Well, God and my friends sure know I had my share of bad Asian horrors, so thank you for delivering this little gem. It looks small but the potential is explored as much as its budget allowed it to.Very few places used in this movie, either they had a lack of finances or maybe they just wanted to keep it small, so it can feel more personal, helping the viewer to connect more with the main character. Did it work? I think it was a direct hit! No point in saying too much about it, cause I fear I may reveal important details in it, thus I will do nothing more than recommend this one. It works as a horror, has some nice humorous lines in it and that good ol' twist at the end! So don't read too much into it, watch it and thank me later.Cheers!

"The Booth" is a riveting character thriller informed by a convincing realism and familiarity It's totally focused on a broadcast booth, a radio talk show star, and female retribution. The Nippon Broadcasting Co.'s studio 6 sets the scene. A veteran late night talk show host receives a call from a woman suicide partner whom in thirty years has never grieved for. The phone and the lines start to sear with disruptions, he gets guilt/ghost stricken by her voice, feels trapped in his booth, and hangs himself. Many years later a popular radio host for Tokyo LoveLine is forced by circumstance to do his show from that same closed down studio. Shoto is all the rave with the late night lonelies, especially with the women listeners. He's totally in control, holds his audience in his hands, and can effectively run the emotional gamut a show like this requires. He's a potent mix of expressive personality, manipulativeness, insensitivity, gratuitous sympathy, and showmanship. Despite his womanizing (on the air, but mostly in flash backs) women adore and trust him. We are in Shoto's shoes, as his image fills the screen for the duration. We ride his highs and squirm with his lows. But the highs are at best very intermittent because Shoto is suddenly faced with a similar predicament to his suicide predecessor in Studio 6. Except this is the extended circuit, the prime feature in full color. The booth quickly becomes claustrophobic as line interruptions and voices start to disrupt his advice conversations with jilted lovers. The voice "you are a liar" begins to distract him to such an extent that he cannot focus on the actual conversation, and his fright state makes hearing impossible. His trusted assistant can only do so much to help him answer his angry callers who accuse him of being a bad listener and out of control.The great communicator is caught naked--he cannot communicate and fakes his way through to music breaks. He grows more and more distraught as the booth seems to be conspiring against him, He feels more and more crampt, and desperate losing all scope, and all fellowship with his technical staff. Is he up against the ghost of a woman he has abused and perhaps left for dead, her actual self, an office staff conspiracy to bring him down, or plain guilt? What we do know is that crimes against women possess these two love experts to the point that these harmed women inhabit them and demand their own justice. By what medium this is done is not important. What does matter is that these betrayers of women can no longer live with their hypocrisy, their crime, their guilt. And that their huge public gets the message. The key strength of "The Booth" is that in never abandons reality for fantasy. The dead indeed may have awakened, but in a way that no viewer can doubt. Thirty years of stoical waiting in a grave, or several hours afloat in the vast sea, that impact can arise out of nothingness is never in question. If the two women have been given the power of lovers, so can they possess the power of judge. The booth itself is proof of that. (grade 7+)

I liked this movie because it basically did more with less. It could have been made more interesting if they had kept it confined to the studio even more (though some of the plot elements would have been harder to develop).The guy playing the DJ did a good job of showing someone spooked out and haunted by his memories. I also found his dialog with the callers pretty funny.While parts of the movie you can see coming a mile away, other parts you do not expect to turn out the way they did.I thought it was a pretty minimal ghost story for the most part, concentrating more on the living side of the equation. The last 5-10 minutes were pretty well done as everything is being revealed.While it was a shorter movie, it felt to be just about the right amount of time to tell the story. Any more and it would have started to drag.

The Booth puts a whole new twist on your typical J-horror movie. This movie puts you in the shoes of the protagonist of the story. The director wants you to see what the protagonist sees and thinks.The story is about perception of the people who works, lives, and loves of our protagonist, and how he perceives the people who surrounds him in an antiquated radio station DJ booth. The story peels back the layers of the main character like an onion in flash-backs as the movie runs its course, and from it we learned that things are not always the way it seems. The movie mostly took place in a small, out-dated radio station's studio with a very bad history, where the main character was forced to broadcast his talk show due to the radio station was in the process of re-locating. It is from this confined space that this movie thrives and makes you feel very claustrophobic and very paranoid. At time our protagonist can not determined the strange happenings in the old studio were caused by ghost or some conspiracy by his co-workers or it was all in his mind. What I like about this film is that the film-makers makes you see through the eyes of the main character and makes you just as paranoid as protagonist did. This movie is a very smart, abide rather short 76 minutes film.