Spud
Spud
| 03 December 2010 (USA)
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It's South Africa 1990. Two major events are about to happen: The release of Nelson Mandela and, more importantly, it's Spud Milton's first year at an elite boys only private boarding school. John Milton is a boy from an ordinary background who wins a scholarship to a private school in Kwazulu-Natal, South Africa. Surrounded by boys with nicknames like Gecko, Rambo, Rain Man and Mad Dog, Spud has his hands full trying to adapt to his new home. Along the way Spud takes his first tentative steps along the path to manhood. (The path it seems could be a rather long road). Spud is an only child. He is cursed with parents from well beyond the lunatic fringe and a senile granny. His dad is a fervent anti-communist who is paranoid that the family domestic worker is running a shebeen from her room at the back of the family home. His mom is a free spirit and a teenager's worst nightmare, whether it's shopping for Spud's underwear in the local supermarket

Reviews
Gino Cox

"Spud" is a pleasant coming of age comedy with stellar performances by Sivan and Royal. John Cleese delivers what is possibly his career best performance in a dramatic role. Other performances are generally solid, particularly Cope and Kriek. The plot is familiar and often predictable; however, the execution is so organic that one seldom feels aware that one seldom feels conscious of viewing a film, even during the frequent voice-overs. There are a number of unique elements to the story that seem largely squandered. The story is set in South Africa, but could just as easily have been set in Britain, Canada, Australia or a number of other locations. It occurs during a turbulent period in the country's history, but the school is isolated from political events. Spud attends a posh private school on a full scholarship, but while he is bullied, he's never bullied over his modest background. He reads "A Tale of Two Cities" and performs in "Oliver Twist," but there is no effort to draw any parallels with the country's political events or Spud's circumstances. While the film seems predictable in many respects, one expects various elements to be more fully developed and to have a greater impact on the story. Various subplots converge at the climax in manners that are not unexpected, but don't seem entirely earned. Spud is given an option that doesn't seem earned and The Guv's situation changes abruptly in a manner that doesn't seem the logical and necessary progression of prior events. The climax might have been more fulfilling if the characters had done more to earn the outcomes. Production values are adequate. The pace is a little slow at times. There is one scene with Spud reading in the foreground while minor events occur in the background that serves to remind the viewer that the filmmakers don't do much with the background in most shots. Overall, it's a pleasantly entertaining film that could have done much more with some of the unique elements in the story.

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caroldiego

OK, I haven't seen the movie yet - heck, I'm only about 2/3 of the way through the book - but I just want to let the SA reviewers know that if the book is any indication, stop worrying about whether international viewers/readers will get it. All the descriptors and comparisons - coming-of-age, Catch-22, Lord of the Flies - are inadequate. Spud transcends any comparison to become its own unique moment in world history and personal history. It's not only young John Milton's maturing to manhood, but the entire nation's maturing out of apartheid that we see played out here in subtle, powerful parallel.It's a magnificent, universal story that rings with truth, and I am so very happy my friend Sue, in Cape Town, recommended it.

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ourmanintokyo

"Spud" is set in South Africa at the cusp of Apartheid's collapse. However, such worldly concerns pale in comparison to the traumas and triumphs of the main character as he endures his first year of boarding school.Perhaps it's a British colonial thing, but the obligatory gang torments and slow uphill slog toward acceptance are probably all too familiar to Brits, Canadians and Aussies alike. And so are the quandaries the main character, has to face: should he try to avoid the school "loser" in a bid to win the approval of his peers, or do what he knows deep down is right? That main character, brought brilliantly to life by boy wonder Troye Sivan, manages to pull the viewer in with a powerful, unaffected, guileless charm. He's Everyman in miniature, and his pangs and joys resonate deeply. Sivan's immense talent shows a surprising depth and sensitivity for one so young - he completely convinces as John Milton, dubbed "Spud" by his rougher classmates.Bouyed by the peerless master of comedy John Cleese, Spud soon rises to the level of a classic cinematic masterpiece. The rapport between the crotchety old lit teacher known as "The Guv" and his promising young protégé is bang on, eliciting the gamut of reactions from pathos to hilarity. Cleese is at his best when rudely pontificating, and he doesn't disappoint here.As Spud's doomed pal Gekko, Jamie Royal also provides a superb performance, and Genna Blair is perfect in her role as the nascent sunbeam of Milton's first love. You'll also find yourself and every single one of your old schoolmates in the main characters and supporting cast.The lush settings are beautifully captured by cinematographer Lance Gewer, Ed Jordan's score is just the right degrees of uplifting and poignant, and Sivan's voice is aptly pure, expressive, and gently powerful.The movie's based on the best-selling novel "Spud", which I've not yet had the pleasure of reading. Its tone is very much akin to John Irving's best, though, for my money, this is easily successor to Stephen King's classic "Stand By Me". Yes, it's that good.Watch it. You love it, and you won't forget it. 10 out of 10, with room to spare.

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mosacorp

I was very excited to finally get a copy of the movie here in the USA after reading all the books. Unfortunately it was horrible. The wonderful stories that had me laughing for hours and days on end were ruined by terrible acting and lame storytelling (script writing). Jon VD Ruit seemed to have been eager to sell the movie rights and surely must have felt sick at seeing this outcome. The humor was lost, in fact was never added to the movie. Instead it was an odd mix of drama, misery and usage of terrible actors (minus John Cleese). I have a feeling they had some or other popularity contest in South Africa to select the 'Crazy Eight'and the females who Spud has a crush on, because not one of them seemed to be actors- it sincerely felt like a bad group play at a public school, rather than a big movie. The Spud character did OK considering, his father who was hilarious in the books, just came on as odd in the movie and I had to strain to hear what he was saying. Indeed it felt as if the director wanted to do too much in this movie, but instead ended up with snippets of a little bit of humor, a little bit of drama, a little bit of 'High School Musical' a little bit of this and that, and so on. It all came down to being one of the worst movies I have ever seen. I tried to laugh at some moments- that felt forced, I tried to see what others might enjoy in it- I could not. Sorry but this was an utter waste of time. Sadly greed and a rush to capitalize on the success of a hugely popular book, have made a pathetic movie. I highly recommend to anyone who loved the books, do not watch the movie.

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