Smooth nightclub singer Jean Clery (a solid and affable performance by Jean Bretonniere) has to take care of lovely and precocious schoolgirl Brigitte Latour (exuberantly played with tremendous verve and sexiness by Brigitte Bardot) after Brigitte's father gets in trouble with the police for possible forgery. Naturally, Brigitte turns Jean's life topsy turvy. Director Michel Boisrond, who also co-wrote the blithely inane script with Roger Vadim, relates the wacky story at a constant snappy pace, stages the slapstick set pieces with considerable skill and flair, and maintains a likable lightweight tone throughout. Of course, Bardot's delectable'n'delightful effervescent presence keeps things bubbling along; her boundless vivacity and striking pulchritude are a total treat to watch. Mischa Auer has a funny bit as a bumbling dance choreographer. Raymond Bussieres easily cops the top acting honors with his excellent and engaging portrayal of Jean's loyal befuddled butler Jerome. The song and dance numbers are a lot of merry fun. Moreover, a sassy sharp-tongued parrot provides some of the film's best and biggest belly laughs. Kudos are also in order for Joseph C. Brun's vibrant widescreen cinematography and the infectiously jaunty score by Henri Colli, Rene Denoncin, and Hubert Rostaing. A pleasant and amusing romp.

In Paris, when the owner of the nightclub Mississippi in Pigalle Paul Latour (Bernard Lancret) is wanted by the police accused of distribution of forged dollars in his club, he asks his protégée and lead attraction of Mississippi Jean Clery (Jean Bretonniére) to protect his beloved daughter Brigitte (Brigitte Bardot). Jean is engaged of the psychoanalyst Lily (Françoise Fabian) and brings the wild and rebel Brigitte from her conservative boarding school to his fancy apartment while Paul travels to Lausanne to meet a friend to clear his name. While waiting for the return of Paul, Brigitte turns Paul's life upside down and they fall in love for each other. But the Parisian police and the counterfeit ring are chasing Brigitte, but Jean, his butler Jerome (Raymond Bussiéres) and his friends protect the girl."Cette Sacrée Gamine" is a delightful and naive entertaining. The predictable story is silly, uses many gags, but is supported by the adorable twenty-two year old Brigitte Bardot. This movie works first because of the beauty and charm of BB and Raymond Bussiéres is responsible for the funniest moments. My vote is seven.Title (Brazil): "Garota Levada" ("Naughty Girl")

A red-headed 21 y/o Brigitte Bardot is completely beautiful and charming in this easygoing tale. Ms. Bardot is charming and delightful as a klutzy young lady who completely wins you over. This is not one of her better films and she plays a complete innocent in this compared to her sexier roles.A 5 out of 10. Best performance = B. Bardot. Misha Auer is amusing as a dance choreographer. There's not a lot to recommend except for the lovely and naive Brigitte. All of her films are worth seeing, even the sillier ones such as this. It's hard to believe she made AND GOD CREATED WOMAN the same year as this. Long live BB!

Bardot is gorgeous and so is the production, which aspires to a near-Hollywood gloss, but this is mainly tired, formula comedy smelling faintly of imitation Damon Runyon. Bretonniere is no Yves Montand, and BB's big dance number is a failed imitation of Leslie Caron's introduction in "An American in Paris". Fans of "Time Code" (or perhaps "Tucker") may enjoy some clever split-screen effects that appear to have been achieved with trick sets instead of multiple exposures. A potential guilty pleasure for those who crave 50s CinemaScope eye candy.