The Black Marble
The Black Marble
| 07 March 1980 (USA)
The Black Marble Trailers

When alcoholic homicide investigator Valnikov is transferred to a burglary case that seems to involve a creepy dogcatcher, he's also given a new partner -- the pragmatic Sgt. Natalie Zimmerman, who's experiencing a midlife crisis and does not welcome Valnikov's company. But as these emotionally bruised cops are drawn deeper into the bizarre world of dog shows, animal fanatics and pet cemeteries, they're also drawn to each other.

Reviews
shepardjessica

The only thing wrong with this movie was the way they handled it upon release. I'm not into Wambaugh cop films, but this was different. Good performance from Robert Foxworth and a lovely, nuanced one from Paula Prentiss (who was NEVER nominated; believe it or not). These are some messed up folks in L.A. in 1980 from different culture, but good cops. Harry Dean Stanton is perfect as the dog-napper, but this flick has a rhythm. You never really know where this film is going; all the Ukranian background of Foxworth and Prentiss' patience with this troubled over-worked mess of a guy, patiently works a semi-romantic tinge to this strange cop film. It's a 7 out of 10 for sure.

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jimhass

This movie has all the signs of a film that sat on the shelf for a while. When The Onion Field came out, this made Wambaugh (and James Woods) hot again, and they decided to release it -- that's my guess. Look at Woods, in the pre-stardom, almost extra role of the Fiddler.The reason is simple. Robert Foxworth stinks it out. He delivers such a soft center in the role, the proceedings are even difficult to understand.The other problem is that the dialogue is long long, pointless and drawn out. The action crawls along a foot a minute while the characters make small talk.Paula Prentiss is fine, as is Harry Dean Stanton. But sometimes movies don't always jell, and this one sure doesn't either.

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BurnKnee

A very underrated film that can be called a cop movie, a buddy movie or an odd couple movie; mainly, one that's funny, human & absolutely beguiling. And it gets better each time I see it. The scene in which Robert Foxworth seduces Barbara Babcock (or vice versa) saying again & again, "I'll find your doggie"; the scene in which Paula Prentiss hilariously seduces him as a Russian gypsy song plays in the BG; Harry Dean Stanton as a dog lover who doesn't want to harm the dog he must harm to be credible as a blackmailer; James Woods' violinist who wants to stop playing & pee; the Russian restaurant; Foxworth's drunken opening scene in a Russian church--all are so wonderful & so well acted that the movie is an absolute delight. It's not to everyone's taste, but it sure is to mine. At first, it was a lovely surprise. Now, it's like an old friend.

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Blooeyz2001

I saw the trailer for this movie in 1980 & it looked interesting. I had never seen it though until recently when I bought a copy for $2.99. I like Paula Prentiss, so I thought I'd like this movie. I didn't. I was very bored. Nothing interesting or exciting takes place. The romantic aspect of the story is tedious & mundane. I didn't find it amusing either. Paula looked great & the endearing, goofy qualities she conveyed in other films is toned down here. I was happy when this movie ended & I doubt I'd ever sit through it again.

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