Don't think too hard. This film is about wanting to fit in as an adolescent. And not fully understanding what peers older than you are going through, but wanting to be accepted regardless.Consider the first fit, the first "episode," as real. The leader, Legs, was PREGNANT, from Donte. Maybe she overworked herself dancing? Complications? Dehydration? But she was definitely, absolutely, pregnant... and she then had a seizure, an episode, whatever it was. Chances are it was the only sincere "fit" in the film.Imagine each subsequent fit to be each girl's attempt to follow suit. To be like their "leader." The girl they look up to each day while dancing, the girl they follow, for their own reasons. Toni's dialogue is all you need to know: "Maia wanted it to happen to her." So it did. And, eventually... Toni wanted it too.It's a surreal film. Obviously Toni isn't going to get pregnant, but her mind doesn't fully understand pregnancy yet, so she throws her own unique fit. Just as each of her friends threw their own. She creates a fantasy of being accepted. She floats, she flails, she falls, and she's caught by her friends. She fits.

While the professional critics seemed to be falling all over themselves that this movie is a masterpiece, I feel somewhat relieved and encouraged that most non-professional critics had a similar reaction as mine, which is that it wasn't very good.We're all waiting to see the ending that will hopefully make sense of what we saw, and instead, I was even more confused. Even doing some online research to figure out what it all means, I have seen nothing that explains this in a satisfactory way. Coming-of-age? Of course. The lives of underprivileged children struggling to better themselves? Yep. But the problem is that it seems that the "fits" are a metaphor for something bigger, and Toni's final scene is also a metaphor for something bigger, but I honestly have no idea.It's great that the film is only 72 minutes long, but that's about it. For most people (excluding professional critics, of course), I can almost guarantee that you're going to be stunned at the high critical acclaim, and wishing you did something else with your 72 minutes.

"The Fits" (2015 release; 72 min.) brings the story of Toni, an 11 yr. old girl. As the movie opens, we see Toni doing push-ups and working out in the boxing gym alongside her older brother. But afterwards she watches a nearby dancer troupe doing their workouts, and it's clear Toni wants to join them. Toni's brother encourages her and it's not long before Toni enters a whole new world. To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.Couple of comments: this is the debut full-length feature from writer-director Anna Rose Holmer. Here she picks a familiar topic (coming of age, fitting in and social acceptance), but Holmer brings it in a unique way, focusing on an 11 yr. old girl whom we watch as she tries to find her way. There is no dialogue to speak of during the first 20-25 minutes of the movie. Instead, we decipher all we need to know from Toni's face and body expressions. Newcomer Royalty Hightower as Toni as an absolute sensation. Did I mention that the entire cast of this film is African-American? (Interestingly, Holmer herself is not.) The movie is set entirely in Cincinnati's gritty West End neighborhood (much of the film being set at the Lincoln Community Center). As a complete aside, I also noticed in the opening credits that the movie is presented by the Biennale di Venezia, yes, the famous arts fest. Bottom line: "The Fits" is an abstract, yet very real comment on a young girl's coming of age, dealing with social acceptance and related challenges.The movie opened recently at my local art-house theater here in Cincinnati. The Tuesday evening screening where I saw this at was PACKED, to my great (but pleasant) surprise. The fact the movie was shot here surely had a lot to due with it. Equally surprising was to see how many young kids were in the audience. If you are on the fence, perhaps because the movie's short running time, please do yourself a favor and check this out, be it in the theater, on VOD or eventually on DVD/Blu-ray. You will thank me later.

NYU cinematography undergraduate Anna Rose Holmer began as a camera assistant on Catherine Hardwicke's TWiLiGHT (2008) and as a grip on Lena Dunham's TiNY FURNITURE (2010). In 2014, she began scouting Cincinnati, finding not only the absolute perfect school rec hall for her directorial debut but an entire cast of young girls, all of whom attended the school.Holmer establishes a pure, uncompromising cinematic style by quietly following Toni, an 11-year old girl boxer who roams spooky hallways, longingly gazing at "legit" dance team members. The precocious newcomer Royalty Hightower has a perfect blend of introverted determination and wandering magic, while an unexplainable contagion seems to be inhabiting random girls within the school.What is so unique about The Fits is its power to hypnotize any viewer who is prepared for a full-blown transcendental journey. In fact, Anna Rose Holmer's relentless otherworldliness is exactly what puts her feature debut The Fits at the top of my list. Not only does Holmer's film combine the rigid silence and physical exertion of Robert Bresson's A MAN ESCAPED (1956) and Claire Denis' BEAU TRAVAiL (GOOD WORK, 1999), the eerie off-center camera-work by Paul Yee evokes the foggy locker rooms in Brian DePalma's CARRiE (1976) and the abandoned buildings in Paul Lynch's PROM NiGHT(1980).Most importantly, Holmer's film gives her female protagonists actual character arcs. As the mysterious virus continues to attack the class, each sequence and every shot should become more important to the audience. This cinematic process forces viewers to emotionally dig-deep within themselves to truly connect with what these pre-teen inhabitants are speechlessly experiencing. For those who stay in-synch with this 72-minute, mini-masterpiece and allow themselves to feel one of the most unique and sensational finales in recent years, genuine catharsis might actually be attained.Review taken from my 2016 Sundance Film Festival wrap up at www.48hills.org