The Camomile Lawn
The Camomile Lawn
| 05 March 1992 (USA)
The Camomile Lawn Trailers

Presents the lives and loves of a family of cousins from 1939 to the present. Follows very closely the Mary Wesley novel. Begins with a funeral and uses the reminiscences of those gathered to fill in details in the lives of Richard and Helena and their nieces and nephews.

Reviews
trpdean

This is one of the more propagandistic things you'll ever see - and within moments you can rat out the way the characters, situations will go - if the character/situation is self-pitying, libertine, atheist, self-absorbed, licentious - he/she is loved. If disciplined, restrained, religious, frankly patriotic or traditional, he's hated.It's a simple by the numbers job.Thus, although some here have written of this revealing how the war changed people's morality, this is false. We see before the War ever begins, that we're watching as rotten a group as one can imagine - deeply self-pitying and selfish people - women without any kind of femininity ("sure, I'll have sex with you whenever you like once I've married a rich man"), men without any kind of masculinity ("sure, I raped as many women as often as I could - committed war atrocities, sure, the lot - it was WAR and I know war and you don't" (and I can't stop talking about it because I'm as self-pitying a human as you'll ever ever meet! Why, I saw men die!")).I hated these characters - really loathed them right down to the ground.This was a grave disappointment because I have really liked so many of the actors in other things - from Nicholas LePrevost to Jennifer Ehle, from Rosemary Harris to Toby Stephens, from Paul Eddington to Felicity Kendall to Richard Johnson. Perhaps the book is better - but I doubt it. It's the characters and story that I found despicable.

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May-11

After reading the rave reviews on this site I bought this DVD. I love British (period) drama, and many favourite actors and actresses were in these mini-series (Jennifer Ehle, Paul Eddington, Toby Stephens...). What can I say? It's absolutely awful. There isn't anything redeeming about it: the plot is ridiculous and boring, the script is embarrassing and all seem to be giving the worst performances of their lives. As mentioned by others, there are lots of delicate issues like adultery etc. and usually I'm fine with it, but in these mini-series all incidents are just uninteresting and ridiculous. For the first time, I gave a 1 out of 10 rating to British mini-series. I'm not even watching the second DVD. P.S.: By the way, I was particularly disappointed with Jennifer Ehle, who I have loved in each and every role (Pride and Prejudice, Possession, Paradise Road).

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notmicro

I'd been curious for years to see this thing, both because of the very interesting actors, and the period setting. Now I've just watched the British DVD, and found that its absolutely brilliantly done, and compulsively watchable. Its basically the saga of an "extended family" from 1939 to 1984, focusing on the females - all of them quite lively, and several of whom have luckily married into money. The characters are admittedly somewhat shallow and self-centered, but nevertheless fascinating. The acting and direction are so wonderful, and the story is so intriguing and amusing, that it all just flies by, leaving you wanting more. I suspect that this is one of those rare times when the "film-version" improves on the original book. Kudos to Channel 4 for having successfully tackled another edgy piece of material.It takes some time getting accustomed to the affected and presumably somewhat archaic upper-middle-class accents assumed by some of the actors. The occasionally plummy and arch dialog, particularly between Calypso and Oliver, started to remind me strongly of watching Rex Harrison and his wives elegantly sniping at each other in "Blithe Spirit (1945)". As an American this blows right by me; I can only guess that, for the UK audience, the accents will place the characters very firmly in time, place, and class.Trivia note: young Sophy is played by Rebecca Hall, who is the daughter of the director Peter Hall. She turns in an amazing performance.

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andyb-4

Jennifer Ehle is certainly attractive and shows a lot more in this epic than in her later Jane Austen roles. But for an example of dark and sultry pouting look no further than Tara Fitzgerald. This production also features everyones 1970's favourite pin-up Felicty Kendal, but she's playing an old woman here folks!

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