Bekim Fehmiu (Black Sunday) is Dax The wealthy playboy son of an assassinated South American diplomat who discovers that his father(Fernando Rey,Frog Number 1) was murdered on orders of the corrupt president (Alan Badel) a man who was his father's confidant and who, in fact, his father had helped put into power. He returns from living the playboy jet-set life in Europe to lead a revolution against the government. This is an overly long film at two hours and fifty five minutes! it is entertaining but some of the scenes could easily have been edited out! it's based on a novel by Harold Robbins, Ernest Borgnine has little to do literary! all he does is stand about at the beck and call of his charge! It's Directed by former two time James Bond director Lewis Gilbert, the action scenes are amazing if this was produced today it would feature CGI for the battle/crowd scenes, It is a dated picture due to the fashions and unrealistic blood! which looks like red paint.

Ten-year old Dax (Loris Loddi) watches as soldiers massacre his family in the war-torn South American country of Corteguay, in 1945. It's an experience that has a profound effect on the boy, and influences his actions and behavior as an adult. Dax grows up to become a European playboy (Bekim Fehmiu), who periodically returns to the ongoing national upheaval in his home country. The film's underlying premise is fine. But the screen story is a mess.For one thing, Dax, the central character, is not very likable as an adult. He's too smug, too self-important, too haughty, and emotionally cold. If he's so concerned about the never-ending violence in Corteguay, why does he spend so much time hobnobbing with the rich and snobbish in Europe? His motivations don't really make sense.Second, the plot contains too many secondary characters that come and go, throughout. It's hard to keep track of them. For its large cast, the film is almost devoid of characters with whom the audience can identify and become attached. For all their "importance" and "savoir-faire", these secondary characters are hopelessly shallow and cold.Third, the film's dialogue is awful. It reminds me of one of those dreadful 1950's sword and sandal movies, with lines of dialogue so ponderous and so burdened with momentous gravity, you would think they should be delivered only by Hamlet. The film veritably drools with this overwrought melodrama.Further, the film's plot irritatingly oscillates between South America and Europe. One minute we're in Courteguay watching two poor, starving children begging for food. The next minute we're at a gaudy fashion show in Europe, or at some highbrow party listening to some lady belt out an operatic aria. It's as if the writer couldn't decide what story he wanted to tell.And the film's violence is excessive. The civil war subplot in Corteguay requires some brute force and destruction, naturally. But the violence here is much too personal, too graphic, and too gratuitous.To its credit, the film does have good cinematography, especially outdoors with that beautiful South American scenery. And the costumes and indoor production design are lavish, almost too much so, at times.Ultimately, "The Adventurers" is a pretentious bore that takes itself way too seriously. The characters are unappealing, the plot is muddled, the violence is excessive, and the dialogue is laughably ponderous. All of these liabilities are then magnified by the film's three-hour runtime.

I took my wife to see this one at the drive-in when it came out. I was only making $85 a week at the time, so three bucks to see a movie meant a lot. We left the theater about half way through this mess. Even the World News clips that they showed at intermission were better. My wife really loved the Robbins' novel, but had to admit that Wally Cox would have made a better Dax than the yahoo they had playing the part. The only reason we stayed half way through was because I wanted to see John Ireland...I reached for popcorn and missed his appearance in the film. This one is over-long, badly acted and bloody, extremely bloody considering when it came out. I was REALLY mad because I passed up "Vanishing Point"(1970) to see this klunker.

I liked this movie when I first saw it in the UK. It was R rated and deserved to be. Definitely for mature audiences. Don't know why it was released as PG rated in US. Lost some of its mature content and bite as a result.