Every now and then Hammer Films sidestepped vampires, Frankenstein, period costume, and other horror fodder, and knocked out a film which didn't fit their expected profile. The Anniversary is one such, but it is also a horror in its own way.The Taggart family get together for a family gathering - "celebration" is entirely the wrong word - under the auspices of eyepatched matriarch Bette Davis. And, as the occasion moves along, it becomes clear that each family member desperately needs to move away from the malevolent maternal influence, but also that every family member (and their partners, where relevant) is completely outclassed by the manipulative old witch, who is able to keep them exactly where she wants them - under her thumb.This adaptation of a stage play is a very funny black comedy, with Miss Davis having a blast playing a gloriously over the top monster. This is not to belittle the rest of the cast, who provide wonderful prey for Mother.This overlooked film is well worth catching.

Anniversary, The (1968) ** (out of 4) Bette Davis made her second and final appearance in a Hammer film with this dark comedy that certainly gives the actress a memorable role. In the film she plays a mother from hell who invites her sons and their families back to her mansion to celebrate her wedding anniversary. Once the sons get there, mommy goes to work by ruining their relationships with their women and really sets her eyes on her youngest son's fiancé (Elaine Taylor). This black comedy has a lot going for it except the laughs. I really found most of the humor to be too dry to really work and in the end I can't help but be disappointed in this film even though we get Davis eating as much scenery as anytime in her career. Whether she's wearing her red or black eye-patch, she gives it her all in creating a woman you can't help but hate not only because of how mean she is but because of how cocky, arrogant and just downright vicious she is. Davis chews up one scene after another and really controls and punishes the rest of the actors in her way. The only one of the supporting cast that really stands a chance is Taylor who is quite easy on the eyes and comes off pretty good. Her character is the one who fights back at Davis and the young actress makes you believe her toughness. The screenplay is fairly straight in terms of it trying to get humor. There's really no slapstick or any physical laughs but instead it's mostly dialogue driven. The dialogue itself isn't the greatest and a lot of it focuses on meanness rather than anything else. One of the sons enjoys dressing in women's clothing, which is another easy gag that never really provides any laughs.

This is probably one of the all-time BEST performances by Bette Davis you will ever see. As I understand it, this is not easy to find and if you are a true Bette Davis fan, you simply MUST have this! The simple plot revolves around Ms Taggert's (Bette Davis) yearly tradition of celebrating her wedding anniversary even though her husband has been dead quite some time. Not only does she insist on commemorating the occasion but DEMANDS that her sons, ALL of whom have their own issues with Mother Dear, attend along with their respective families. Then Bette proceeds to tear into them unmercifully because she knows they will put up with it all for the sake of good ol' moola! Knowing this, Bette pulls no punches and delivers one of the funniest, most brutal, scathing, lowdown, and over-the-top CLASSIC performances in film history.This is vintage Bette. Trust me. No Bull. You simply MUST see this! It is just a stitch!!!!!!!!!!!!!

It's my favorite Davis performance post-BABY JANE among her horror films. THE ANNIVERSARY, with Bette as the evil but grand Mrs. Taggert. From the moment the film begins she is constantly in control, even in those scenes where she is not physically appearing.It is her wedding anniversary, and her three sons and the wife of one and the current girlfriend of another are in attendance. And in the course of the ninety minutes of the film, no matter what attempts to put Mrs. Taggart into her place or at least into a more reasonable frame of mind, she comes up trumps in making them feel like garbage. To be fair Mrs. Taggart has some grounds to be so vile - her missing eye is due to the antics of her sons. But even so, she takes bad behavior to a new level.I have a sneaking suspicion, giving the devilish charm she brought to the role, Davis enjoyed this film. She was (despite her denials) a very difficult woman to get along with, and probably enjoyed how her character totally dominates this film. But it's done with such panache. Look at how she notes her youngest son's girlfriend (a cute looking blonde) has a secret physical defect that she uses her hair to hide. And she does so accidentally reveal it to the entire family.Nobody escapes her witchery. In the course of the film she is getting some tiresome phone calls from one of her tenants about the work she did in constructing his house. She is as sweet as molasses in calming him down, but once she has hung up she tells her oldest son that they use a third rate repairman to fix the tenant's problem. Indeed, the last sequence in the film, when Bette passes a fountain that is of a male figure who shoots out water in a "unique" manner shows Mrs. Taggert's view of how the world should be treated.