I like everyone connected with this movie, cast and crew - but I don't like the movie.It's not that I can't follow the plot. The problem is that the whole story is symbolic fantasy - or what they called in the Middle ages 'allegory' (i.e., an allegory for the loss of Chinese inner power with the arrival of foreign colonialists). They only recent film that comes close to this in structure is from Japan, Toyko: the Last Metropolis. The most recent western film to approach this kind of story is, possibly, Terry Gilliam's ill-conceived Baron Munchhausen movie. But I liked the characters in those two movies; I don't like any of the characters in this one. Which may be the point, but not any reason to watch the movie again.I should remark that these three movies are all extremely well-made, and all dishwater dull.I'm afraid film is not a medium conducive to allegory. Film seems to work best when the characters remind us of people we've met - or are likely to meet - even if we don't like them much. When actors stand in for metaphors, they can't stand in for people. In which case, why should we care?

First disregard all negative comments, written by people who couldn't even follow the story.This movie is perfect example of movies created during the golden age of Hong Kong. It's an amazing combination of romance, action, comedy and drama and it features beautiful women as deadly fighters. What more could you want? Koo - a Chinese officer risks his life to meet Asia the Invincible (a man turned woman, played by a woman - Brigitte Lin) the greatest fighter alive, who has retired from the world of martial arts. He wants her to stop other "Asia the Invincible" imposter's. She decides to help him at first, then to claim back her lost power. Now Koo has to stop her. But that's not all, there's also a love triangle involving Koo, Asia the Invincible and Snow (a woman pretending to be a man, played by a beautiful woman - Joey Wang).The action is very over the top, it's unlike anything you've seen before, with people wielding cannons and throwing ships around, killing people with just their chi. There are lots of romantic, even erotic, moments, some of them involving two women, and the end is very dramatic.Don't miss this great movie!

...and that's just in this review!!! Seriously though, this movie is warped. There wasn't a minute where I wasn't completed floored at something or other.I watched this after watching "Swordman II." I am a huge Brigitte Lin fan, and this movie was made to capitalize on the success of her character, the freaky Master Asia the Invincible. (That is the most pompous name any character has endured. Catchy though, ain't it?) Master Asia, as we learned from "Swordman II," is a man that has become a woman (sort of) as a side effect from studying a sacred martial arts scroll. Pro--Asia can decimate whole armies by making simple hand gestures. Con--Serious gender-bending. You're never really sure what Asia is. He looks and sounds like a woman, but acts like both depending on the situation. For example, in "Swordman II" he developed an unfortunate crush on Jet Li's character. In this film, we are treated to a confusing sex scene. I must elaborate on this one, because it deserves the attention. Bear with me.Snow, a former lover of Asia's, has decided to carry on the tradition by dressing up as Asia and killing people. One night she/he decides to sleep with a concubine that we would assume is a woman. So that's two women--something is missing. This isn't the sort of thing shown in this type of movie, so you automatically wonder what's up. This movie must have some ulterior motive in showing two women making love. Anyway, they start by indulging in some opium to heighten the mood, I suppose, and all of a sudden we are whooshed (for lack of a better word) into a flashback. Now we have Snow and some person kissing. There is no warning that there's been a time shift--it just happens. The other person is Asia himself of course, played by Brigitte Lin. So, if you're keeping score, that a sex scene with three women. One is a woman pretending to be a man, one is a man pretending to be a woman, and one is a man that is becoming a woman. Confused? Good--you'll be in that bewildered state for the rest of the movie.This movie defines the phrase "over the top." You know you're in for a wild ride when people start using cannons as hand-held weapons. (The guy just picks it up and fires it off, just like a regular cannon, only he's holding it like a battering ram. That would knock the bewhickers out of any normal person, you know.) Another great sequence is the ninja that hides by holding a fake moon up in front of the real one and hiding behind it. Upon his being discovered, a pigeon flies out of his mouth. Brigitte Lin enters one scene riding a swordfish, sings a song while disguised as a lethal gambling prostitute in a Japanese camp and later appears as a samurai dressed in red. Sewing needles are common weaponry to those endowed with supernatural wonderfulness, and people are used as bloody marionettes. (Devil May Cry, anyone?) This movie is everywhere all the time. I was constantly floored by the sheer insanity of it. Add a large volume of blood and the needle on the weirdo meter goes wild.In short, I enjoyed this movie, simply because of its marvelous ability to entertain. You may not be awed by the scenery, or moved by the plot, but you should be entertained.

This movie picks up where Swordsman II left off: the Magnificent Asia completes the transformation from a mortal man to a woman with incredible magic martial arts powers and continues her ruthless quest for power, revenge and love.It's almost impossible to follow the plot, but the whole movie is so packed with supernatural action, intrigue, ambition, revenge, and amazing costumes and scenery it doesn't matter. Add English subtitles that are inadvertently hysterically funny and you have a truly bizarre and entertaining movie. Some people will find it boring, and martial arts buffs might be disappointed, but I thought it was a scream.