The Flesh and Blood Show is set in England where a group of young & aspiring actor's are hired by a production company to rehearse & perform a play which they intend to open in London, the company send all the actor's to a small seaside town where an old abandoned theatre sits on the end of a pier. It's in this old theatre that the actor's will get to know each other & rehearse the play, Mike (Ray Brooks) is acting producer & it's his job to organise everything. Once all the cast have arrived they decide to live in the theatre will rehearsing, the first while while they are trying to sleep a loud screams wakes everyone up & they soon discover that that one of their number is missing & set out to look for her. Mike thinks he finds her decapitated head but after returning with local police it has vanished, puzzled Mike has to forget it but other member's of the cast also disappear as the theatre's terrible past comes back to haunt the present...This British & American co-production was produced & directed by Pete Walker & was his first attempt at horror, I have to say that The Flesh and Blood Show is a rather standard murder mystery horror with added nudity. While there's a fair bit of naked flesh on show there's not much blood on offer, at over 90 minutes The Flesh and Blood Show is a fairly dull film that hasn't aged well either. The murder mystery aspect is pretty poor, there's no great surprise as to who the killer is & there's meant to be a double twist at the end but the film just sort of finishes before the script has a chance to do anything with it. The kills are forgettable & I am not sure what that opening sequence of blood dripping down wooden supports & into the sea has to do with anything, the character's are all sex crazed teens who enjoy playing annoying jokes on each other which provide lots of those tiresome 'fake' scare scenes where something initially threatening turns out to be a practical joke. The revelation of the killer at the end is pretty dull & his motives for murder are weak, he goes a little bit crazy as well quoting all sorts of classic lines from various plays that sound out of place here & only slow things down even more. Overall The Flesh and Blood Show is an unsatisfying murder mystery that doesn't deliver on the mystery or the slasher aspects of the story, while not the worst example of it's kind I can't say I would ever want to see it again.The Flesh and Blood Show definitely has the 70's feel to it, lots of old looking buildings with lots of dark corridors for people to endlessly walk down although the fashions don't fare so well with some hideous outfits including tight fitting canary yellow trousers. There's a fair amount of nudity here with virtually every female member of the cast going topless at least once while the gore is tame with only a severed head & a bit of blood splatter on show. The film has a decent atmosphere & looks alright but I doubt I will remember anything about it in a week. Origianlly shot partially in 3-D, the flashback sequence at the end was originally shown in 3-D but was simply black and white for most home video releases.Filmed on location in Cromer in Norfolk here in England, written by Alfred Shaughnessy who went on to be script editor on British sitcom Upstairs, Downstairs (1971-1975). The acting is OK but nothing special here, Robin Askwith appeared in a number of British horror & sex films during the 70's while Ray Brooks narrated both Mr. Benn (1971) & King Rollo (1980) & was more recently in Eastenders.The Flesh and Blood Show is a pretty forgettable murder mystery horror film that looks alright & isn't terrible but just isn't great either. Not much of a mystery to solve, not much gore to get excited about & a rather slow pace at times means The Flesh and Blood Show is a minor entry in British horror.

Pete Walker's first foray into the fright film genre prefigures the slasher cycle by a good five years and manages to wring a good deal of tension and spooky atmosphere from its novel and inspired setting of a decrepit abandoned old stage theater located on a remote pier on the British coast. The story is rather familiar stuff, but still tight and involving: A bunch of eager and good-looking young thespians join a mysterious repertory company and get together to rehearse a play at the old theater. Naturally, there's also a creepy and vicious heavy-breathing maniac loose in the place. Walker and writer Alfred Shoughnessy relate the engrossing story at a steady pace, present a gaggle of well-drawn and likable main characters, and do an able job of creating and maintaining an eerie and enigmatic mood. The attractive and appealing cast rates as another substantial asset, with especially stand-out work by Ray Brooks as fair and easygoing stage director Mike, Jenny Hanley as lovely and ambitious rising starlet Julia Dawson, Luan Peters as the sultry Carol, Robin Askwith as the affable Simon, Tristan Rogers as dashing hunk Tony Weller, and David Howey as impish practical joker John. Veteran actor Patrick Barr has a field day with his juicy supporting part as dotty and charming local eccentric Major Bell. The killer's motive for committing the murders turns out to be unexpectedly poignant and tragic. While this picture skimps on the gore and has a minimal body count, this is more than compensated for by a pleasing plenitude of tasty bare female skin and the clever and surprising conclusion that comes complete with a cool protracted flashback sequence shot in stark black and white. Peter Jessop's bleak cinematography and Cyril Ornadel's ominous score add greatly to the overall macabre entertainment value of this enjoyable little shocker.

