I thought this was a very good movie. I always found it amazing that Jennifer Jones was so effective in it as she was hardly a young woman when making this movie. Nevertheless, you hardly notice it and she is really excellent in it. I also thought Gielgeud (I think I am misspelling his name!) and McKenna were also excellent. I love when she is able to tell him after he orders her to get the dog to kill it, "She took Flush with her." It is such a triumph for Barret, for the sister, and of course for Flush too!!! Another reviewer mentioned that they kept thinking of The Heiress in watching this movie. I have thought so too at times. I feel De Haviland would have been great in this role, or actually in a few other of Jones' roles over the years too (Good Morning Miss Dove, Love Letters, and Cluny Brown all come to mind). But Jones was wonderful in each and in this one too. She certainly makes one seek out some of Barret and Browning's poems.

Sidney Franklin's 1957 remake of his own 1934 "The Barretts Of Wimpole Street" is virtually perfect and stands head and shoulders above the original which is a very good, very enjoyable film, but which is also extremely saccharin in tone. A fault which this version never falls prey to. Thanks to the talents of all involved especially those of the excellent Jennifer Jones and the genius John Gielgud this version succeeds almost supernaturally in being amazingly affecting without even a hint of the maudlin.The true story of the material is undoubtedly one of the greatest love stories in human memory, and the depth and wonder of that is ably conveyed here. We not only love to see love triumph, but also to see evil defeated. I have rarely been so satisfied on that account by any film as this one. The defeat and humiliation of John Gielgud's tyrannical, incestuous Mr. Barrett is exquisitely portrayed.Both Jones and Gielgud should have received Academy Awards. Compare the two versions and see for yourself.

"The Barretts of Wimpole Street" (1957) tells the story of the romance of real-life poets Elizabeth Barrett and Robert Browning, despite many odds. In 1840's London, the Barrett household is one of fear and unhappiness. Elizabeth, (Jennifer Jones) the oldest child of the family, has been sick and forced to stay in her bedroom for the last several years. Also in the household are her two sisters and five brothers, all of whom are under the thumb of their tyrannical father, Edward (John Gielgud) a widower who found that since he lost the love of his life, he would not allow any of his children to marry either, in particular, Elizabeth, the one daughter who he claims to love. Elizabeth has been corresponding with a young poet Robert Browning (Bill Travers), however, and finds that the more she falls in love with him, the healthier she gets, but the healthier she gets, the more desperate and tyrannical her father gets.The story as I told it sounds like it could be kind of interesting and fun in a high-drama type way, which is what I was expecting, but it actually was pretty boring. And when it wasn't boring, it was creepy. Gielgud is a great actor of course, and was great as Robert Browning, a man who needed to look up Freud in a couple of decades. His devotion and stranglehold on Elizabeth was actually pretty disturbing, particularly when his desperation grew to a fever pitch at the end of the film. I have never liked Jennifer Jones, and I didn't like her in this movie. I'm not sure what it is about her exactly, other than the fact that I consider her a mediocre actress – perhaps it is because she always has this look on her face that is a weird cross between anguish and when you feel a sneeze coming on. With a story as bizarre as this one, so much more could have been done to make this film a good one, but unfortunately it just turned out mediocre at best. 4/10 --Shelly

Although not as engaging as the original play, This film adaptation of BARRETTS OF WIMPOLE ST is a very well made film. John Gielgud gives one of his finest screen performances as Edward Barrett, he is despicable yet worthy of pity. Jennifer Jones is strong as Elizabeth and her character unfolds beautifully before your eyes. The actors who play the clan of brothers nicely delineate each role so they are individuals and not a unit. this film does suffer a bit from the over emphasis on the elizabeth/browning relationship as opposed to the father/daughter one but I suppose this was the hollywood trend toward romance at the time.