I enjoyed this movie. It seemed to provide a fairly accurate illustration of the history of this event. They seemed to be trying to produce something with substance. But, I did not think the casting was even remotely correct for this story. Gary Cole may be excellent at his trade, but he does not have a battle hardened look in this movie and gives the impression of not being used to violence. This is just the look in his eyes, his mannerisms and speaking voice. David Strathairn may also be an excellent actor, but does not have the look of someone who rode through a war and had become battle hardened, as his character Capt. William F. Benteen appeared. He gives an almost intimidated appearance throughout the movie. The real Benteen had a childlike appearance, but looked as ruthless as a snake. Major Marcus Reno was portrayed by Michael Medeiros, who has done fine work for years. In this movie he has a permanently fixed expression of terror and bewilderment throughout the entire film. These characters were all men who had seen death, were used to violence and were ready for battle, but in the movie they all look like pampered business men facing a task they are not qualified to perform. Although I liked the film, I would enjoy a story of this nature, which would have a cast of people whose "vibes" were more in line with the story. That being said, it is an enjoyable film and presents a fairly accurate representation of what history tells us actually happened.

Taking this movie for what it is, a movie about an historical event, it's pretty good. The scenes, settings, and dialogue all work towards looking and portraying the events documented in history. Because it's a movie, it is more of a play about real events. The music is the most disruptive and annoying part. It heavily detracts from watching the story. The dialogue is spoken as actors would speak it, with drama, rather than the conversational tone it was surely truly spoken as. The Indians, many of them, are fat, way too unbelievable for people who lived off the land, and Crazy Horse, while thin and muscular most likely didn't have the six pack of someone who works out, but maybe he did. Most disappointing is the portrayal of Captain Benteen, who, according to the movie, callously refuses to go to Custer's aid. I think in truth he didn't know Custer's location or true predicament. Though no love was lost between the two real men, Benteen was a brave soldier who would have come to the aid of other 7th Calvary soldiers. That said, it's a good reenactment movie with real or real looking historical sets, and I love the replacing of the famous Custer picture with Gary Cole as Custer in one of the closing shots. I believe that Custer, as a personality, was more likely a self-centered quarterback type, instead of the pretty boy he's played as. He sounds like he as a pretty ruthless killer, not very Errol Flynnish.

I actually just bought this movie(ebay) for a significant amount. Not because I really thought it was that good, but because I`m totally hung up on the history of native Americans, and especially obsessed with the battle of Little Big Horn. In that respect I was NOT disappointed by this movie.The climactic battle scene was actually very satisfying to me, because i was afraid it would a long wait for nothing. I was eager to see if they had managed to bring the great battle to a realistic scale (3000 thousand warriors, enormous Sioux camp). I was almost completely convinced. Both the choreography and the attention to historical details was flawless! All in all a must for "indians`/western fans" but also watchable for people interested in historical/war dramas. When that is said, this is after all a TV-production, and my review must be seen in that context. 7/10

"Son Of The Morning Star" is by all accounts and definitions an epic. With a period backdrop, compelling characters, a cast of thousands and a span of ten years, "Morning Star" fits the mold of almost every made-for-tv-mini series. Yet you can't help but feel it's being confined on the small screen like a belt that's too tight on you. It has the look and feel of a theatrical feature, and would seem so much bigger on the big screen. But Mike Robe's gigantic effort is no movie of the week basic network fodder. It's the post-Civil War story of General George Armstrong Custer, his lovely and loyal wife Libbie, and Custer's Indian equivalent Crazy Horse, and the interesting chain of events that lead the two warriors to the gentle slopes of the Little Big Horn, or, more popularly, Custer's Last Stand. But, as the Indian female narrator Kate Bighead tells us, "it was not [Custer's] last stand...it was ours". The first half of the film seems somewhat confused of its real direction, and it's pretty much the movies only flaw. We meet the characters, soak in the rich setting of the western plains of our country, and are led through such happenings as Custer's court martialing for his harsh treatment on deserters, the training of his 7th cavalry, the somewhat flawed presidency of Ulysses S. Grant, who, apparently, is quite the anti-Custer, and to a lesser extent to all of this, the early days of the Cheyenne warrior Crazy Horse, played by underrated Native American actor Rodney A. Grant (Wind In His Hair from "Dances With Wolves", which is what I believe ultimatly helped greenlight this production). But besides that jumbled storyline, which really isn't all that jumbled, there are first rate acting scenes displayed by Gary Cole as our arrogant blond hero, who seems to really know his stuff when it comes to first person impressions. Rosanna Arquette is just going through the motions, and so is Dean Stockwell as Custer's superior in Washington, General Sheridan. But the real reward for sticking through this movie is the heart-wrenching climax of all movie climaxes, the Battle of Little Big Horn. Custer's actual Last Stand isn't until the final half hour, but boy is it worth the wait. Mike Robe really deserves some, heck, A LOT of credit for this logistical nightmare of a production. He takes us through Custer's final moments with true skill and utter authority. Combined with the poetic and professional lens job done by director of photography Kees Van Oostrum, and a lush orchestral score by Craig Safan, "Son Of The Morning Star" is a real piece of work, and should be considered a genuine cinematic triumph in the annals of western and dramatic film. Kudos, guys.