The Fluffer
The Fluffer
R | 11 February 2001 (USA)
The Fluffer Trailers

Self-effacing, boyish Sean moves to LA to pursue a career in movies but finds it tougher than he imagined. He stumbles onto porn star Johnny Rebel - a handsome, muscled dream of men and women alike - who awakens Sean’s deep obsession.

Reviews
Tomislav Stojanovic

great story great acting, and one of the best study of psychopathic mind I have ever seen. Everyone who lives in LA, London or NYC (world's 3 capitals of psychopathology) would profit from watching this. Most importantly I have never seen a better attempt in any genre to really understand homosexuality. What does it really mean? what does it feel like? After talking to many of my gay friends in LA, I found out that some kind of childhood same-sex sexual abuse (by a neighbor, priest, relative etc...)is often involved. This movie gives a good analysis of all that and makes us ask questions and think deeper. One of the best movies I have ever seen, it has everything, even balls. And music is great too.

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bellhollow

OK, so I get to see some big time actors in a movie about low budget gay porn and I learn what the word fluffer means. I am so glad I found out about that. Okay, so now we have a straight man doing gay porn and doing his girl friend and I think the new word is called bisexual. Then we have this burned out has been porn actor kill a guy for some more take on stolen property and he walks away into the wonderful ocean scenery to enjoy a life of having lovely senoritas for snacks. I really wasn't ticked off with this film until the end which just absolutely stunk. The one character is ditched and stuck in Mexico to do what, find his worthless gay porn actor again? The worthless gay porn actor is free to the life of robbing Mexican grocery stores? Why even develop the characters for such a loser ending?

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Nick Dets

After Paul Thomas Anderson's "Boogie Nights", the porn industry has been explored in a few interesting ways. Last year's "Wonderland" showed the downfall of porn legend John Holmes, a study of how desperate he became after realizing he hasn't been seen for anything but his "manhood". I recently saw "The Fluffer" which is detached to its subject, and simply shows how the characters are affected by their work."The Fluffer" is a film that unflinchingly shows the work of a small gay porn studio. I questioned its taste in some points, but I did in "Boogie Nights" also. I liked how it realistically shows how sex outweighing love leads to insanity in some form or another, but it is extremely hard to watch in spots.Wash Westmoreland's story follows a pure young man named Sean who lets himself be degraded and used in his work as a cameraman in the studio. He falls for the studio's biggest star, Johnny Rebel. Rebel is straight, or so they say, but Sean can't help but love him. I found this point interesting, how Rebel (and I'm sure many straight porno stars) reduces himself to the homosexual market for more money. Anyway, Sean lets himself be dehumanized by Rebel and soon the industry sends all their lives in the wrong direction.As a whole, "The Fluffer" doesn't fully succeed. Its messages are all told in familiar ways, (note the use of American flags to show the faded American dream for example) and the ending isn't fully convincing. However, it is a film that never stops entertaining and is definitely one of the very bravest depictions of the porn industry I've ever seen. (2 and 1/2 out of 4)

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kent-36

The Fluffer was a great story with some terrific performances. Roxanne Day as "Babylon" and Michael Cunio as "Sean" were both outstanding in their character portrayals of two people obsessed with something they couldn't have. What makes them even more impressive was the fact that the object of their passion was the one major flaw in the film. "Rebel" was as lifeless and uninteresting a character as I've ever seen on film.So, while Cunio and Day were working so convincingly at wrestling with their pain, Scott Gurney's "Rebel" made their job nearly impossible. It also made it nearly impossible for the audience to care. But somehow, Cunio and Day did make us care, and that is the art of acting at its best. The supporting cast was very good, the script was very good, the direction just so-so.

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