one of those classic B movie following the exploits of 2 hobos. It's done really cheesily and Big Stupid running off one-liners like a cardboard cassanova. But Jack Elam steals every scene he's in as the creepazoid Jesse (now Jerome!). My favorite scene is the lynch mob and the dad's voice going up 10 octaves ("You loved her?"). Danny, Big Stupid's protege, is surprisingly stupider, but not as loathsome as our lead star. There's also a quaint scene of a guy pimping at the diner. Joyce Meadows is the sweet, naive nice gal and probably the least annoying. And those yellow ruffles (RAWR!). Oh, and booze is evil according to Mr. Stupid.This movie's a hoot. Watch the MST cover of this and Crow's terrific Elam homage!

... View More
BillDP

This is a film I would have thought I would be seeing as part of one of those Something Weird Video double feature disc's. Pretty much your typical 1950's "troubled youth" films. Though this one is a bit talky and light on the action, I did enjoy it somewhat. I guess I have a soft spot in my heart for these kinds of films. Basically you have this young guy who leaves home in order to come to terms with the fact that his parents have decided to get a divorce. He meets Bix, a road weary and very experienced drifter. They end up in a small town and stay longer then they expected which leads to romance, complications, confrontation, rape and murder. Brett Halsey stars as Bix and gets fine support from Joyce Meadows and a perfectly cast Jack Elam as the town letch. All in all, it's no great shakes but it is entertaining enough.

... View More
TheCooperVane

Here is a movie that was so pedestrian for 90% of it that it had no right to become so challenging and frustrating at the end. Did the director decide to become auteur suddenly, 80% through the making of this movie? Yeesh. SPOILER ALERT Thing start out typically enough for 50's youth-gone-wild; there are drifters, good girls, bad girls, gangs, the kindly old diner manager, and the town creep. Things follow the expected path until about 15 minutes before the end, when the only likable character is killed off and the anti-hero is blamed (this would not be so unexpected if this were the main plot of the movie... but all this stuff starts happening and unravelling during the final reel! Major curve ball). Then things get weird; the kindly old codger forms a mob and beats the hero to a bloody pulp. The mere presence of the hero's friend somehow drags a confession out of the real killer - the leering, creepy town nut (which in any real universe, he'd have been the prime suspect to begin with, even if the anti-hero was found with her body).We're left with a somewhat feeble "happy" ending, which is about as out of character with the rest of the movie as the events of the 10 minutes preceding it.Even more odd is this film's insistence on playing homosexual innuendo to the hilt, but constantly presenting the two male leads as straight. Maybe this was on purpose - perhaps Bix's resistance to settling down with the girl was more because of his sexuality (which in the 50s would have to be kept quite repressed, and thus not discussed or even admitted by him) than his need to be a "drifter". If the director's intent was to spin this as a sexual yarn - that the drifter drifts because he feels he's an outcast sexually; that his paternal regard towards Danny is not, in fact, paternal but spousal; that his inability to remain with Carrie is rooted in a sexual revulsion that even he does not quite understand - it could have been made more clear. Instead, we get this very bizarre alchemy of homoeroticism and behavior that is completely heterosexual.These young men sleep next to each other even when they can get some room to spread out. When Danny is propositioned (and once even in bed with a woman), Bix flips out and takes him away. Danny pays Bix's way (sure, there is another explanation for it, but it still strikes a chord every time you see Danny buy Bix's lunch). They end up living together at the end. Not since Hitchcock's "Rope" has homosexuality been so blatant but denied.MST3K did the right thing by taking this one on. Aside from Jack Elam, there is little to commend the film.

... View More