*Spoiler/plot- Son of Ingagi, 1940. A young couple invites a town recluse to their wedding and the rich women recluse is greatly touched and gives the woman a locket from her deceased father as a wedding present. The plot reveals that rich women recluse is a scientist that has been to Africa and returned with secret golden treasure. Her dark past catches up with her and several crooks try to steal her gold. And she is aided by her basement dwelling 'man monster' who politely disposes of the doctor's trouble makers. The doctor dies and leaves her home to the young couple in her will with the monster in residence. More mysterious happenings occur. The attention of the police is called.*Special Stars- Laura Bowman, Alfred Grant, Daisy Bufford, Spencer Williams, The Four Toppers.*Theme- Good deeds often follow good people. *Trivia/location/goofs- B & W. All black cast. The title is a tribute to a previously made film 'Ingagai' made in 1930 with a all black cast. Look for the 'SACK' seal of excellence at the beginning and ending of the film.*Emotion- An interesting and usual horror film due to it's subject matter, date of production, and ensemble cast members. The story is very simple with simple production values of the war period and low budget. The monster is very elementary and some 'Amos and Andy talking to himself in times of fear' dialog of the police detective is surprisingly, but very dated. Not a bad film, just a represented film of the black segment of film production for exhibition in black theaters.

Up to the 1950s, small studios made films for consumption in black movie houses across America. Given that these movies were never shown to mixed audiences, their audiences were rather small and their production values even smaller. For the most part, these films lack the polish and professional acting you'd find in other contemporary films--though there are a few exceptions. "Son of Ingagi" is an exception--but not in a good way. It manages to be significantly WORSE than the average black-produced film of its day and my score of 2 might just be a bit charitable.This film is supposed to be a horror film--much like the low-budget stuff being released by PRC and Monogram. However, given the budget is even LESS than that of these poverty row production companies, the film never elicits any chills or thrills, only giggles.It begins with a young couple getting married. Soon after the wedding, a strange old lady doctor comes to visit the bride (who, by the way, is the worst actor in the film...by far) and wish her well in her new marriage. In the following scene, you see the Doc at home and she has some sort of ape-man living in her home that she brought back from Africa. Despite having lived with her peacefully for MANY years, the ape-dude ends up killing her and others. The young couple then inherit the home and killings continue. The idiot police send their #1 idiot (Spencer Williams of "Amos 'n Andy" fame) to solve the crime though he isn't much good. Eventually, the man of the house rescues his bride (who the monster just kidnapped) and destroys the creature. However, there is so little energy and excitement that you really won't care....just laugh! While this isn't quite as bad as an Ed Wood film, it is close. The acting and writing were pretty bad and the film is, unfortunately, rather dull. The only good reasons to watch it are if you like watching bad movies or you want to see an example of black cinema. Other than that, stay clear.

SON OF INGAGI (1940) is a rare horror film. One of the films by Zack Williams, a black film artist who made films with an all black cast, for the black audiences. (This was in the days before Denzel washington, Sidney Portier, James Earl Jones, the days you never saw a black man in the heroic lead in a film.) The real treat of the movie is the nasty old witch that lives in a little house. All she has to do is bang a low-toned gong and the big giant, who sleeps on hay, wakes up and beats the old woman's enemies to a frazzle. A rare piece of film history, and a lot of fun.

Wow! When they set out to make a bad movie in the golden days, they sure knew how to do it! This film is bad, no qualms, questions about it. The story essentially tells a story about a young couple just getting married who are visited by a wealthy doctor known to everyone else for her miserly ways, yet in secret a very giving woman. We learn that this woman is attached somehow to the wife, and then we discover that she has been in Africa and loved her father. The film is intriguing with its all black cast(save the doctor and her brother), but ultimately fails as the moment the monster(an ape-like man living in the doctor's office) is revealed destroys any credibility the movie might have had. This monster looks so silly with its black wire hairs(mop-like)hanging over its face which has sunken eyes. It moves around in a pitiful way, and in no way is scary. The film also does not know exactly what it is trying to be. Is it a horror film or a comedy? The ape kills on two occasions with no comedy implied, and then later we see it eat two sandwiches from a scared policeman desperately trying to imitate Mantan Moreland. I also forgot to mention the lovely music sung as the wedded couple spend their honeymoon in their house and are visited by all their "singing" friends and family. The film sports few great moments. It has poor, inferior direction, sets, script, and acting. The best part for me was the woman who played the doctor. She was quite atmospheric in her black dress and her portly figure. That, however, is not enough to recommend this exercise in will...making you sit through it.