The Big Boodle
The Big Boodle
NR | 11 March 1957 (USA)
The Big Boodle Trailers

Tough guy fights gangsters and counterfeiters in pre-Castro Cuba.

Reviews
oscar-35

*Spoiler/plot- The Big Boodle, 1957. An American casino card dealer in Cuba gets involved in accidental passing of 'funny money'. He doesn't want to be included and does his best to protect himself.*Special Stars- Errole Flynn, Rossana Rory, Pedro Armendariz, Jacques Aubuchon.*Theme- Sometimes life takes you for a ride despite your protests.*Trivia/location/goofs- Film Noir, B&W. Second to last Flynn film made before his early death at 50 years old. Filmed entirely in pre-Castro Cuba.*Emotion- Film Noir was all the rage in Hollywood and so was Cuba as a exotic island film location. Mr. Flynn wad his sailing boat and some homes in the local are around Cuba. The script is extremely well written, acted, and casted with Mr. Flynn. This film is a gem despite it's strange title.

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Russell Claus

In his prime, Errol Flynn was one of the most charismatic men to ever grace the silver screen.This movie was not made in his prime. If you watch this film, having never seen The Adventures of Robin Hood, Captain Blood, or any of his other films pre-1950, you might find something to like here. The shots of pre-Castro Cuba are interesting if for no other reason, historical value.If, however, you've seen what Flynn was capable of. Watching him bumble through this role is sad to watch. Even in 1957 Flynn was a fit man, a scene with his shirt off shows that, but his face tells another story. His face has the look of a man waiting to die or already with one foot in the grave. He looks ghastly.The plot of the film is nothing great or even good. Just a simple, cheap film about some money counterfeiters. The plot is immaterial.Watch this film if you absolutely have to see every Errol Flynn movie, but don't act like I didn't warn you. Viewers interested in Cuba might find something to enjoy. At least it was filmed on location.

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Art La Cues

I recorded "The Big Boodle" when it played on TCM and expected to see a "train wreck" of a movie based on articles and books I have read. I was most pleasantly surprised to see a very entertaining film. I thought that Errol Flynn and the supporting cast were uniformly good. Errol again showed what a great star and actor he really was. The plot was plausible and the pace of the movie moved right along. I am surprised by the negative reviews. "The Big Boodle" is a more substantial film than many more critically acclaimed films... and,by that,I mean mainstream movies that are supposedly "A" quality. Errol brings a worldly weariness appropriate to his role. I was surprised to see how fit he appeared and how involved he was in his portrayal. I believe that he would have been magnificent as Rhett Butler in "Gone With The Wind" which he lost reportedly, due to Betty Davis' refusal to make that movie with him in the leading role. "The Big Boodle" shows what a serious and outstanding actor he was in even a modestly budgeted film

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LHMovieBuff

A reluctant actor from 1953 on, Flynn roused himself for this unremarkable film. After splitting from Warner Brothers in 1953 he chose William Tell as his first solo effort, eager to star and produce. Flynn's finances never fully recovered from the resulting quagmire. This 1957 film arguably got his attention because as well as giving him a much needed pay cheque, it was also filmed on location in Havana. The location work is it's best feature. The Black and White photography adds to the Havana experience. The film is also helped by a good support cast, plus a plausible turn from Errol Flynn. The story, what there is of it, is about a world weary Croupier Ned Sherwood (Flynn) whose life gets almost fatally complicated "one night" when he finds himself with counterfeit Pesos. Pedro Armendariz is a delight as a crafty Colonel who doesn't believe or disbelieve Sherwood's story. Faced with no help from the Police Sherwood follows the funny money trail and uncovers some dislikable characters plus a larger plot. He also meets up with a mysterious blonde (Rossana Rory.)and Gia Scala (From Guns of Navarone). Sherwood struggles to untangle the web and clear his name. Despite the premise, location and likeable cast, the film is only just watchable. Flynn is worth seeing in one of his later roles, with Black and White allowing Flynn's hardening features a creditable rugged handsomeness.

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