I've only ever had the chance to see this film once in a cinema years ago but it's stuck with me. On the face of it, the plot is not very interesting- soldiers holed up in a remote fort in a non-place waiting for an enemy who never turns up... but the locations are incredible, the score is by Ennio Morricone and there is a constant tension between the characters and within themselves... they are just waiting around for the war to begin. The real war is within themselves.

I just saw this film a few days ago and it had a very strong impact on me. I was extremely impressed by Zurlini's "Girl with a suitcase" and "violent Summer" (The excellent NoShame release - grab it if you do not already have it!)but this film is the work of a very mature director.Zurlini has the confidence to slow everything down. The camera-work is stunning (the location in Iran is breathtaking, magical). The acting is extraordinary - this film is a meeting place for some great actors. There is often little dialogue and so we feel accutely the presence that these actors have - Gassman, Perrin, Trintignant, Gemma, Von Syndow etc. For me so much of the film is about the feeling that is created not the specifics of the storyline. The actors have a wonderful sincerity - a lot of eye contact demonstrates the closeness that these people feel at a human level.The story - I have not read the novel therefore I do not claim to have any clear idea of the exact message but for me the film is about the feeling it creates. It made me reflect. Not so much on understanding the meaning but on the characters themselves and the various emotions we have as humans.I did however feel that the pace and feeling of the film changes after Perrin is sent back to the fort after his request for a transfer is declined. A lot of the peacefulness of the film goes and a more agitated atmosphere prevails.Nothing is made clear - mystery prevails. The final shot of the approaching horsemen is unforgettable. Morricone's score is top-rate.Altogether an extraordinary work - images, characters and acting that that left a strong impression on me. I am very curious to see more Zurlini.I have the Italian DVD of this film. I am very tempted to buy the NoShame DVD for the quality of their releases and the extras.

The closest comparison for this film is "2001: A Space Odyssey". whether you were awed or bored by Kubrick's masterpiece, you will probably react the same to this one. Yes, it is slow-moving, and little happens, but I was on the edge of my seat throughout. A breathtaking masterpiece.

The fact that this film ever got made is a marvel. Some of the biggest stars of European cinema got together with Zurlini to make this one-of-a-kind film about boredom and existential despair. The profound emptiness lurking within every man as he tries to cope with an absurd existence and which always looks for an escape through some distraction or mindlessness (such as war, pointless work, perversion, etc.)rather than face the frightful prospect of coming to terms with itself IS the subject of this film and NO COMPROMISE WHATSOEVER is made to please the audience. The pace of the film is slow and methodical, deliberately making the audience become as bored and uncomfortable as the protagonists. However, if you know this or sense it, you are no longer bored but aware of the film's intentions and fascinated. When the finale comes to bring together all that went before, the understaed effect is overwhelming. One shot in particular, that of the Tartars suddenly appearing over the hills way out in the distance is so fantastic that it becomes etched in your mind forever. The story is about a military officer (Jacques Perrin) sent to a fort somewhere in the middle of a god-for-saken desert where the endless similarity of the days nearly drive him nuts to the point where he comes to hope for a war or attack of some kind to change things. He's hoping for anything that'll distract him from feeling the emptiness inside and can't find it. The plot is the laboratory experiment by which Zurlini expounds his view of the eternal isolation of man from man and the essential absurdity of existence. Some of the most bizzarely fascinating location photography is featured but the tone of the film is intentionally 'dry' and 'non-poetic' (unlike the very poetic way his previous film "The Professor" starring Alain Delon was made, for instance)and most of the stars (except for Von Sydow and Trintignant) have relatively small roles. Trintignant is pretty hilarious in his role as the fort's doctor. Overall, "Desert of the Tartars" is a not-too-successful (its impact is nowhere near the level achieved by Antonioni's "The Passenger", for instance) but still thoroughly fascinating experiment in uncompromising dramatic cinema.