Can easily rate as rajnikanth's best performance. Cinematography, background score is excellent.

I first saw this movie during Diwali in 1991. I used to be a school student then. This movie got rave reviews during its release and with great difficulty I got tickets to watch this fi;m! At first viewing I just loved it though I had a tough time listening to the dialogues as theatre was packed with Rajni fans who would shout and whistle at almost every dialogue of Thalaivar! I then watched it many years later on TV and then got to watch a very good print on DVD.This is one of the most technically well made Tamil films till date. Mani Ratnam and his team made an all time classic! Wish more of such movies were made these days! The story, direction, screenplay, acting, music, cinematography are all spot on! I especially love this movie's cinematography and background music! I think this is on of the best photographed Tamil movies ever! Every cinematography student should study the photographic style of this movie! The lighting, camera angles, shot composition are just superb! And Then Ilaiyaraja's background music is just awesome! The story of this movie is inspired from Karna's character in Mahabharata. Karna was Kunti's illegitimate son (given to her womb as a boon by the sun god Surya) and had to let go of him as she was unmarried, She later married Pandu and gave birth to the Pandavas while Karna grew up on his own and later became a very good friend of Duryodhana who was a cousin and sworn enemy of the Pandavas. Rajnikanth's character is based on Karna while Mammooty's based on Duryodhana and Aravindswamy character is based on Arjuna.This movie has loose parallels with Mani Ratnam's Nayagan which was about a Don and one of his friends from young age became his main henchman. Thalapathi's story is about the main henchman of a don. Both movies have similar patterns such as the main character getting bruttally hit in the police station and later the police trying to destroy the entire gang of the main character.Like Nayagan Thalapathi is a violent film, In fact more violent. I remember when watching it first in theatre (had an U/A cert) this movie had lots of gory scene. I recollect with horror the scene where Rajni shoots of the fingers of Manoj K Jayan or the climax scene where Amrish Puri's head is blown of by Rajni's gun. THis and many gory moments were later removed for broadcast on TV and surprisingly even the DVD didn't have it! I doubt there any original unrated prints of this today.This movie isn't without its flaws. To start with I wasn't convinced over the way Rajni and Mammooty became friends whereby Rajni swears to give his life for Mammooty. It takes years of understanding and loyalty to develop between friends to get to point where they are ready to give life for each other! Its true in Mahabharata Karna swore life long loyalty the minute Duryodhana saved his honor but over here it just doesn't make sense. Then in the end the Rajni's character is let to go scot free after like killing so many people and his family have no issues with it either, even his mom wants to stay with him in the end! I personally feel this is the best performance ever by Rajni in his entire career. His acting is very convincing and in many scenes he plays the part in an understated manner! I guess it takes a director like Mani Ratnam to bring out the best from a superstar like Rajni! A sad thing associated with this movie was the parting of Mani Ratnam and Ilaiyaraja, as for his next movie he launched AR Rahman who has remained his composer till date! Although Mani and Rahman have given lots of hits together its the combo of Mani and Ilaiyaraja which I cherish and remember even today! Wish they both come together again to weave another magical movie!

Overall, its no secret that the plot is influenced by Mahabharat, especially the relationship between Karna and Duryodhan, and Karna and Arjun. Mani Rathnam once again proved his brilliance by incorporating a great epic to a real life situation. My favorite scene from this movie are two scenes that is the climax of the movie. The first scene is when Kalyani's husband after realizing Surya was the lost son, was the third person witnessing them at a temple, praying. The most moving moment, was when they both hear the train behind them, and they look back and gets emotional by the significance of the train. The acting done by Rajnikanth and Srividya was excellent in this scene. My second favorite scene, was when Arjun confronts Surya and Deva and asks them to stop. To which Surya replies "Have you ever been poor? Have you ever been hungry? Without food in the stomach, have you ever tried to make money?...They don't have the money and time to file petitions to get justice, that is why they come to us". Another good scene is also the confrontation is when Kalyani finally meets with Surya, and apologizes for her mistakes as a child, and asks him to stop being with Deva, to which Surya refuses. This is very reminiscent of Kunti, coming to Karna in the Mahabharat, and asking him to come to the side of Pandavas to which he refuses, since Duryodhan is a friend.The similarities between this movie and Karna's life, is strikingly similar. -Karna being thrown away since Kunti was a teenager, when she had him, which is similar to what happened to Deva. -Deva's stepbrother is Arjun, who is on the side of righteousness and is against Deva for using violence and fear to bring justice, is similar to Karna's stepbrother, Arjun, who was a Pandava, that was against Duryodhan for not giving them what they deserve for being the sons of Pandu. -Surya pledges his life to Deva, for treating him above his status as an orphan which is similar to Karna and Duryodhan, when Duryodhan offers one of his kingdoms to Karna. -Kalyani's husband confronts Surya, and tells him that Kalyani is her mother and Arjun is his stepbrother, and tells him to give up the life of violence and join them, is similar to Krishna approaching Karna and tells him that he is a Pandava, since he is the son of Kunti, and asks him to join the Pandavas, to which he says that he vowed to Duryodhan that he will be with him till death, to which Krishna respects Karna for. -Surya is known for not refusing anyone's demand, which is reminiscent of Karna, not refusing anyone's requests, when he is worshiping the Sun.The greatness of this movie also dwells on certain subtle elements added by Mani Rathnam, like the Sun, that can be seen behind Surya at all times, emphasizing the similarity between him and Karna, son of the Son god. The music by Ilaiyaraaja, was the best music produced by him for any movie. The acting done by Mamooty and Rajnikanth is unparalleled. I think Rajnikanth's acting in this film was superior to Kamal Hassan in Nayagan. This is probably the best acting by Rajnikanth in any of the movies acted by him. Overall this is a great movie and I would recommend this movie highly.

The movie with the combo of Mani and Thala's of neighboring states and with splendid tunes from Illayaraja ,a certain delight is a sure bet !! Trite , crisp dialogues are characteristics of this movie just as any mani ratnam flick is. The scene which stands out for its 'crispness' comes the intensely set one in which Rajni after being imprisoned in the initial scenes is released as somebody else turns in as approval for the crime which he created. Surya,(Rajni) unaware of who has sent him, walks across to him n asks him, " YYYYEN?" After a few pauses he gets the reply," DEVA!! ". He comes out of the room and walks in the corridor just to witness Deva (Mamooty) and there begins the friendship between Surya and Deva which is so deep, committed and brilliant. The tone of most of the scenes keeps one gripping and with its melodramatic ingredients and songs, contributes to a bit of dilution of its intensity though. The storyline, a slight adaptation of mahabarata with superstar playin the Karna character to finesse is simply awesome.A sure must watch flick !!