First off, Christina Hendricks fans: don't waste your time. She's in the film for all of three minutes (long enough for the camera to linger longingly on her chest, of course) and otherwise doesn't have much to do with the plot.While pleasant enough, this movie comes off as slap-dash and unfocused. It just doesn't know where it wants to go, which story/character it really wants to follow. This is partly the fault of being based on the "dysfunctional family" trope, which works best when we still manage to care/sympathize/identify with at least one of the family members. The problem here is that we can't: the mother's a bitch, the father's an impotent robot, the son's a gun-obsessed Jesus freak (the gun obsession serving only to telegraph the ending), and the awful mother-in-law doesn't actually appear until the very end of the film. Only the fake-slut daughter comes off as somewhat sympathetic, but the film refuses to focus on her character, and she remains somewhat of a stick-figure (figuratively and literally).The lack of focus comes through from the very beginning: the film starts with a voice-over, of the gun-freak son, but abruptly drops the voice-over, only to revive it again at the very end -- in order to give a film-standard wearily wise "look at how much we've learned" speech that doesn't really work. The voice-over might have worked better if the son had been the central character and the film had been meant to examine his growth -- but he isn't and the film doesn't.All in all, it appears the director/writer didn't have a clear idea about what movie they were making. The result is a slapdash, unfocused effort.Still, for all that, the movie was pleasant enough to sit through, with a few funny bits and good performances from the actors. Not something I'd recommend paying for -- wait for it to hit cable.

"The Family Tree" is the hopelessly misleading title of a frighteningly misanthropic would-be comedy that pretends to be a clever, black satire on modern day family values and American culture. But instead of provoking guilty laughs along with sharp insights, the horrifyingly television-esque picture defies its own intentions and produces anger as opposed to wit. And I can only imagine that if anybody can find the kindness in themselves to laugh at it, then they must really be feeling guilty.Basically, if you are white, black, married, single, religious, anti-religious, homosexual, heterosexual, bisexual, on drugs, anti-drugs, studious, rebellious, blue-collar, white-collar - a human being, in other words - the picture holds you with the absolute lowest of regard. The movie centers on a family, not a family tree, and their dopey neighbors and associates. It opens with a laughless scene of the family visiting a shrink, then goes to a high school peeping tom climbing into a tree at night, spying into the family's window and the wife's chest while masturbating. A squirrel startles him, he slips, gets the loop of the binoculars around his neck, and hangs himself.Yes, he dies.While he decomposes in the tree, we follow the rest of the characters. The wife gives herself amnesia while having sex with the nextdoor neighbor, the hypocritical religious son starts doing drugs while simultaneously developing a crush on a homosexual classmate, a neighbor finds himself associate with a couple of black hip-robbers. Oh, by the way, these are just a few of the numerous subplots that attempt to provide some dark insights of American life.It's trying to be a picture like "30 Minutes or Less," a much-superior film released earlier this year. Neither film holds its audience with very high regard. So what is the difference between the two pictures and why is one a modestly successful and entertaining film with some laughs and insights and the other a sprawling, anger-inducing mess. The answer, I think, is that "30 Minutes or Less" had the wits and the courage to acknowledge what it was and play its satirical elements to a hilt. That way when I laughed at its black comic moments, I was feeling guilty for laughing at it, but being able to forgive myself because at the same time, the movie was offering some wicked and fascinating insights about contemporary culture and lifestyles."The Family Tree" only offers pseudo-insights. It never comes full term with what it is or what it wants to be or what it should be, and sparks anger as opposed to insights and laughs. Add to that some shoddy performance and a horrifically lamefooted directing style and the picture really bogs down. The movie is crammed with uncomfortably overpopulated close-ups and cheesy lighting reminiscent of dopey television comedies, not surprising seeing as how its director, Vivi Friedman, came from that field. The picture is just about an hour and a half long and it feels twice that length because it is so joylessly inept. Its specialty is not in providing information or laughs, but jolts of anger and groaning.

"I bet we're the first family ever to be fired by their therapist" After the mother (Davis) of a severely dysfunctional family has an accident and hits her head she wakes up with memory loss. She learns what she was like and what her family life was like and the entire family gets a chance to change. This is very very funny dark comedy. By very dark I mean it opens with someone accidentally hanging himself spying on the mother in bed. From there it gets darker and more and more strange. For those that like edgy humor seen in "Death To Smoochy" or newer movies like "Peep World" and "Super" then this one is for you. If you are easily offended I would stay away from this one. I however thought it was very funny. The only problem was that it got a little repetitive toward the end. Overall, a very funny movie that is not for everyone. I give it a B.*Also try - Peep World

Very funny with lots of quirks. This is a truly dark comedy about a dysfunctional family that patches itself back together again after the mom (Hope Davis) suffers a bout of amnesia after falling in the bathroom during an affair with her neighbor. The whole family has issues, and they start to put everything behind them when they see how destructive their family has become.Dermot and Hope do a great job. Definitely worth going to see. A wonderful ensemble cast that works very well together. Max Theriot and JP Amedori are breakout stars in the making. Most of these actors play against type, which makes it even funnier. Great music and wonderful dialog. Definitely worth seeing. We were laughing in the edit bay! Beautifully shot and directed. Watch for Christina Hendricks-she is a hoot!