This movie went bad faster than a jug of milk left outside on a summer day in the Sahara Desert. These filmmakers came up with one good idea and then spent the 87 minutes of 10 'til Noon proving they had absolutely NOTHING else to offer. After watching this, I now believe inspiration should not strike some people.The good idea of this film is that it is about what happens one day to an interconnected group of people between 11:50 AM and Noon. The story is told in 10 minute segments where we see what happened to a different character in that amount of time. The first two segments are okay. They're not great, but they're good enough to keep your interest. Unfortunately, the 67 minutes that follow are awful and get worse as they go along. And when I say awful, I mean crappy 1970s sitcom awful.The first 10 minutes focuses on Larry Taylor (Rick D. Wasserman). He's a rich man who wakes up to discover Mr. Jay (Alfonso Freeman) and Miss Milch (Jenya Lano) starring at him. They're there to kill Larry. Mr. Jay is one of those hit men who talk like he went to finishing school and then got a philosophy degree. Miss Milch…just stands there.The second 10 minutes focuses on Larry's wife, Becky (Rayne Guest). She's having rough sex in a hotel room with Alan Free (Jason Hamer). Becky seems like the angriest woman in the world, yet Alan still inexplicably cares for her.The third 10 minutes focuses on Carter and Rush (Daniel Hagen and Dylan Kussman), two surveillance experts who masturbate in front of each other. Do you see what I mean about the story going downhill? Carter and Rush are spying on Becky and Alan for a man named Mr. Duke (Thomas Kopache).Mr. Duke is the subject of the fourth 10 minute segment as we see him arrange everything that's happened in the movie so far. I will admit there are a few moments in this stretch that are pretty good when Mr. Duke explains his plans to one of his henchmen, thanks mostly to the acting chops of Thomas Kopache. That doesn't change the fact you could cut this entire segment out of the film and it wouldn't affect anything.The fifth 10 minutes are about Leo (George Williams), the unintentionally buffoonish gangster that is Mr. Duke's boss and the reason why Becky is getting spied on and Larry is getting killed. Leo is more like Al Bundy than Al Capone, right up to having a wife he wants nothing to do with. Sheba (Jennifer Hill) walks around topless most of the time she's on screen and has a really ugly boob job. Whether these filmmakers deliberately cast an actress with a really ugly boob job to make some sort of point about the character of Sheba or if they just wouldn't know an attractive breast if it slapped them in the face, I can't say.I'll leave the remaining segments of 10 'til Noon to your imagination because, frankly, what you come up with in your own head will be better than what's actually in the movie.This is also one of those movies that doesn't have an ending. It just stops. When I was watching it and the end credits came up, I thought there HAD to be something more. Well, there was…but it was an epilogue that had nothing to do with the nonsensical way the main story finished. The epilogue did include some atrocious acting, making sure you finish the experience of viewing 10 'Til Noon with the worst possible aftertaste.The truth about 10 'til Noon is that these filmmakers came up with 20 minutes of watchable stuff, added 40 minutes of pointless dreck and another 27 minutes of drivel that made less sense than a dyslexic hamster. They should have just come up with 10 more minutes of decent material, add that to the first 20 minutes of this movie and been happy with a nice film festival entry. Instead they came up with a feature film that sucks. As Dirty Harry said, "A man's got to know his limitations".

Watching this movie didn't make me angry. It wasn't good enough to make me angry. It was shallow, the writing was bad, so the acting was par to it. The actors themselves seemed fine.The story wasn't interesting, the settings weren't interesting, however the shots were interesting.Worth watching? Not really.Worth watching on a Saturday morning with the blinds drawn nursing a hang over? Sure.It's far from the Usual Suspects, in fact, I gave the movie a 5 because I felt it was my duty to lower the current misleading rating.I'd rather just watch episodes of 24.

this film has the correct components to make a smart, sexy, funny, thriller that keeps the viewer glued while a complex plot is unfolded in a series of events that occur during the same ten min. period on the same day. the writing for the film is edgy and well done with great visual and audible sarcasm and dark humor. the acting is all well done and the actors help portray a cool style and sleek visual that aids the film in being the noir piece that it is, i highly recommend this film to anyone that is a fan of pulp fiction, Jackie brown, reservoir dogs, and any David Mamet film. the fact that this film was a low budget effort should not deter you from seeing this creative film. the cost of the film does not even begin to affect the quality of this picture or the caliber of the portrayed talent. the movie itself comes off as a polished, sleek film that doesn't fail to impress and enjoy.

I caught this at SF Indiefest and didn't know what to expect beyond a tired retreat of "Momento" or "Pulp Fiction". But I was extremely surprised and impressed - "Ten 'til Noon" is a true original, a terrifically involving, funny thriller that is able to consistently surprise the audience.Well-acted, well-shot, and much slicker than the other low-budget fair at the festival, this movie is actually able to reinvent itself every ten minutes with significant shifts in tone, yet it never feels jarring or that somehow we've wandered into a different film. The result is a brilliant, wide-ranging view of a very small event (a 10 minute crime), and how it both effects and is effected by the players involved.One should be warned that the movie has it's fair share of potentially offensive stuff - sex, violence, language, and homosexuality, all presented in somewhat extreme fashion, which is a surprise given the overly mature, sober tone and pace of much of the film.If you have a chance to catch this film, do so. We, as an audience, aren't lucky enough to have a lot of movies like this out there.