This is one of the saddest relationship films I have seen! It's like a bizarre wet dream with a couple who are destined to destroy themselves. It was made with a low budget, and anyone who doesn't appreciate that is a loser. Chloe Sevegny is so lucky in this role to work with Vincent Gallo, as he is my idol and i worship him! The ending - OMG i love it!

Most of the scenes are Bud in the driver seat, looking like he got a lot on his mind, with some shit-ass background sound.

Motorcycle racer's road leads to women that do not match his spiritual context. The women try to escape their own vanity; disarmed of answers about their nature, they meet in poignancy, verbal absence and part in dismay.If the very first version of the movie lasted forever, it would be about right. A total presence of Bud Clay in his self journey with the all-pervading sense of death has no equals. Vincent Gallo the actor alienates in the women's land, scattered as a flowers' field, he isolates as a driver of the eternal conflict - to be loved, to love. This conflict is so real and near, that those who are not touched, can only be diverted to the entertaining plots, let's suggest, Fun in Acapulco (1963).The events and memories unfolds in an unusual pattern of time, taking the film out of a framed composition. Bud Clay's needs are visible, yet unpredictable; no clear answer can be found to explain the reason. The spectator understands the cause of his feelings towards the end of the movie, when Clay's shard of glass is broken in the scene with Daisy.Vincent Gallo the director appears as an engineer of the film's unique emotional DNA, as an architect of an intricate interior of our psyche and conscience, as well as an anti material painter of America's landscape. In the light-years V.Gallo has been measured as a goldsmith of interesting filming. Being a little less blind, the spectator is presented with a possibility to undergo a nowadays rare, unsimulated film luxury, serving saturated visual and auditory imagery. Imagery reluctant to leave You a good while, after the journey has reached a no destination.People that find watching their toe nails grow more interesting, can find their jealousy satisfied and be deprived of seeing later Vincent Gallo film, for the director's boat is too gracious to moor at their unsound shores.

A terribly boring film. Though it do has a story to tell, it barely covers any sort of a storyline... At times this makes it hard to sit through. Nevertheless, it is a movie that had to and was bound to be made, as the idea comes through well; and an emotional state which is kind of complex, is portrayed silently, without much interaction, and then, in the end, the reasons and history are revealed. If you look at only certain parts of the film it might seem as if it were but hours of driving, a little atmospheric in a way, but far from enough to give a reason to sit through the whole film... The whole film has an amateur feeling, meaning that there is nothing special in the screenplay, cinematography, or music -- the story itself has one or two lines that are pretty original, though, and around the end it becomes unusually explicit, which gives a slightly realistic vibe to it all in all.