For what it is, it's a alright movie. It's not one of those bad movies that is so stupid that is actually really good. But I appreciate what it tried to do with the resources they had. The main reason a movie such as this got the recognition that it did was because it was made by RedLetterMedia. And if you are a fan of RedLetterMedia, you just might have more appreciation for a movie such as this. Because it's created by people that are huge fans of movies and it took like 3 years to make this movie. I could tell some parts they were trying really hard to make it funny by making homage to some B movies that are unintentionally funny. With it's low production value actually adding to the humor. What this is, is a low budget buddy cop comedy that takes on a really bizarre route with a cop from the past teaming up with a cop from the future. Which does lead to some amusing moment, not super funny or anything like that but it was amusing. Even if some of the jokes dragged on and on, overall it still was a amusing movie to sit through.6.5/10

I enjoyed this movie because of the lessons it teaches about telling a story on a tiny budget.Mike, Rich, and Jay (along with the other members of the RLM team) focus most of their output talking about movies, about what makes them work and what makes the fall short.Space Cop is very self-aware, and I don't think it can be viewed by itself as a standalone movie. In many ways, it is a meta-movie, designed to point out the elements that comprise storytelling on the screen.It's not hilarious or beautiful or fascinating; it's something else, a secondary communication from the creators that brings together many of the ideas from Half In the Bag, Best of the Worst, and The Plinkett Reviews.I enjoyed this movie, but I did lot of homework with RLM over the years to get the points they are making. I accept it for what it is.

To say that this movie was awful, abysmal, appalling or atrocious would be incorrect as this movie (on Bluray !!!!!!! what?) is far worse. I cannot think of a single adjective in the English language which would give the reader even a slight inkling as to how inane and puerile this thing is (I cannot bring myself to label this BoS as a movie).I was fortunate as to be able to skip-view this (took about 5 minutes) with brief plays of about 10 or 15 seconds. That was much more than enough to determine that I actually spent 5 more minutes than this turd deserved.Avoid, as in avoid like the plague.I did learn something though, now I know of the existence of RLM. Judging from this movie this is akin to knowing about Ebola .... just say no, don't, avoid, run for the hills ....

First things first: If you're not familiar with Red Letter Media, not even their majestic Plinkett reviews, I suggest checking their stuff out from RedLetterMedia.com or their Youtube channel. It's basically three guys (along with some occasional sidekicks) talking about films and obviously making them themselves. Naturally funny guys, I might add. Their humor is something many probably want to imitate, but can't. I found out about them four years ago, and I still think they're probably the best "content creators" around.Anyway, about the film. Space Cop! I have to say that I wanted it to be better. I knew how funny these guys can be, and I set certain expectations for the movie that weren't met. And I know how hard it is to strike that balance in a movie like this. Space Cop knows it's a bad movie, which is an approach that almost always guarantees a failure. It's not unintentionally bad either, which of course is the funniest kind of bad. So from the get go, this movie makes things hard for itself.It's ultimately not any funnier than an average RLM skit. It's not that spectacle of hilariousness many of us were waiting for. Some jokes are even straight up bad, in the worst kind of way. I smiled a lot, but I don't know if I laughed out loud even once. Space Cop takes the obvious route too many times, and it seems to hold itself back. This is evident from some of the deleted scenes: some of them were a little more off the cuff, lacking this certain restraint that plagued much of the main film and it made me actually laugh.But is it crap, then? If you're expecting to see a good movie, yes, it's kind of crappy. If you're just interested about these guys and what they do, then it becomes okay, because you're not the audience anymore, but an observer instead. "Space Cop" is basically a strange inside joke in a movie form that's hard to explain. The RLM quality is still there at times, and it's still a funny enough movie to barely deserve its own existence. You can see how Mike, Rich and Jay love movies and the craft involved. They probably hate the process of making a movie itself, but they like to express themselves in a funny way nonetheless. That certain childish heart shines through. So whenever I saw weird miniatures or several do-it-yourself solutions on the screen, I smiled like an idiot. And that's what Space Cop ultimately is. It's a somewhat self-aware B-movie made by a bunch of friends who love (B-)movies and like to be creative. It feels like more of a thing that these guys made, and less of a movie. It's not the ultimate RLM experience by any means, but it's certainly a part of it. Be warned though: For anyone with no affection for these guys, this movie might flat out suck. There are plenty of winks and inside meta-humor too, and for a newcomer they probably won't land at all. Rich Evans and Mike Stoklasa play the main characters, and they're both fine. I've always liked Mike. I just can't help but have a stupid grin on my face when I see him "acting", but Rich is alright too, playing his role straight. In fact, there are good performances and even real actors in this movie. No joke. Chike Johnson and Deborah Clifton, for example, do really well. Plenty of familiar faces, some going back as far as the Plinkett reviews and probably their older movies too. Bonus points for Patton Oswalt, his bit was good. Double bonus points for Len Kabasinski's performance as Rich Evans' stunt double. I also have to compliment the production, because it's not that bad for a low-budget flick. Some of the visual digital effects are way better than I thought I'd see in this movie. Looks like their Canadian friends came through! And of course the practical effects and this do-it-yourself approach never gets old. At its best, this kind of B-movie charm can inspire people into making films just as much as praised classics. That mostly happens with better movies, but there is some of that to be found from Space Cop.Whoever made the opening title sequence theme music, captured the Terminator/Total Recall vibe perfectly.I don't know what else there is to be said. Space Cop is Space Cop. It struggles to find its comfort zone, and it's bad in all the wrong ways, but at the same time I kind of like it. Not so much as a movie, but as a thing these guys made. If they make a movie after this, I'd like it to be something really stripped, really simple, really mindless and loose (which can make for a tighter movie). It might be that Space Cop was just too much of a collaboration and too long of a project for that Half in the Bag - kind of humor we (or at least I) love to surface itself. In that environment, these guys are relaxed and funny all around. With Space Cop, there are loads of things to take care of, people to work with, schedules to worry about and such. I don't know if that has any effect on anything, but it's a thought. They might have gone too far - or not far enough - in a few places, but it's stylistically designed to be that way. They can't undo it, and now that it's out they can't even diminish the effects of it. I paid a little too much for the movie (well over 40 euros when shipped to Finland, including the ridiculous toll), and It's not what I hoped, but I don't regret getting it. I'll probably watch it at least one more time, and check out the cool extras again as well.