Why do I rate The Cat so highly? In no way is this the scariest film I have ever watched, nor is it the greatest. But the acting, coupled with the feature's ability to blend great emotional depth, alongside developed characterization, a mesmerizing plot and a spooky atmosphere, make this a film that certainly ought to be experienced.Slightly similar to the Grudge and Dark Water, the title of the film should have been pluralized, because there sure are a lot of puddy cats that occupy the feature. So-yeon (Min-Young Park) works at Kitty N Puppy, a pet store that not only sells animals, but is dedicated to the grooming and cleaning of our four legged friends.Suffering the affects of claustrophobia after experiencing a childhood trauma, So-yeon goes out of her way to ensure her life is free of the obstacles that heighten her condition. The fear she often feels is well articulated on screen, and is further accentuated through the terror that begins to haunt her so.After Silky, a cat So-yeon recently pampered inexplicably dies, the cat finds herself temporarily without a home. Her friend, Jun-seok (Dong-wook Kim), a police officer investigating the peculiar death, asks her to take Silky in for the time being. Immediately after So-yeon agrees, she finds herself plagued by nightmares, and whilst awake sees images of a little girl.Unlike stereotypical Asian horror, the ghost of the young girl is not equipped with a head of hair in need of immediate trimming. Rather, what separates her from other ghosts are her unique cat eyes, and even when she is hiding in the darkness, those eyes of hers, so bright and haunting, are clearly visible, and add to the feeling of being watched. This is further implied by the camera, which is occasionally from the perspective of the girl herself. The way the ghost is portrayed, and how she can unexpectedly jump out at the audience is excellently developed, providing a good number of jump scares.When So-yeon's friend Bo-hee (Da-eun Sin), alongside other people who encounter cats they bring into their lives, begin to witness the ghost as well, it becomes clear that she is no illusion. When people's lives begin to be put in jeopardy, So-yeon discovers she is going to have to combat her own fears if it means uncovering the truth behind the ghost, and the connection with the cats.Unlike other horror films, where deaths are often the same, though there is more than one occasion when a body is contorted in terrifying fear, other times the deaths are quite surprising, with some combined originality. Though it becomes predictable to know when a character will die, it is how, that will always keep your interest.Though the Cat is not the most terrifying feature ever encountered, despite the effective ambiance, what audiences will occasionally find most shocking is the treatment cats receive when in the care of animal shelters and other such accommodations. The lacking dignity and humility provided to the cats really hits home about the cruelty that takes place behind closed doors, and one scene, when a cat is put to sleep, the look of terror upon the poor animal's face is wretchedly heartbreaking. In this sense, The Cat is a film that requires viewing, if not for the story or character relationships, then for the brutal honesty of the environments cats are often forced to endure.The Cat is bound to keep you on edge from the opening credits, through to the final scene, the tension and mystery surrounding the plot been pivotal to the success of the movie. The emotional depth is as equally satisfactory, and by the film's conclusion, you will want to curl up next to your kitten and give them a great big hug.

Fragile, So Yeon works at a pet pampering parlour: where she puts makeup on unsuspecting animals. There she starts to see the terrifying apparition of a young girl. Her psychiatrist tells her it is connected to her claustrophobia and gives her further medication, but when a customer mysteriously dies, in a lift, So Yeon takes ownership of her cat, and both deaths and apparitions occur with increasing frequency.So Yeon reluctantly searches for answers with childhood crush, turned cop, Joon Suk.Is So Yeon delusional or are those pussy cats really demanding their money back, with menaces? For the answer, Watch this, or "ring" or "Dark water" or ........

I don't get scared watching horror films usually as I've been watching them from the age of 5 and I'm over 40 now. I've watched everything from slasher movies, extreme gore splatter fests, monster movies etc but there was something about this film which was different from the norm. The acting was superb and the film well paced. The main character in the film suffers from claustrophobia which is a condition I too suffer from and perhaps this meant I could relate to the character on a personal level. The storyline itself was quite simple of a vengeful ghost of a girl seeking retribution for being buried alive. The special effects were simple but effective. The ghost looked scary and quite menacing and puts big budget Hollywood to shame. I loved the way the ghost was in the corner of the peoples eye and we didn't see too much of it. Also a nice touching ending showing the girl overcome her claustrophobia and still have her love of animals.

With a bland title like The Cat (with a Korean subtitle as funky as "Two Eyes See Death" according to Google Translate), it just about signals how blasé horror films can be these days especially when they dip into the generic bag of scary tricks to assemble a horror feature film by stringing together a series of cheap jump scares, and then finding an excuse to weave a narrative around the usual mystery cum unfinished business cum body to be found and exorcised type of storyline.Granted the premise and set up is something begging to be done, and done it is with this Korean film, otherwise we can make a film called The Dog and have the dog howl at every suspenseful instance to signal some supernatural presence, which doesn't really work that well. Cats usually have this connotation to witchcraft and its eyes being quite creepy to look at especially in some form of darkness, so in the animal itself you have a ready made plot device in which to weave a narrative around. Here the chief pussycat called Silky belongs to a plump woman who was found dead in the lift to her apartment, and for reasons only cat lovers can identify with, So-Yeon (Park Min-Young to wide-eyed perfection) who worked on and groomed the animal before its owner's demise, got stuck with the feline.As if one warning isn't enough, expect to see a whole slew of bodies turning up, usually accompanied by the shadowy appearance of a little girl, played by Kim Ye-Ron, whose sister Kim Sae-Ron had in recent years become a child acting force to be reckoned with in films like A Brand New Life and The Man From Nowhere. I'd wonder what made her sister take this path early in her career being decked out in face paint and acting all creepy, but herein lies the expected back story as to why and how this little girl and her cat, are out there trying to spook and become avenging angels against all cat abusers, which in a way seemed noble enough a reason to do what they did.Ultimately writer-director Byun Seung-Wook does little except to showcase that he's as capable as other directors before him who have executed the usual suspense build up, and the typical jump scares to make audiences squeal, complete with sudden loud noises, light and shadow play, and tapping upon the expertise of makeup artists who applied the feline face of death look which is inspiration for anyone wondering just how to dress up during this year's Halloween. And to make matters worse, without the numerical advantage in getting characters bumped off, or have random bodies appear just to spook, The Cat would betray that it's actually all of a short film only, being extrapolated just because of its repetitive scare tactics to introduce another dead body under extraordinary circumstances.The Cat will thrill anyone who hasn't seen his or her fair share of Asian horror films, otherwise to horror fanatics, this is yet another film exercise for the fimmaker to chalk up a genre film under his belt. This is one weak pussy after all.