Specters
Specters
| 24 April 1987 (USA)
Specters Trailers

A mysterious tomb is unearthed in the catacombs under Rome, the contents of which contain evidence of an ageless evil that may once have preyed on man.

Reviews
Reaper-of-Souls

...and I mean that sincerely. I don't truly understand all the hate this film has received. It honestly puzzles me. I have found it much better than the low rating it has garnered here. Maybe I just have a soft spot for 80s horror (or a hard-on, whichever way you want to perceive it).I won't discuss the plot. It's already been dissected on here, so there really is no need. I will say this however; it is not nearly as inept as some would have you believe. The film does move at a slow pace and it is cheesy. I'll give them that, but that is not necessarily a bad thing. In fact, it is that lovable 80s charm that makes this film worth watching. I will also admit it could have used a good dose of gore, but the lack of it really doesn't hinder the film as a whole.So if you're a fan of 80s horror, specifically Italian in this case, then give it a shot. It's not a bad way to pass 90 minutes. If, on the other hand, you aren't very fond of 80s horror, then by all means give it a pass. Your loss.

... View More
The_Void

I wonder if, back when he was wowing audiences with great performances in films such as Cul-de-sac and The Flesh and the Fiends, Donald Pleasance ever thought he'd be starring in dross like this? Anyway, I have to say that I wasn't surprised to find that Specters is basically the film I thought it would be; namely, a poor Demons-style trashy eighties horror flick with little in the way of redeeming features. The plot is just common horror fare and features a bunch of researchers digging into places they shouldn't be digging and revealing a load of ancient catacombs that warn of impending doom. Naturally, the evil is unleashed. At the very least from this, I was expecting some decent gore; but all we actually get is cheesy crap which is matched by the trashy atmosphere and typically cheesy eighties soundtrack. The plot is a complete mess and I found it very easy to get bored. Donald Pleasance was obviously bored too, and that's not surprising considering the talent of the people he's working with; naturally, Specters features some awesomely terrible acting. It all boils down to a typically pointless ending and overall, this is one of the few films that is bettered by the lamentable 'Demons 2'!

... View More
jplenton

**SPOILERS**There is a tendency for Italian horror films to draft in British and American actors to broaden their international appeal. Easy examples being John Saxon in Tenebrae and Rupert Everett in Dellamorte Dellamore. Specters (which should have been distributed in the UK as Spectres (lazy)) ropes in veteran horror actor Donald Pleasance. It marks the second Italian film I've seen in him, the first being the rather mediocre thriller Nothing Underneath. Optimistically I reckoned that Specters would easily be the better film and it is, just, although that isn't much of a commendation.In an undisclosed Italian city a group of archaeologists led by a Prof. Lasky (Pleasance), are exploring a series of ancient catacombs beneath the remains of a Roman bath system. Their ‘dig' is augmented by the local construction of a subway, the tremors from which cause a new series of chambers to be revealed. Unfortunately archaic writings in the first new chamber warn of an ancient evil that will be invoked. Of course, this being a horror film, the etchings are no idle threat…Most Italian horror (and perhaps horror films in general) emphasise style over content and Specters does not deviate from this tradition. Alas, the style aspect of the film is below par and fails to redeem it from its meagre content and any potential is lost. Part of the problem is that the film consists of too many inchoate strands, another that the killing scenes are mostly rushed and could have been easily improved (N.B. wind and fissures in the ground are not particularly scary).Most horrors incorporating archaeology either involve Ancient Egypt or a long-buried UFO. The use of Ancient Rome (and paganism) in this film is refreshing and one of its initial strong points. The baths, catacombs, zoology department of a museum, and other locales are well realised and created with some attention to detail. A big problem however is that little is made in terms of dialogue, backstory etc. of the Roman angle. The bloody history and mythology of Ancient Rome should have been emphasised a lot more to add flavour and atmosphere to proceedings. Instead, we have banal one-liners, an annoying ‘hero' figure, and not much explanation for anything. Even the ‘monster' itself is given scant explanation or detail; nothing transpires about what it is or its motivations.*spoilers to end*Another gripe is the on screen realisation of the said ‘monster'. (The title should be Specter or Spectre as there is only one of the blighters!). The film takes the classic method of slowly and tantalisingly revealing the creature scene by scene, i.e. firstly from the monsters line of sight, then a glimpse of its claws, then its eyes in the darkness, and so on. No complaints there. But at the finale, when it should be revealed in all its glory, it only gets a few seconds of screen time. In the dark. It leaves the viewer with no impression of what it looks like (unless you play around with the VCR controls). I suppose this approach hides any limitations in the SFX and make-up but it is a rum deal for a film that relies on its monster.The ending itself is pitifully executed. It is rushed, involves no real confrontation with the beast and over in seconds. A character who could offer some explanation for the events makes an appearance only to be butchered instantly, whilst the main characters run around avoiding the scary cracks in the earth and the oh-so-frightening gusts of wind. The reasons why the beast haunted and abducted one specific character are also given no explanation either.Now I shall mention some of the films good points (there are some thankfully) aside from the aforementioned Roman setting. The film briefly touches on the matter of whether history and artifacts should be the domain of private collectors or museums (or the dead!). The scene where Lasky shines his torch over a series of ‘emotionless' Roman statues to finally reveal … is impressive and invokes a sense of doom connected with a centuries dead civilisation. Finally, a character gets his head squelched against a wall (it was great!).

... View More
Whovian

Poor Donald Pleasence! He's been in a lot of really awful films, and this is one of the worst. He was known for putting in good performances even when handed a bad script, but in this disaster, he doesn't even try. In addition to the apathy of the cast, the scriptwriter obviously didn't care too much since this film makes absolutely no sense whatsoever. There are fissures bursting open at random, men running around in Creature from the Black Lagoon costumes, a gratuitous song, a mysterious dagger, lots of tunnels, but no logic.

... View More