Greetings again from the darkness. I'm not one of those who subscribe to the belief that documentary films should present all sides to the story in a "just the facts, ma'am" style. In fact, I respect a filmmaker who is so passionate about a topic that he/she enthusiastically attempts to overwhelm the viewer with "proof" that their opinion is the definitive truth and no further debate is needed. Here, renowned director Michael Winterbottom (The Trip, 2010) supports comedian/actor/activist Russell Brand in his agenda to educate the masses on the evil of big banks and rich people, and the need for re-distribution of wealth.Now that agenda may seem a bit odd coming from an admitted rich guy, but in fact, Brand's professional success lends some credibility to his argument … or at least it's a different approach than having a group of people living in poverty talk about how they got screwed by "the man".To say that Brand dumbs-down his explanation is certainly an understatement. To emphasize this, there are a couple of segments where he utilizes elementary level students to differentiate between rich and poor – what's fair and what's not. Concentrating mostly on the British economy, while also noting the similarities to the United States 2008 crash, Brand makes the argument that the turning point was approximately 35 years ago as Margaret Thatcher assumed power and Free Market Capitalism took over. It's a bizarre point coming from a native of a country whose Monarchs (not known for their "fairness") date back for centuries. However, this is an example of the keep-it-simple approach in getting the masses to join his quest.Borrowing a page from Michael Moore's long-successful script, Brand presents the big banks and the super rich as the villains of society. It's a common theme and one that's pretty easy to agree with … the banks were bailed out, and then proceeded to pay their upper management huge bonuses. The viable argument is, why don't they pay "us" back? Brand attempts to follow Moore's lead again (while referencing Joseph Campbell) by walking into the banks and asking to see the CEO's. These attempts fall flat, and leave us with Brand wise-cracking while bystanders try to figure out if it's all a prank.The most effective sequences involve Brand walking the streets of Grays London where he was raised. His discussions with the locals are real, and infinitely more enlightening than his storming into bank lobbies. The statistics don't lie – the rich are getting richer, while the rest of society struggles. George Carlin said it best … the poor are needed to keep the middle class motivated to work so the rich can benefit. Brand also rails against legal tax evasion via offshore accounts – especially in Grand Cayman. He lobbies for those accounts to be taxed and the money returned to the country of origin.Most of Brand's mission is preaching the importance of fairness, and the claim is made that by definition, capitalism is the inequality of power. Whether you agree with him or not, Brand is to be respected for using his celebrity status for a cause much more important than the best table in a restaurant, or courtside seats to a game. His simple-is-best approach carries right through to the end where he does offer up his list of recommendations to create a more fair system. If his simple and sometimes funny approach allows more people to enter into discussions, then his cause is worthwhile, even if his recommendations are a bit lacking in substance and depth.

I don't really follow celebrity culture, and just in case you think that means I'm far too highbrow to do so, I also am pretty bad at following the other end of that spectrum either. I mention this because Russell Brand is in both of those in some ways, and in both areas I am aware of him but little more than that – for some reason I don't care for him when I have seen him, but at the same time I would struggle to specifically tell you what I have seen him in. This film of course got more attention due to his involvement, and it was this publicity that drew me to watch the film, even if it was the message that I actually wanted to hear.In terms of that message, it is perfectly worthy and valid, and, as Brand says at the start of the film – really nothing you have not heard before. Problem with that sentence is that it is only part of the truth, because not only will you have heard all of this before, but predominately you will have heard it all done better too. Brand seems to have been identified as the key problem with the film, but for me the whole approach and tone of the film is off – okay it is off because it is modeled around the Brand brand (if you will) but this is not a solo project, there are other people who should have evened this out, not least of which is Winterbottom. The issue with the film is evident from the very start, because no matter its other faults, the film is at least consistent across its running time. It appears to be aimed at 'the people', or at least the perception of who 'the people' are. What this means in reality is that we have the 'geezer' factor turned up to 11, everything is a little bit cheeky, and things are played out in very simple terms, and with a very basic structure and approach.For some maybe this will win you over, but personally I found it grating and patronizing – and not just Brand. To focus on the content (as we should), the film has this great point, but it makes it far too simply; getting school children to yell out like the film is a panto doesn't work, and the film not having access to people beyond security guards also doesn't work. Many other devices and specifics fall flat, and the fact we have heard this all before does tend to come across even louder – and the fact it isn't working just highlights how much better others have covered the same material, whether in documentaries or in satirical news shows. This is my fundamental problem with the film – that it doesn't make its case at all well; however there is no point in me pretending that Brand himself is not a big part of this. His style and manner here seems so insincere and patronizing. His efforts to 'speak to the people' seem too labored, and his many throwaway sentences attempting to charm just grated on me; he does appear to have good intentions, but he overplays the act of 'I'm just a simple bloke me, just a local boy like yourself mate' – for example saying he doesn't know anything about Libor when he so clearly does, as if angry ignorance is something he thinks will appeal to those watching (which maybe is true, but it still speaks to his views on the 99% when he thinks such a character is one we will appreciate). To be fair, in the film people do seem to respond to this approach, so he may well be a matter of taste.Ultimately the film is Brand and it is hard to separate them. As such it is a film with a mostly worthy message and intent, but done in an insincere and messy fashion which seems to be trying to ingratiate itself to the populace but actually just comes off as an insincere act which at best is a bit grating, and at worst is patronizing and condescending.

He's bringing up some really good points about the lawlessness of the city when it comes to financial crimes committed by the banks.One thing he keep's blaming it on is a 'free market' This is just simply not true, we don't have a free market by any stretch of the imagination.We live in an oligarchy with the rich being above the law.Don't be fooled, more power to government is not the answer.There's been many attempts to blame it on capitalism, since Marx. This has never and will never lead to a revolution that will do the common people any good whatsoever.

Entertaining film concerning some of the inequalities present in the UK. Brand takes on the banking policies that caused the 2008 crisis. Calling for bankers for their risky behavior to pay the price rather than the most vulnerable through austerity cuts.Brand's delivery is typical of his comedic works lively with plenty light-hearted moments despite the largely serious content presented such as: disabled people losing their benefits and council estates being privatized by UK councils. Overall, those interested in an alternative to current system of governance will find this film a breath of fresh air and interesting insight into the future of our society.