That about sums it up. We can gain no further insight as to what made her such a legendary performer from "Sunny", a creaky old movie billed as a musical but with precious little music. As noted by other reviewers, only "Who" remains from the original work, and most of the omitted songs were written by Oscar Hammerstein and Jerome Kern.So here is Marilyn, smiling and of cheerful demeanor, caught in a poorly written screenplay which has been further vandalized by subsequent generations of distributors and made slightly incoherent, as pieces of scenes have evidently been cut out of the original. As is, the story is far-fetched with stale, poorly-delivered jokes and with very stagey acting.That leaves us to judge Marilyn's talent, but that, too, is a chore. In contrast to her first film, "Sally", here she sings better than she dances, horsing about the stage and appearing dumpy and out of shape. She does better in a duet dance with Tom Donahue, who nearly carries the whole picture appearing in almost every scene.Too bad she couldn't have been given a picture that really did her justice. The sound accompanying this movie was awful, and it could be that it was just too early in the sound era, as well as for musicals themselves. There is still one more Marilyn Miller film left that I haven't seen, and I'll hope for the best.

The Vitaphone/Warner Brothers folks were the foremost studio when it came to sound. Because of that, I was a bit confused when I watched "Sunny" as the sound was really, really bad. It seriously sounded as if the sound was recorded in a telephone booth--and you were outside trying to listen! Fortunately, the version shown on Turner Classic movies IS captioned and I strongly advise you to turn on your television's captioning for this film. You'll need it! "Sunny" stars Marilyn Miller--a very talented Broadway star who only made three early sound films before dying at age 37! The film begins with Miller feeling fed up with life in the circus and she disappears dressed as a man. She then stows away on a ship bound for America--not realizing her father is in pursuit. He is determined that she should marry a rich but dreadfully dull Brit--who Marilyn keeps referring to as 'the fish'. Can she manage to make it to America or is it an unhappy marriage to a weenie instead? While this film is a bit antiquated, you can clearly see the formula that would become the norm in future musicals of its type. The film features a few songs (actually not that many for a musical) and several dance numbers from Miller. And, true to the formula, a bit of comic relief to keep the overall mood very light. If it weren't for the bad sound, I'd strongly encourage you to see it. In its present form, however, it's one you might just want to skip.By the way, in the wedding scene on the ship, how did they get a bridal gown for Miller and all the bridesmaids? After all, they were in the middle of the ocean and the wedding was unplanned!!

Sunny was the second of three films Marilyn Miller did with First National films and the second of her Broadway hits that made it to the big screen. For that reason it should be treasured.Unlike the good copy I saw of Sally, the print of Sunny was really bad and you could tell portions of it were chopped out. As was the Kern- Harbach-Hammerstein score which fortunately the hit song from the show, Who, was featured. No, that's not the guy who played first base.The plot's an ancient one. Marilyn's a circus bareback rider who falls for a Long Island society playboy. The circus is touring the United Kingdom and while saying some goodbyes to some friends sailing from Southampton for America, she gets stranded on board. At first she does a Sylvia Scarlett number, but fools no one. In order to preserve proprieties and mores of the time, she marries Joe Donahue with the understanding that they'll divorce and she'll be able to marry her beloved Lawrence Gray.That sounds real silly today, but that's what people did and thought at the time. And this was even before the Code. If you care to see who she winds up with than hope you see a better copy than I got.If you do you will see a marvelous dancer and a decent singer. Marilyn Miller was legendary in that she wanted her audience to get the total package that included dance which was her strength. For that reason she refused to make phonograph records and even radio appearances. So her three films are our only inkling of her talent.Sunny came out in the midst of the Depression and flopped badly. Even though she was having one major affair with Jack Warner, after her next picture, Warner gave her the studio gate. I might have given this a better review had I seen a decent copy. A star like Marilyn Miller deserves so much better.

I always thought that "Her Majesty Love" was Marilyn Miller's finest film until I saw "Sunny". Most of the movie crowd crowns the high notes on "Sally" but I find it boring and oh so long. "Sunny" is in rotten shape but what survives is wonderful to watch. MM simply illuminates the screen and is full of mischief in this tale of a circus bare back rider/dancer who stows away on an ocean liner. Note that Warner's used either the Aquitania or Mauretania for the cast off scene, and another two stacked liner for the long shot.... Somehow the ship loses two funnels once it's at sea... All in all, this one is a keeper for sure. Too bad MM didn't make more movies and died so young.