It's 1935 Florence, Italy. The dictator Mussolini is still a respectable leader for a group of elderly British ladies known as Scorpioni among the locals. Mary Wallace (Joan Plowright) cares for her callous Italian boss' illegitimate boy Lucas. His father barely cares and his mother is dead. Arabella (Judi Dench) runs a tour for British ladies. Aristocratic Lady Hester Random (Maggie Smith) barely tolerates archaeologist Georgie Rockwell (Lily Tomlin)'s rich flamboyant American friend Elsa Morganthal (Cher). The ladies' place in Italy becomes intolerable as the world plunges into war.Legendary Italian director Franco Zeffirelli brings a period piece with a bunch of older ladies to the big screen. It has a Merchant-Ivory quality to it. The ladies are big time but it does struggle to elevate the danger. Therefore the tension is held back. Suddenly, the last fifteen minute part turns into a war movie. It's a little odd and a little late. There are some flighty stories but they don't add up to a compelling narrative. The great actresses make this movie better than it deserves to be.

Tuscany, 1935, a group of ladies walk along the streets of the city deservedly considered one of the world's art pearls, Florence. We don't know the ladies at first but, in time, we find them intelligent women who perfectly understand English but hardly understand orders. These are Scorpioni, elderly English women who will play a decisive role in the story as well as in the life of a young boy, Luca, strikingly similar to the director himself in his youthful years, Franco Zeffirelli...Zeffirelli's autobiographical movie TEA WITH MUSSOLINI is a charming sentimental piece of work the action of which takes place in the Italy of the 1930s and 1940s: the hardest period not only in the lives of those many who were living then but for the entire 20th century history, when, as many readers will probably agree with me, humanity seemed to be conquered by infernal ideologies and bestial hatred. Yet, according to what Zeffirelli shows us in the movie, even in those darkest days, there was also room for beauty protection, care, art admiration and mutual help. As a Zeffirelli's fan, I consider TEA WITH MUSSOLINI one of the director's best films. But not because it only shows how bad war was. That is something most of us already know well. I love the film for other reasons. I like it because......there are moments when you will cry, when you will think and when you will genuinely laugh. A proper balance of emotions supplied by the director makes the movie a very decent entertainment filled with affection, sorrow, even nostalgia but also fun, charm and comfort. Who can possibly skip the scene of football match, for instance? I also laughed openly at the moment the ladies teach the soldiers saying "Good night". Isn't that a useful way to teach good manners and a foreign language at the same time? The moving moment in the orphanage will leave your eyes teary and the words of Ms Wallace about our contact with dead people may put you to nostalgia. But not for long. This fact of the film's "heart" goes in pairs with brilliant musical score Zeffirelli is famous for in his movies galore. What depth is there in this music and what supply of positive emotions! ...there are, except for variety of moments, beautiful Tuscan landscapes which make the movie a true postcard from Florence, San Gimignano and a true promotion of the Florentine art. This is also in accordance with the "soul" that Zeffirelli is so deeply attached to. The colorful hills around San Gimignano and the unique flowers under the Tuscany's sun leave hardly anyone indifferent. Consider, for instance, Luca's introduction of San Gimignano while he follows the bus with the ladies....there are foremost genuinely flawless performances that have to be linked to the deep development of characters. That is the aspect I'd like to pay more attention to in my comment. The ladies who occur to be at the focus are unforgettable. They supply the partly Italian movie with the truly English spirit. Maggie Smith does a wonderful job as Lady Hester: elegant, well mannered but also naive in her confidence in Mussolini and reluctant of Americans, the lady who drinks the spectacular but tragic tea with the duce. Judi Dench is memorable as Arabella who has drunk the wine of Florence, warmed her hands with the fire of Boticelli and Michelangelo and wants to share this inner experience with other people. Joan Plowright is, as usual, genuine and unforgettable. She fits to particular roles and although she has carried some other brilliant roles in latest Zeffirelli movies, Ms Mary Wallace seems to be the character for her. Joan portrays a warm hearted lady who is not only a good cook introducing Luca to bacon with eggs but also a great intellectual so much in love with Shakespeare. Cher representing the American side is also very appealing as Elsa - a luxurious woman with a flair for paintings, a Picasso connoisseur whose cup of tea is not only modern art but also good heart. She once helped Luca and the time will come for her to be helped in the spirit of Shakespeare "Love thyself less"... Through these different characters, Zeffirelli appears to present the wonder of diversity in human beings. The two seemingly contradictory characters, Elsa and Lady Hester, seem to be of totally opposite natures. Yet, even they turn out to have something in common... Finally a mention must be made of Baird Wallace who perfectly portrays Luca as a youngster and Charlie Lucas as Luca a little boy. Great young talents! There is, finally, a great message of the film: that war cannot ruin the world, that the power of spirit is endless, that real art is born in the deep of one's heart. The final scene when Arabella says at the remained fresco of Santa Fina Funeral "Let Her sleep" seems to symbolize an eternal human quest for the sublime and the mysterious presence. If the "presence" is there, we shouldn't have anything to worry about. The horror of war is ceased and the historic sounds of San Gimignano bells ringing out joyfully together with the director's message proclaim the reconciliation and peace. The twin towers stand as silent witnesses...Franco Zeffirelli, we should indeed appreciate art since it is the art that may bring out the genius of mankind.

Well worth seeing. Fabulous acting by all and a completely different slant on World War 2. It is very British but bear in mind that this is actually what happened to Zefferelli, as a boy, who Directed the film (Luca in the film). Superb photography throughout as would be expected from him. Totally absorbing. Do not hesitate in watching this film. It is not a comedy, although there are some amusing lines, but a serious view of events in Italy during the war. The English actresses are superb with no-one grabbing the film. Cher is a total surprise and very good as is Lily Tomlin. The sound is not perfect but everything else is.

Another masterpiece from Franco Zefferelli (also the man behind "Romeo and Juliet"), "Tea with Mussolini" portrays several English and American expatriate women raising an Italian boy in 1930's Florence. Always ready to reject authority, these women know how to live. It's another great tale of civil disobedience at a time when it seemed impossible if not dangerous. Cher, Judi Dench, Maggie Smith, Joan Plowright, and Lily Tomlin all do great jobs with the roles. It's weird to imagine Cher in such a role; I've always thought that she was kind of worthless. But even she does really well here. A splendid movie for all times. Definitely see it.