Director Liz Garbus has made a documentary that is not impartial (what is?), but she still manages to deliver an emotional blow against capital punishment. We become a third party to barbarism dressed up in nice suits and righteous, grotesque Christian indignation. Wanda Jean Allen is out of touch with reality. As she faces her last moments of existence, she still thinks she's going back to her Oklahoma City jail cell in the morning. Even strapped to her execution gurney, she playfully sticks out her tongue and simulates dancing. She somehow thinks it's all part of a process. Does anyone really believe that the family of Gail Leathers (the murdered woman) is relieved that Wanda Jean is dead? Does that make them feel good in the morning? Maybe so, but what about the next morning? 'Closure' is a myth. Even the murdered woman's mother forgave Wanda Jean (in the spirit of Christ and the original meaning of Christianity), but that still wasn't good enough for the Bible-thumping State of Oklahoma. The contradiction glares at the viewer.It was disturbing to see this woman at the clemency hearing, where the ostensibly impartial three-person board had rubber-stamped the outcome long before the hearing was even held. It was a bad joke. One member of the board (a black man) was caught yawning and looking very disinterested. Later, he was seen laughing with another member of this kangaroo board. Director Garbus captured this brilliantly with no comment. This was documentary film-making at its finest.Wanda Jean was a murderer, for any number of reasons. We'll never know why. The State of Oklahoma was more interested in exacting Biblical vengeance than studying the murderous nature of a mentally slow human being. The film vividly shows us that she wasn't conscious of what was real or unreal. She should have been caught in the system after her first killing in 1981, long before the murder of Gail Leathers in 1988. Apparently, Oklahome has no such system. Garbus even offers us a bizarre (and dead-serious) newscast that highlights Oklahoma's 'executions of the week,' a check-list of those awaiting their fate on death row. I didn't know how to process this exercise in literal gallows humour.The emotion in this film can overwhelm you at times, particularly if you don't believe in capital punishment in general and, in this film's case, capital punishment for someone who is obviously not mentally in tune with reality.

I am sure the family knew why their loved one was in prison. They were asking why is she being executed.If that was your mother, sister, daughter, granddaughter would you feel the same about the death penalty? Killing people who kill people to show that killing people is 100% wrong. It costs more to execute a person then to keep them in prison the rest of their life.It is interesting you think they don't suffer when a person is put to death. Maybe you should tell the states who have put executions on hold right now that they don't suffer.There is pain from both families. In a matter of seconds lives can be turned upside down forever. The death penalty does not stop that. «An execution is not simply death. It is just as different from the privation of life as a concentration camp is from prison. It adds to death a rule, a public premeditation known to the future victim, an organization which is itself a source of moral sufferings more terrible than death. Capital punishment is the most premeditated of murders, to which no criminal's deed, however calculated can be compared. For there to be an equivalency, the death penalty would have to punish a criminal who had warned his victim of the date at which he would inflict a horrible death on him and who, from that moment onward, had confined him at his mercy for months. Such a monster is not encountered in private life.» copied «The lethal injection method … has turned dying into a still life, thereby enabling the state to kill without anyone involved feeling anything. Any remaining glimmers of doubt – about whether the man received due process, about his guilt, about our right to take life – cause us to rationalize these deaths with such catchwords as "heinous," "deserved," "deterrent," "justice," and "painless." We have perfected the art of institutional killing to the degree that it has deadened our natural, quintessentially human response to death.» -- Susan Blaustein, journalist, reacting to having witnessed an execution in Texas, in: "Witness to Another Execution", Harpers Magazine, May 1994, p. 53.

Honestly, on the subject of the death penalty, I could take it or leave it. The problem I have with this documentary lies in the fact that it is a complete love-fest for the murderer, with absolutely no sympathy for the family. The Execution of Wanda Jean, with it's completely one sided view, only reinforced my view that she should have been executed for her crimes. It tried to argue that she was mentally retarded, but nothing in the video supported that view. She seemed uneducated, but so did her entire family, but that doesn't mean they were all retarded. I can completely understand if someone is opposed to the death penalty, but to completely ignore the crime, as if it didn't happen, and try to put Wanda on some moral mountain top, is offensive in nature, and that's not the side of the issue I would be associated with.

As someone who is opposed to capital punishment, I found this story of a somewhat retarded black lesbian woman on death row in Oklahoma very difficult to watch. The lawyer who originally defended her was, by his own admission, unqualified, and was only paid $800 for his work. He totally botched the case, and the efforts documented in this film to introduce evidence of her retardation and brain damage which was inexplicably omitted by the original attorney were blocked at every turn. The filmmakers originally got involved to make a tape for Wanda Jean's clemency hearing, but continued to document the case after that failed.The main investigator working for Wanda Jean was at the screening on 2/28/2002, and he said that based on the evidence he heard when he first became involved, he never expected to lose. Some of his scenes in the film are heartbreaking to watch. Wanda Jean, meanwhile, remains upbeat and highly religious to the very end. This film has since aired on HBO. Seen at Cinequest (the San Jose, CA film festival).