"The Flesh and Blood Show" bookends Pete Walker's 'golden period' of horrors, with "Schizo" (1976) at the other end; it is a gruesome piece of film-making that shows improvements in Walker's work from "Die Screaming, Marianne" - and yet he is still limbering up, in truth.Patrick Barr - to be used again by PW - is excellent here, playing 'the Major', the first in a line of Walker protagonists who appear to be harmless English eccentrics, but are actually... well, that would be telling! The youth characters may be rather stereotyped, but that is part of Walker's approach: to set a licentious, permissive youth against a resentful and uncompromisingly vengeful older generation. It is much to Walker's credit that few if any characters could be described as typical heroes. And he doesn't take sides; the photography indeed mimics the voyeur's view at times - implicating the audience, using the trick first deployed by Michael Powell in "Peeping Tom" (1960).The out-of-season seaside setting - Cromer, apparently - fits aptly into this dialectic. The troupe of young actors' arrival seemingly doubles the ageing population of the resort, who can seemingly only dream of the past. It can even be argued that there are pre-echoes of Alan Bennett's use of Morecambe in "Sunset Across the Bay" (BBC, 1975) - though of course, lacking quite the same sad humour and dry insight.Still, it is an serviceable enough shocker. Not as bizarrely gripping as Walker's subsequent Melodramas of Discontent, but a decisive step in that direction. And with a script by Alfred Shaughnessy (one of the prime wits behind LWT's "Upstairs, Downstairs") and a suitably eerie score from Cyril Ornadel (who composed all of the music for ATV's seminal "Sapphire and Steel"). Oh, and Robin Askwith... who is enjoyably absurd in horror films (see also the ludicrous "Horror Hospital" from the following year), where he is rather more horrific in myriad dire sex comedies to come.

To me, Pete Walker is most famous for mature horror works such as House of Whipcord and House of Mortal Sin, but apparently he used to direct silly sex flicks and this was the film that was the stepping stone between those and the horror that he would go on to direct. The Flesh and Blood Show is a slasher at heart; but it deserves more respect than the average slasher flick because it came out before the big 'boom' in the eighties, and is therefore a precursor to the genre. As such, the film doesn't feature many of the over-used clichés of the genre - but I was disappointed as while Walker doesn't hold back with the nudity, he does with the blood - and that's not good in a film called 'The Flesh AND Blood Show'. Anyway, the plot focuses on a troupe of actors and a director that decide to go to an old abandoned theatre in a quiet town to rehearse their play and (hopefully) become big names on the London circuit. However, soon enough members of the troupe begin to vanish one by one, prompting an investigation into the theatre's unsavoury history.Aside from Walker regular Patrick Barr, this film featured two recognisable actors for me, one for his looks and the other for the sound of his voice! Robin Askwith I recognised immediately as the star of the superb Michael Gough trash flick 'Horror Hospital', while Ray Brooks' voice sounded familiar. It didn't take me long to figure out that he sounded like the 'Joe' from Eastenders, and after looking on here - it's the same guy! The female stars I didn't recognise, despite the fact that most of them had appeared in various Hammer films; but they do their job well - that job being providing eye candy! I'm guessing that Pete Walker hadn't met Sheila Keith when The Flesh and Blood Show was made. The old theatre provides a good location for the horror; its ominous rooms and corridors help Walker to create the much needed atmosphere. The film does have a lot of good points; but unfortunately for me it all comes down to the lack of blood, and the fact that it's not always interesting. The ending didn't inspire me much either, although it's not the worst I've seen from a slasher flick.