Strange Illusion
Strange Illusion
| 31 March 1945 (USA)
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An adolescent believes that his widowed mother's suitor may have murdered his father.

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Reviews
Spikeopath

Strange Illusion is directed by Edgar G. Ulmer and written by Fritz Rotter and Adele Comandini. It stars Jimmy Lydon, Warren William, Sally Eilers, Regis Toomey, George Reed and Jayne Hazard. Music is by Leo Erdody and cinematography by Phillip Tannura.Adolescent Paul Cartwright (Lydon) is startled by a dream he has about his father's death. In the dream he comes to believe the death was not an accident, but murder, and there seems to be a shadowy figure moving in on his mother and sister. When the mysterious Brett Curtis (William) arrives in his mother's life, Paul begins to suspect his dream may be coming true...It's a tricky one to recommend, for it's one of Ulmer's most divisive noir movies amongst his fans. It's hard to argue with some of the complaints put forward because undoubtedly the acting is poor, the villains weak (and revealed way too early), the score obtrusive and it's a good 15 minutes too long. Yet Ulmer could quite often make a silk purse out of a sow's ear, and here he manages to rise above the flaws to craft a most intriguing picture. A film in fact of many psychological pangs.The framing device for the story is essentially that of a evil step- father, and since we know early on that Brett Curtis is indeed evil, it becomes a simple case of if young Paul can find the proof before harm comes to his mother and sister. He willingly checks into a mental health sanatorium as part of his investigation, while the clock ticks down elsewhere as the sinister Curtis homes in on his prey. There's a dastardly accomplice with Curtis and a good old family doctor aiding Paul from the sidelines. That's pretty much it for plotting.However, analysis shows plenty to keep the film from sinking without trace. There's obviously the Freudian factor concerning dreams, the interpretation of such, but there's also oedipal overtones pulsing throughout. The relationship between Paul and his mother never feels natural, evident in the way he holds her or talks to her. Ulmer cannily keeps it bubbling under the surface, but it is there. Then there is Brett Curtis, a monstrous creation, a serial killer and sexual predator of young ladies, the latter of which is deftly handled by Ulmer as we pick up on his sordid ways only via aftermath clues and conversations.It's also a moody picture visually, as you would expect from Ulmer. The budget of course is small, thus the production design is accordingly tight, but the director gets much atmosphere from such sparsity. It's filmed in shadowy black and white and this perfectly marries up with the psychological discord of Paul Cartwright, while dastardly conversations unfold in darkened rooms. One particular shot of Paul in the sanatorium standing in front of a huge barred window, the shadows stretched around him, is very striking and it makes you wish there was more shots like that, but Ulmer doesn't short change us for moody atmospherics.From the hazy dream beginning to the denouement that plays out in a rickety old cabin, there is much to enjoy and pay attention to. Oh it's a mixed bag for sure, but the good far outweighs the bad in my humble opinion. 7/10

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classicsoncall

The plot of "Strange Illusion" can be summed up by main character Paul Cartwright (Jimmy Lydon) in conversation with his friend Dr. Vincent (Regis Toomey) - "This may sound kinda crazy Doc but, that dream is beginning to happen". The story finds college student Paul, who's overly protective of his mother Virginia (Sally Eilers), conflicted over her romance with Brett Curtis (Warren William). Curtis' manner is just a little too smooth, hiding the fact that his mission is to exact revenge on Paul and his family. It was Paul's deceased father, a former judge, who sent Curtis to jail years ago, but under his real name of Claude Barrington.Curtis becomes suspicious that Paul is on to him, and together with psychiatrist friend Professor Muhlbach (Charles Arnt), they intend to take him out of the picture one way or another. Paul uncharacteristically agrees to be a 'guest' at Muhlbach's Restview Sanitarium, where his own detective skills are put to the test. With cool self assurance and with the help of Doc Vincent, the pair begin to unravel the mystery behind the death of Paul's father and the sinister alliance between Muhlbach and Curtis/Barrington.Lydon's portrayal of young Cartwright is decidedly angst driven, though he manages to slip out of character every once in a while when conversing with friends. He caught me off guard with that phone call to would be girlfriend Lydia (Mary McLeod) - "Hello vixen, what's mixin'?"; and he really went into Henry Aldrich mode when he learned his sister might be in danger with Curtis.It was after the film doing some research that I learned of an interesting fact about Lydon. In the movie, his sister Dorothy (Jayne Hazard) is talking with Curtis about moonlight and poetry, and they share a thought about Omar Khayyam. Dorothy remarks that most people her age wouldn't know who the Persian poet was, surmising that to them he could just as well be a Turkish wrestler. That remark seemed to come out of left field, but it turns out that Lydon's grandfather was professional wrestling champion Jim Londos! When the opening credits of this film rolled declaring itself a PRC release, my guard immediately went up for poor production values and a disjointed story, however I was pleasantly surprised by the intelligent presentation of Paul's dilemma and it's resolution. It might have been more fitting if Paul's dream sequence to end the movie had him talking with his dead father. Other than that, I only found one other story element to be annoying. Why, one asks, would a grown woman allow her own kids to call her 'The Princess'?

