"The Bespoke Overcoat" (this is the more known version) is a British 35-minute live action short film from 1955, so this one is already over 60 years old. It is the story of one man who is freezing cold longing for the item mentioned int he title, but it is all too late and he dies. However, not even this can keep his ghost from returning and with the help of a friend still try to get the bespoke overcoat. As for the time common, it is a black-and-white sound film and this one was really successful with awards bodies as it took home the Oscar and also had a pretty good time at the BAFTAs that year. The cast may probably be especially known to British film buffs as I must admit I don't know any of the gentlemen in here. Sadly I must say I did not enjoy the watch too much. Perhaps at 20 minutes it could have been a really successful project, but at almost twice the runtime I felt that it had some lengths and eventually these also made a negative impact when it comes to the pretty emotional ending that is certainly the highlight of the entire thing. Don't get me wrong, this is by no means a failure, but I believe the awards attention may have been a bit too much. I am not sure if it is worth sitting through the first 32 minutes for the last 3. I would say no. That's why overall i cannot give a positive recommendation here. i suggest you watch something else unless you are really a huge fan of any the actors in here, who by the way were all a lot younger back then than they may appear to be.

An elderly clothing store worker asks his boss if he could have a new coat to replace his old battered worn-out garment. He is denied this one wish by his cold hearted boss and so asks his tailor friend if he could make him one instead. His friend agrees to make one for cost only but, sadly, the old man is soon thereafter fired from his job and quickly dies of pneumonia. He returns as a ghost to his friend and they steal a coat from the shop, one that he considered his right given his many years of loyal service.This short was directed by Jack Clayton, who would go on to helm important films such as The Innocents (1961), another film about ghosts although coming from an entirely different place. This small-scale movie actually went on to win an Oscar for best short film. It is very well executed with very good acting by all involved. It packs an emotional punch too, with its simple story about friendship and loyalty handled in a way that never goes for over sentimentalism and achieves its objectives by more subtle means. The moment when the old man disappears into the darkness is really a very sad moment indeed and it is done so simply yet so poignantly. A very good example of what can be achieved in the short film format.

Celebrated British fantasy short from an equally famous source, a story by the great Russian novelist Nikolai Gogol which has been filmed several times (I own two other adaptations myself: the 1952 Italian version and a 1954 TV program also made in Britain: interestingly, both of these had served as dramatic showcases for comic stars i.e. Renato Rascel and Buster Keaton[!] respectively). For the record, yet another acclaimed cinematic rendition of the tale is the Russian one from 1959.In the case of the film under review, however, the essentially low-key handling benefits tremendously from the presence of character actors in the central roles (and also by emphasizing their Jewishness): Alfie Bass – some of his mannerisms here would be reprised in Roman Polanski’s horror spoof THE FEARLESS VAMPIRE KILLERS (1967)! – is the poor and meek clerk, who wishes to own an overcoat that would shield him from the cold environment at his workplace (ironically, a textile business), and David Kossoff the modest but “Number One” tailor he entrusts with the task.Actually, the film begins with Bass’ funeral – and Kossoff buries the coat with him, the former having died (of a broken heart from being sacked) before it was completed. Subsequently, the tailor is visited by the ghost of the clerk – recounting the animosity with his employer, how the ownership of the overcoat became a question of dignity and pride, how he lost his job and ensuing lonesome death. Bass, however – who feels spited, having been shown no gratitude for the service he diligently rendered for so long – asks Kossoff to accompany him to the shop intending to ‘abscond’ with a piece of expensive fabric (finally settling on a sheepskin coat).Director Clayton boldly chose to treat ghost stories with the same level of realism accorded to a gritty drama (see also THE INNOCENTS [1961], on whose R2 SE DVD this short was thankfully made available) and for which he employed cinematographer Wolfgang Suschitsky (especially effective are the transitions from the present to Bass’ recollections and back again) and composer Georges Auric (who supplies a lovely score). The end result – which emerged both an Oscar and Venice Film Festival winner – is fascinating and virtually flawless, ensuring its solid reputation (for a short subject) among cineastes.

First, Wolf Mankowitz could write. Just about the worst thing he ever wrote was "a kid for two farthings" and that was pretty good. This was the best thing he ever wrote.Second, both Alfie Bass and David Kossoff acted brilliantly and must have been cast by a genius.Third, the Director also knew what he was about. He shot the film straight down the middle and didn't waste a frame. I suppose I must have seen it for the one and only time getting on for fifty years ago. I still remember some of the lines - "Flying jackets? In these jackets you can fly?" - and the ghost of Fender refusing to walk through the wall because he "felt silly". Didn't somebody get nominated for an Oscar?