A numb comedy with Edmond O'Brien; Hillary Brooke has a bit role, as a cool divorcée.There is some slapstick; the camera-work has gusto, but occasionally, as in the theater scene (the thrown bottle), and when cars show up. The dialogs aren't very witty, and the movie seems to have been written as a sentimental comedy, perhaps it even acquires some warmth; the storyline, suitably episodic, has even a boxing match (as another occasion for slapstick, perhaps a bit rancid), the crew spends a couple of days with the admiral, so there result a few vignettes (on sea, at the theater, at the boxing match). O'Brien exhaled hopelessness and disheartening, and the role behaves him; he looks creepy and disappointed, but his role requires this, and the movie is essentially a vehicle for him, as the other male players are either bland or unlikable (Vallee). His crew, though, isn't very appealing.The comedy is unusual (and a bit joyless, a bit gloomy, though it wasn't meant as such; but, to be just, this joylessness can't be attributed solely to mediocrity, as the plot reveals the dramatic situations of the crew: only that it does it not gradually, from the beginning, the gleam of dread shows already in the lead's style, and also, though unintentionally, in the vapid cast): a sentimental plot reminding of the '30s, and slapstick gags, and surprising ideas, like the boxing scene. The directing is mediocre, the script: unusual, the cast: variegated and inexpert; the crew should of been colorful, but comes across as indifferent, and almost creepy and untrustworthy, for a girl to team up with them spontaneously, trustingly: for scoundrels and blunderers, the crew is bland, and for bruised guys, they are underplayed. Deeply, O'Brien isn't a comedy actor.To a certain degree, it builds, despite the numbness; it grows on you. By the end, there is an impression of thoughtful plot.Wanda Hendrix was A. Murphy's wife.Here at least, she seems a mediocre actress.

This movie is one of those true gems that seems to have slipped through the cracks in time. It wasn't a big hit in its day – most likely because it wasn't made or distributed by one of the major studios. It didn't have the build-up and promotion that the majors gave their films. Nor did it have a big name cast to sell it. But, "The Admiral Was a Lady" has an excellent screenplay with a wonderful story. It's main plot is supplemented with a subplot, and then another, and finally a sort of surprise subplot toward the end.The title refers to the female lead, Wanda Hendrix who gives an excellent performance of a discharged ensign WAVE, Jean Madison. But the main focus of the film is the character of Jimmy Stevens, a former Army Air Forces bomber pilot and captain, played by Edmond O'Brien. O'Brien is exceptional in this role. Had the film been made by one of the big five or six studios, I think he would have had an Academy Award nomination. The fact that this film, with its particular story, doesn't have any of the glamorous leads of Hollywood in the roles, makes it all the more real and down to earth. That is, real for the times and situations, if not the particular and peculiar circumstances of Jimmy and his crew. O'Brien was 35 when this film was made, and he would go on to win an Oscar and two Golden Globes in his career, with another Oscar nomination.The rest of the cast were all very good as well. The technical aspects and production were all very good. This is not a film with lots of laughs, and it doesn't have slapstick. Rather, it is a film with a tremendous number of humorous situations. One after another, they build on the plot and form subplots as the film progresses. Each situation or encounter adds more smiles and chuckles. It has just enough repartee between Jimmy and Jean to give added laughter. And over all of this, there is a sense of friendship and camaraderie, and kindness toward others, that gives a special glow to the film. At some point, viewers may begin to wonder what the heroin voices about this group of discharged World War II vets. "When are they going to stop being deadbeats and get back into life after the war?" Then, the little surprises of the film will start to unravel, thanks to Jean's own kindness and caring for the guys. The plot has a lot more written into it than meets the eye. If the Armed Forces had more people like Captain Jimmy Stevens, it might have saved considerably in the post-war costs to treat veterans and help them readjust to civilian life in peace time. And, it surely would have benefited countless veterans who for many years – even decades – suffered with what then was called "combat fatigue." Today we know it as PTSD (post traumatic stress disorder). It's very interesting that Wanda Hendrix had just come off a divorce from Audie Murphy. They had married in February 1949 and divorced in April 1950. It was the first marriage for both, but Murphy was suffering form PTSD from his service in WW II. He was the most decorated serviceman of the war, and performed many heroic actions at the risk of his life. But, his experiences left deep scars and he woke up screaming at night from nightmares. He had a terrible temper, slept with a loaded gun at his bedside, and carried weapons with him to the studios. His recovery was very slow. This movie has some historical value also for its depiction of the time after WWII and the programs to aid veterans adjusting back to civilian life. I don't know of any other film that has anything about the "52-20" program. That was an unemployment assistance program for war-service veterans to help tide them over until they could find work. It paid $20 per week for up to 52 weeks. The program was part of the GI Bill (The Servicemen's Readjustment Act of 1944). The GI bill included college aid, costs for technical school training, the 52-20 program and some other provisions. The American veteran population at the end of the war was 15,163,000. The 52-20 program began in September 1944, and it was extended four more years until 1949. More than 8.7 million veterans received help from the program. In its last year, only 840,000 vets had used their full entitlement, and there were 650,000 veterans still on the rolls. But 14.5 million had returned to the work force or gone on to college or technical training. Incidentally, the plane that Jimmy and his crew flew (which they called Sinful Sinthia), was a Douglas A-20 Havoc light bomber intruder. The normal crew was two or three, but Jimmy's plane had four. The U.S. made nearly 7,500 of these aircraft that served from 1939 through 1944. Besides the American Army Air Forces, the RAF and Soviet Union used many A-20s. Ohers that also flew them were France, Australia and the Netherlands. This is a movie that is sure to please most viewers. It's a warm comedy romance that includes a slice of life and history for WWII vets in the years right after the war.

Following service in World War II, four pals - former employment agent Edmond O'Brien (as James "Jimmy" Stevens), boxer Steve Brodie (as Mike O'Halloran), interior decorator Johnny Sands (as Eddie Hoff), and cab driver Richard Erdman (as Oliver "Ollie" Bonelli) - return to civilian life. But, the four men don't want work to interfere with collecting veterans benefits. On the unemployment line, they meet pretty WAVE Wanda Hendrix (as Jean "The Admiral" Madison), and romance ensues. The curiously mismatched cast start out at a disadvantage, and only make up for the incongruence in a couple of supporting roles.**** The Admiral Was a Lady (8/4/50) Albert S. Rogell ~ Edmond O'Brien, Wanda Hendrix, Johnny Sands, Steve Brodie

The Hollywood treatment of the problems of returning servicemen after World War 2 took many forms - sob stories, psychological dramas, films noirs, even musicals - but this film is unusual, perhaps even unique, in giving them an irreverent screwball slant. The script sparkles with wise-cracking dialogue, and the action proceeds headlong in unpredictable directions. It is the sort of movie that the phrase "never a dull moment" was coined for. The two leads did full justice to their parts, but they lacked the star status to impress the critics. If Claudette Colbert and Cary Grant had been cast, or Jean Arthur and Jimmy Stewart, they could have performed no better, but this film would now be assured of its place in the annals of screwball comedy instead of being neglected and almost forgotten. Luckily it is not lost. It is available on DVD in eminently watchable condition, albeit without the full restoration that it deserves.