Above Average Randolph Scott Western Directed by the Sometimes Interesting Andre de Toth. This One has a High Entertainment Value because it is More Violent at Times and has a Mystery Element that Keeps Things Going.There is a Fight Scene where Scott Burns the Butt of a Bad Guy on a Stove and a Head Shot Squib that was Very Rare in 1954. The Characters are a bit more than One Dimensional in this Movie that was Shot in 3-D but Released Flat.There is a Surprise Ending and Enough Gun-Play and Fisticuffs to Satisfy Western Fans and Scott's Cynical Bounty Hunter is Off Beat for a Fifties Protagonist. Marie Windsor's Wide Eyed Bar Girl and Ernest Borgnine are Highlighted Supporters. For a Weakness there is the Obligatory Marriage for that Fifties Family Wrap-Up Smarminess.Note...Not in the same league as the Anthony Mann/Budd Boetticher 1950's Westerns but a bit Better than Most of its Ilk.

TCM included this Randolph Scott film in it's recent night under the stars. This one is made for a 90 minute second banana under feature. For an under feature it has great color print and supporting cast includes Ernest Borgnine.In this movie the star of the later movie Marty has a pronounced limp as a part of his character. Scott puts in another impressive performance. The camera angles used by the director of this one are quite impressive too.The 1950's are rich in Westerns as even television was cranking them out in record numbers. Enjoyed this one myself.

Protagonist Jim Kipp is a bounty hunter with a reputation for catching those he goes after; it is this reputation that brings the famous Pinkerton Detective Agency to his door. They had been hired to track down those responsible for the robbery of $100,000 from a train during which several people were killed. They only have one clue; the three surviving robbers were last scene at a trading post one year ago. With this tiny piece of information Kipp heads to the post and learns two things; one of the robbers was wounded and they only bought provisions for a three day ride. The only town within three days ride is Twin Forks so he heads there. He soon realises he is in the right place when people start lying to him although he still doesn't know who he is after and there are plenty of other people who believe he might be looking for them as they have committed other crimes. The longer he stays in town the more tensions rise and things become more dangerous for him; especially after he lets it be known that he is expecting a picture of the robbers to come in the mail the next day.This was rather an unusual western in that we don't know who the bad guys are until very end; this serves to keep the tension high as anybody could be a danger. Randolph Scott puts in a solid performance as Kipp; a character that may have been unlikable in other hands... his determination to get the job done is all that appears to matter to him. Dolores Dorn does a decent job as potential romantic interest Julie Spencer although Marie Windsor is more interesting as the sultry Alice. There is a reasonable amount of action here including several shootings and a brawl where one man makes the mistake of attacking Kipp and ends up sitting an a stove... for quite a while! There are plenty of suspects to choose from and when we do learn who the robbers are there are one or two surprises to be had; I must admit I only suspected one of the three! If you are a fan of Randolph Scott's other westerns I'm sure you'll enjoy this one too.

The Bounty Hunter sees Randolph Scott star as a Bounty Hunter tracking down three murdering train robbers who may have settled down in the small town of Twin Forks. It's directed by Andre de Toth, in what was the last of six Westerns he made with Scott. It's written by Winston Miller (story) & Finlay McDermid, and features support acting from Marie Windsor, Ernest Borgnine, Dolores Dorn & Howard Petrie. Music is by David Buttolph and Edwin B. DuPar photographs it at Redrock Canyon & the Warner Ranch in California. Coming as it did during the 3D boom of 1953/54, it was shot in 3D but ended up being released in standard flat 2D. Out of Warner Brothers it was shot in their own color format known as WarnerColor.During the early days when civilisation was pushing its frontiers farther and farther West, there roamed a special creed of men. . .neither outlaws nor officers of the law, yet more feared than either. For reward money--they tracked down criminals wanted dead or alive, and made themselves both judge and executioner in some lonely court of no appeal. They were called "Bounty Hunters".The WarnerColor may be dull and lifeless here, but that in no way sums up this perky Randy Scott Oater. Scott was always at his best when playing loners or troubled and pained drifters, in short, when away from a group dynamic he was allowed to flourish as the fine actor he was. So it be here as he lays it on as a no nonsense good bad guy! Quipping away in the face of aggression, Scott is able to portray a man not to be messed with-who is happy to kill for cash-yet remain charming and always endearing himself to the audience. It's quite a knack to be so tough yet also be so affable. But Scott on form could do it in his sleep, and to my mind that makes this an essential film for Scott fans to consider outside of his work for Boetticher & Peckinpah.Once he reaches Twin Forks, the film gathers apace and starts to unfold as a whodunit like mystery. Sure the writing is not forming the townsfolk with any great urgency, and by golly it isn't hard to figure out who the hiding out villains are. But watching the town start to crack under the strain of either being suspicious of thy neighbours, or fretting about being found out, makes for an entertaining piece as Scott moves about them with almost sadistic glee. The smiling assassin comes to mind! It put me in mind of one of Audie Murphy's best film's, No Name On the Bullet, so any fans of that film should certainly get much from this one.There's nothing to write home about technically, Toth deals in standard file and rank direction and DuPar's photography is lost within the dull sheen deliverance at Warner Ranch. While the support cast are nicely dressed, and made up, but ultimately just talking props serving to let Scott grasp the film with both hands. But grasp it he does! With gun in hand, tongue in cheek and the heart of a lion, he lifts this piece above its many other budgetary failings. 7/10