The Big Caper
The Big Caper
NR | 28 March 1957 (USA)
The Big Caper Trailers

A con artist moves into a small town to spearhead a payroll robbery.

Reviews
Movie Critic

Not too bad for this type B noirish thriller (except the criminals don't get away with it darn it--but this is 1957--no body got away with any thing.)The plot: Frank (Rory Calhoun) enlists Flood (James Gregory) to help him steal 1 million dollars that is deposited every payday in a small town bank near Camp Pendleton for the military payroll. The plan is to have Kay-Flood's girlfriend (Mary Costa) pretend to be married to Frank and go to the small town where the bank is located 6 months before the heist and blend into the local community by buying a gas station and a house (far too nice and expensive for a tiny gas station owner by the way)---Hollywood never had much reality in these type of details. Somehow by living there this will make the caper work I guess by supplying a safe house where no one will think to look for the money---because neither Kay nor Frank are critical to the robbery itself. It is OK to pass some time since you know in the beginning this caper will fail and there is nothing particularly suspenseful about any of it. It is competently acted and filmed...gets a 5 or 6.RECOMMEND

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Michael O'Keefe

Robert Stevens directs this crime drama; almost the perfect crime. Frank Harper(Rory Calhoun), a con man down on his luck and flat broke, goes to a long time crime boss named Flood(James Gregory)to ask for set up money for the perfect crime. It takes some convincing, but Frank knows for sure that a small-town bank regularly has the near by Marine base's payroll deposited. Flood figures that if he sends his girlfriend Kay(Mary Costa)with Harper to set up house as a new couple to the community they could prepare for the caper without suspicion. Calhoun comes across real cool. Costa is convincing as a pretty woman that needs affection and the chance for a real life. Planning out the heist is interesting. Other players include: Robert Harris, Paul Picerni, Roxanne Arlen and Ray Teal.

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BILLYBOY-10

This is a 1.5 hour train wreck. Scene one we know RC (star Rory Calhoun) is determined to rob a bank so we immediately know happily ever after ain't gonna happen. He enlists an old ex-con pal to plan the caper.Normally you would blow into town unknown, pull off the job and split but instead RC buys a gas station and a house, befriends the the community, joins the Country Club to get everyone to know an love him and his fake wife for six months and THEN pull off the bank job and stick around for another month and then split town. Brilliant plan, right? I don't see it that way myself but his old pal is a criminal master mind so what do I know? Half the flick revolves around the fake life of our fake schmaltzy couple until the various characters involved in the caper show up in town to plan and carry out the caper....and boy, do I mean Characters with a capital "C". First the pyromaniac gin addicted torch man, the spooky masochistic body builder looney toon, a floozy dame whose name is Doll, the businesslike safe cracker and a harmless watch-out. As this gang of idiots play out the train wreck really takes place and naturally ends in the inevitable pile up with our rehabilitated fake couple promising to hook up no matter what. The End. Nice old DeSoto's tho.

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ccmiller1492

"The Big Caper" is a neglected noir thriller that deserves a lot more recognition...this is one of Rory Calhoun's best and most atypical roles. The pace is brisk and the acting quite good even in the minor roles. A very effective sense of threat and menace are maintained throughout, building tension, grabbing and holding the viewer's interest. Calhoun's and Costa's criminal characters' pretense of the "straight life" as a struggling young married couple in a small town is very striking as the set up to their elaborately plotted bank robbery. Gregory is appropriately frightening as the murderous kingpin. Calhoun was at his height at this time and shows that he had enough skill and screen presence to justify awarding him bigger and better roles outside of the westerns to which he was mostly relegated. This film has undeservedly been eclipsed by many others, less engaging, of the 50's.

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