Look at that cast! I guess with that lot you'd need a different plot from your usual Spaghetti Western plot (anti-hero, corrupt businessmen, Mexicans) so here we instead get a Dirty Dozen set up…which is the plot of many an Italian war film.This one starts off with our hero Captain Kaleb of the US army discovering that his wife has been raped and flayed by a bunch of Apaches. After putting her out of her misery, Kaleb goes nuts at his superior officer as they were supposed to be guarding the mission where his wife was working. After shooting his superior officer in the leg, Kaleb heads off for the wilderness to go rogue and kill loads of Apaches.Two years later, General John Houston turns up and demands that they find Kaleb for a special mission (They haven't seen him in that time, but it takes about five minutes to find him!) and promises him a pardon if he'll take a team of men over the border and wipe out a certain Apache army that's been troubling the US – but who will make up this Dirty Dozen-or-so? There's Chuck Connors (explosives expert, smoking), Ricardo Montalban (Native Indian, overblown philosophy), Woody Strode (Engineering, punch ups), Slims Pickens (good ol' Southern hospitality, tobacco chewing), Ian Bannen (Sarcasm, full of Buckfast) and some other guys. They all do what a Dirty Unspecified Quantity always do – start training! This being the seventies and not the eighties, we get a fairly long training scene instead of a montage.After all that crap, it's time to go on the mission, but wait, Kaleb's superior officer has something to tell them, and I'd love to tell you what that is, but just as he's about to speak the Mill Creek version of the film immediately cuts to the Dirty Group heading for their destination. Thanks Mill Creek! Thanks also for the bit where Kaleb tells the group to shut up and ride in silence when no one was talking.As you'd expect from films like this, this lot don't get on very well and have a few punch ups on the way, and not everyone will make it to the epic battle at the end. In tone this plays out a lot more like an American Western than an Italian one (although it's as violent as an Italian one!), which means it wasn't quite as daft, although I loved that bit where they are hoisting a donkey up a cliff face when the Apaches ride by, causing everyone to dive for cover and leave the donkey hanging there, looking genuinely perplexed.

Totally acceptable Italian western utilizing many American character actors. My only gripes are the weirdly inappropriate score, and Indians who look suspiciously like Europeans. John Huston easily steals every scene as the Calvary General who doesn't mind sending Bekim Fehmiu and his band of misfits on a suicide mission. The desert scenery is exceptional, the acting passable, and the action strong. This film has some very sharp editing, thus eliminating scenes that would do little to move the story forward. It is also one of the least predictable westerns I have seen. Put this all together and you have a rarely viewed film, that deserves far more attention. - MERK

What can I say about this film? Well, it has to be first Nixon doctrine spaghetti western with a frustrated general complaining about the rules of engagement that prevent him launching a search-and-destroy mission on an Apache stronghold in Mexico (Hmmmm...substitute Apaches for the Vietcong and Mexico for Vietnam...) It even has a buckskin Rambo, that being Captain Kaleb, who wants to take out the entire Apache nation after his wife is murdered.Well, this gets me to the movie. It is one of those movie that used to get made in the Sixties and Early Seventies where scores of actors are assembled in various stock roles, with a screenplay that has recycled every action movie convention without much spark or imagination. And then there's Bekim Fehmiu. I've seen more vivid performances from driftwood.In short, it's one of those movies you watch on a Saturday afternoon, when nothing else is on and pay very little attention to it.The only exception I would have to make it for Piero Piccioni's score. It's got that cheezy late sixties jazz thing going on (apologies to Dennis Miller..) Other than that, it is nothing terribly memorable...

Bekim Fehmiu had got a lot of exposure in _The Adventurers_, so here's Hollywood wondering if it should keep him around as a leading man. He gets a good director and a dream cast of character actors to support him. And there's a line in the script to identify him as a Serb in case you need an explanation of his accent, but the line isn't necessary; his English is fine. Still, the burden is too much for Bekim. The film is a particularly dark Western. Writer/directory Kennedy, whose other films display a lot of warmth and humor, has given the star little to work with but grief and righteous resentment. You wish the hero well, but he doesn't engage you, and Bekim can't draw the missing sparkle forth from his own personality... not for an American audience, anyway.We're left with a B movie, a movie that can command your attention but not your love.