You sort of have to like these Hal Needham/Reynolds movies to like this.The plot is weak. The dialog is mildly amusing. I found the whole chicken sponsor thing pretty funny though.Loni Anderson fans might enjoy her ridiculous role as the naive PR person for the chicken chainThere's cleavage shown from time to time which some will appreciateI have read the book, and the movie is quite different than the book. The book is a series of stories, possibly tall tales, loosely based on the experiences of the writers in racing. It's mostly about sex, heavy drinking and wrecking/racing cars. I enjoyed it a lot. The book is better than the movie IMOI think Nabors and Reynolds have some funny interactions.Auto racing is rather limited, probably due to cost. But you do get to see some vintage cars and racing footageJust remember this is a silly pointless movie, in the spirit of movies like Smokey and the Bandit and maybe you will enjoy it like I do
... View MoreWhen Bewitched was running on television half of the plots involved Darrin's job where he and Larry Tate every week contended with yet another egotistical company president. The plot of Stroker Ace hearkens back to those days of Bewitched and it has Burt Reynolds as a NASCAR driver doing everything possible to get out from under a contract with a sponsor who's a blithering idiot.Although Burt certainly gets in his innings in Stroker Ace, especially seeing him in a chicken suit and driving his car in a race in one, the best one in Stroker Ace by far is Ned Beatty. Beatty got an Academy Award nomination for playing the all powerful, malevolent media mogul in Network. Here he takes the same character and plays it for laughs and he's absolutely hysterical. Beatty owns a fried chicken company and he could easily have been one of McMahon&Tate's clients from Bewitched. If outrageous overacting lead by Ned Beatty isn't reason enough to watch Stroker Ace, than certainly the curvaceous Loni Anderson should do. Loni is giving out with her best Marilyn Monroe imitation as Beatty's advertising person who thinks that what Beatty is asking of Reynolds is tasteless and stupid. Of course she falls for Burt on the screen and in real life.I'm not a NASCAR fan, but I don't think you have to be to watch Stroker Ace and enjoy it. I have however become a fan of the Professional Bull Riders in recent years and they have their sponsors set up in a similar fashion as does NASCAR for its various drivers. I don't think the PBR has any sponsors as outrageous as Ned Beatty. If this film was about the PBR I can just see Beatty insisting to Guilherme Marchi that he ride a bull in a chicken suit or something equally bizarre.The film got bad reviews and I can't see why. It's not sophisticated comedy to be sure, but it's not all that bad. And Ned Beatty alone is worth seeing and appreciating Stroker Ace.
... View MoreIt occurs to me that some of the films that have been banned during the course of cinema history were actually very important and very good films. I'd like to argue that instead of banning challenging, controversial movies the censors should consider banning films that are so bad that they pose a threat to your IQ and your sanity. If they were to do so one of the first films to be quickly hidden away would undoubtedly be "Stroker Ace". This film is awful with a capital 'A'. It is the worst film Burt Reynolds ever starred in.... quite a feat for for a man with "Cannonball Run II", "Cop And A Half" and "Rent-A-Cop" on his CV!The wafer-thin story introduces us to successful stock car racer Stroker Ace (Reynolds), a man who loves fast cars and fast women. He gets stuck in a demeaning contract with crooked promoter Clyde Torkle (Ned Beatty). The contract requires him to do some humiliating promotional work for a new chain of fast food restaurants, such as dressing up as a giant chicken. Thrown into the mix are Lugs (Jim Nabors), Ace's dim-witted pal, and Pembrook Feeney (Loni Anderson), a bimbo with a brain fractionally smaller than a pea who is wooed by Ace.Hal Needham, the director of this low-grade garbage, was formerly a stuntman and he made numerous films that relied on his expertise in staging spectacular stunts and car chases/races. Some of these films were OK, like "Hooper" and "Stunts Unlimited", but with "Stroker Ace" he reaches a career nadir. The characters are so stupid that you actually feel pity for the actors playing them. Anderson especially is saddled with such a dumb role that it makes you grind your teeth with despair. The humour is weak and infantile throughout, and the stunts and race sequences are unremarkable. Even the out-takes during the closing credits (which can be found in all the Reynolds-Needham collaborations) are generally unfunny, which gives the impression that maybe the film wasn't much fun to make. "Stroker Ace" is a stinker of considerable magnitude.
... View MoreEver notice how in his later movies Burt Reynolds' laugh sounds like screeching brakes?Must have been hanging out with Hal Needham too much.And from the looks of "Stroker Ace", WAY too much.Can you believe this was based on a book? Neither could I, but it was. And probably not a best-seller, I'll wager. Burt's another good-old-boy in the NASCAR circuit who hitches up with Beatty as a fried chicken magnate with designs on his team. Anderson provides what love interest there is and Nabors does his umpteenth Gomer Pyle impression as faithful mechanic/best friend Lugs. A lot of people here are friends of Burt's or Hal's. Others must have needed the work. And even real NASCAR drivers get in on the act, and look to have more talent than those with SAG cards. As far as laughs go, Bubba Smith (pre-"Police Academy") gets them as Beatty's chauffeur. And Petersen, in full Elvira mode, gets lots of appreciative leers as a lady who wants to get to know Lugs real well. REAL WELL.It's a shame that Burt threw away as much time and effort in a film like "Stroker Ace" where it didn't matter whether he bothered to act or not. They didn't bother to write a character for him, why bother to act?Two stars. Mostly for Petersen, and for the out-takes at the end. Now THEY'RE funny.
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