Tadpole
Tadpole
PG-13 | 19 July 2002 (USA)
Tadpole Trailers

Beautiful, sophisticated women are all over Oscar Grubman. He is sensitive and compassionate, speaks French fluently, is passionate about Voltaire, and thinks the feature that tells the most about a woman is her hands. On the train home from Chauncey Academy for the Thanksgiving weekend, Oscar confides in his best friend that he has plans for this vacation--he will win the heart of his true love. But there is one major problem--Oscar's true love is his stepmother Eve.

Reviews
SnoopyStyle

Oscar Grubman (Aaron Stanford) is oddly sophisticated at 15. He idolizes Voltaire and is particular about women's hands. He is secretly in love with his stepmother Eve (Sigourney Weaver). He is back at home in NYC from Chauncey Academy for the Thanksgiving weekend. His father (John Ritter) is concerned. Eve's best friend Diane (Bebe Neuwirth) starts a sexual fling with him and tells all her girlfriends.The kid is self-important and not very compelling. Also he doesn't really look 15 at all which takes away some of the tension. The movie is aiming to be a quirky indie except it's not funny. It's a little particular in its tone but not very interesting. The story is a teen in love with his 40 something stepmother. That could be interesting. This is a twenty something guy in love with Sigourney Weaver. Who isn't?

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moonspinner55

Bebe Neuwirth's performance as a 40-ish chiropractor in New York City who has an affair with a high school sophomore holds the only interest in this ridiculous, inexplicably celebrated independent film shot on digital video. Aaron Stanford plays Oscar, who is described for us as a "40-year-old living inside a 15-year-old's body"; he quotes Voltaire, reveals a fetish for great hands, and harbors a crush on his stepmother, a medical scientist who apparently doesn't notice the moony-eyed look on her stepson's adoring face. "Tadpole" was picked up at Sundance by Miramax, who couldn't market this thing to anyone but the most rabid Sigourney Weaver fans. Weaver does decent work as the object of Stanford's affection, however it is Neuwirth as a sort of updated Mrs. Robinson who steals the show. Otherwise, this is a comedic flirtation with sophisticated manners which is in itself not sophisticated. The clumsy writing spells out everything for us, the characters are all predetermined, and Stanford is singularly without dimension or appeal. * from ****

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strodes_student

I am a college student studying a-levels and need help and comments from anyone who has any views at all about the theme of mothers in film, in the mother. Whether you have gone through something similar or just want to comment and help me research more about this film, any comment would much greatly appreciated. The comments will be used solely for exam purposes and will be included in my written exam. So if you have any views at all, im sure i can put them to use and you could help me get an A! I am also studying 'About a Boy' and 'The Mother' so if you have seen these films as well, i would appreciate it if you could leave comments on here on that page. Thank you.

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shanfloyd

"Tadpole" is a poignant tale of a 15-year-old French student, Oscar who falls in love with his stepmother. He doesn't like girls of his own age because they are shallow, and on the course of this complex sexual preference of his, he sleeps with the sensual forty-something friend of his stepmother too. Aaron Stanford is quite good as the lead character. He nicely captures Oscar's apparent innocence mixed with strong desire for older women. Whereas Sigourney Weaver is surprisingly flat and unimpressive as the stepmother. Perhaps she was not a good choice for the role too. I would have preferred Meg Ryan. However, Bebe Neuwirth is brilliant as her friend Diane who has a sexual interest on Oscar. She is fluent, natural and funny. John Ritter also gives a good performance as his father.The film is a low-budget one, shot in about two weeks. And it doesn't get out of that setback. The screenplay is poor. The idea of quoting Voltaire from time to time is disturbing. The music used in the film is poorly chosen (except Paul Simon's "Only living boy in New York" maybe, though I think it's used in wrong place). Fine acting, the freshness of the story and nice location shots of city landscape makes it a fair film to watch.

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