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whpratt1

Enjoyed viewing this 1945 film and was surprised to see Jimmy Lydon,(Paul Cartwright), star of all the "Henry Aldrich Films of 1943", who gave an outstanding role as a young man who experienced dreams that could help his mother from getting involved with a man called Brett Curtis(Warren William),"Fear", who wanted so desperately to marry his mother and enjoy the great riches she possessed. Regis Toomey, (Dr. Martin Vincent),was the only person Paul Cartwright could turn to with all his troubling dreams and did his very best to find out the real mystery to his nightmares. Paul Cartwright was placed in a mental institution and notice there was two-way mirrors in his room and tried to hang his clothing over the mirrors to prevent his being spied on. If you like a good 1940's mystery from the past, you will enjoy viewing this great Classic Film!

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sol1218

****SPOILERS**** Having recurring dreams of his fathers Judge Cartwright tragic and deadly train accident every night Paul Cartwright,James Lydon, is convinced that his fathers death was no accident but a murder and the person who murdered his father is in his dream and in the shadows not being able to be recognized.Being very protective of his mother Virginia,Sally Eilers,Paul gets very agitated and concerned when she gets engaged to marry a Mr. Brett Curtis, Warren Williams. Curtis comes across as a suave and sophisticated as well as well traveled gentleman who swept Virginia right off her feet. But Paul who feels that he's just not what he is and his background it's just too perfect to be real.In his awakening state of mind Paul sees the events in his dream accruing over and over in real life which convinces him that there's something very strange and sinister about the very debonair and smooth talking Brett Curtis. Paul also has a grudging feeling that Brett is the man in the shadows in his dream who was responsible for his fathers death and also wants to keep his mother from marrying him. Early cinematic psychological study about the mind and it's deepest secrets and how they come to the surface when we least expect them to Which makes the movie "Strange illusions" a unique movie for it's time, 1945, and as far as I know has never been duplicated since. Things in the film like Brett's strange behavior in regards to Paul whom he senses is somehow on to him and his intentions has him lose his cool from time to time and almost expose himself as the psychotic that he really is. Paul has tapped into something real and deadly through his subconscious, his dreams, but unknowing to Paul Brett is working with Professor Muhlbach,Charles Arnt, who runs the Restview Sanitarium where Paul will soon be staying at. Looking into his late fathers files, that he kept locked in his study, Paul finds out about a mysterious Mr. Claude Barrington who Paul's father was very interested in. Judge Cartwright felt that Barrington committed a string of crimes from murder and rape to embezzlement dating back to 1932 when he was married to the former miss. Cecilia Gordon who was found drowned some six months after their marriage. Barrington seemed to have vanished and then popped up and commit crimes almost at will all across the American Southwest. Barrington has a talent to disappear and resurface after each crime with a new and bogus identity and successfully avoided being fingerprinted or photographed. It was Judge Cartwright's closing in on him and being about to expose him and have him arrested, and made to pay for his crimes, that led to his unfortunate "accident". Paul also feels that Barrington faked his own death and is now back to eliminate those who may be able to expose him as still being alive by being in the position of finding Judge Cartwright secret files; the Judge's family. Paul is sure that the late Claude Barrington is the very alive Brett Curtis. Having to get rid of Paul but not until Brett is legally married to Virginia Brett and Professor Muhlbach plan to have Paul committed in his sanitarium and then have an "Accident" that will put his searching for the truth, about his dead father, to an end once in for all. With Brett married to Virginia he can offer her sympathy comfort and understanding for the loss of her son and his step-son until the time is right for her to have an "Accident" too. With that Brett can get his hands on the Cartwright estate, and all the evidence that the judge gathered on him, and have it destroyed with no one who can be in the position to know about it, the Judge's files, or get their hands on them. Mind twisting movie with a surprise ending that will more then just surprise.

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