Bradbury's Something Wicked This Way Comes is a classic, and possibly his best work. This film should have been a great success, with a good cast, and especially with Bradbury himself writing the script from his own novel, but alas, it was not. Several reviewers have suggested that it should be remade with modern special effects. This may be a good idea, but the effects were generally pretty good for the early '80's, and in my opinion the major problem lies elsewhere.Ultimately, this is a suspense film with very little suspense. This is particularly obvious in the climactic scenes in the library, which should have dripped with suspense, but actually felt flat. Which presumably points to the director and perhaps the editors. This is surprising, as Jack Clayton had a fairly high reputation and made some very good movies, but perhaps he was just no good in the suspense genre. Whatever the reason, this was a reasonably good movie which should have been much better.

Will and Jim hear about a strange travelling carnival from a salesman, so they decide to see what it's all about. But Will is fearful, as most carnivals end their tours after Labour Day, and it's the middle of autumn. When Mr. Dark rides into town at midnight, setting up his massive carnival in a matter of seconds, the boys are both thrilled and terrified. It seems to be just another carnival at first, but it is not long before the forces of darkness are manifesting from the haunting melodies of the carousel, which can change your age. With his collection of freaks and oddities, Dark intends to take control of the town and seize more innocent souls to damn..........With Disney going dark in the eighties with their live action movies, they hit an undeserved slump, which is highly unfair, when material like this is the outcome.Sinister from the word go, the film is dark to its core, and it revels in the fact right until the last shot, and it never pulls its punches, which some may find difficult to digest, coming from the studio that loves fun, brightness, and laughter, as this is the other end of that spectrum.But as entertaining and genius as it is, it's easy to see why it failed, and journeyed into obscurity. It's way too dark for children, it's the stuff of nightmares, literally.And on the flip side of this is the fact that many would be deterred by the Disney moniker. Many would think it would have a saccharine edge to it, but this couldn't be further from the truth. Imagine a Disney film where a man has a spell cast on him where he feels what it's like to die, or children are covered in spiders, and a man is aged, explicitly on screen, and this is your movie.Pryce is wonderful as Mr. Dark, charming, suave, but just one scene changes all that when he discovers Robards is lying to him. That's when the film goes even darker.If you ever get a chance to see this wondrous film, do so, but do it on a cold winters night,with all the lights off.You'll think twice about the carnival for a long time after......

As long as I've read books, I've loved Ray Bradbury. No author has influenced me more. When news of his passing reached me two years ago, I was crestfallen. If anyone could have lived forever, it would have been him. "Something Wicked This Way Comes" is the first novel I ever read cover to cover. It's a rare book where you can put your thumb down on any sentence on any page and find something poetic and beautiful. Bradbury's preferred format was the short story and he never adapted as well to the novel or the screenplay. He happen to write both for the 1983 feature adaptation of "Something Wicked This Way Comes." It's not a great film but is one that has moments of greatness inside of it.The film follows Bradbury's novel quite closely. During a bleak October, the ideal town of Green Town, Illinois is visited by a carnival. Led by the enigmatic Mr. Dark, the carnival seems to grants the most heart-felt wishes of the lonely, sad, scared towns people but at a terrible price. Two young boys, Will Halloway and Jim Nightshade, are swept up by the mystery of the carnival, at first intrigued and then frightened. Will's father becomes an unlikely hero to both, forced to overcome his own regrets and fears into order to protect the boys from the dark dreams of the carnival.The book, "Something Wicked This Way Comes," is something of an allegory, a dark fantasy struggle of good and evil painted across an American small town. I love the book very much but found Bradbury's themes overly simplistic sometimes. Perhaps the only way the film is superior is that Mr. Halloway, frequently long-winded on the page, is a more flawed, more human character on-screen. James Robards is excellent in the part, every regret and bad memory on his face. He is a warm, loving father but one wrecked by guilt for the things he didn't and should have done. If Mr. Halloway is a more realized character in the film, then Mr. Dark is perfectly captured from the page. Bradbury wanted Christopher Lee to play the part, which probably would have been incredible. Yet Jonathan Pryce might be perfect in the role. There is such a real, deep sinister intent behind his every word and action. Mr. Dark isn't quite the Devil himself but something very close. Pryce gives a star-making performance.Both actors and characters are placed against each other in two scenes that stand out over the rest of the film. The first is when the carnival marches down the town's streets. Their trumpets play out a funeral dirge. Will and Jim hide under the sidewalk. Mr. Dark confronts Will's father, searching out the boy. The father tries to mislead the man, the boys' faces tattooed on his palms. In rage at being lied at, Mr. Dark digs his fingers into his own hands, drawling blood. Blood that drips down on Will's face under the street. That's an awfully good scene.However, the second confrontation between father and devil is incredible. The boys hide in the library. Mr. Halloway lifts his head up, taking his glasses off. Suddenly, as swift as a shadow moving into the room, Mr. Dark appears behind him. The two trade barbs, Bradbury's lyrical dialogue dripping off their lips. Mr. Dark snatches Halloway's book away from him. With every page torn away, another year lifts off of the man's life, a glowing page falling to the floor. The scene builds an incredible intensity. Pryce doesn't overdo it. Instead, he spits the words with vigor, rage quivering out of him. The book and film's themes are summed in this scene, undoubtedly one of the darkest ever in a Disney film. If the rest of "Something Wicked This Way Comes" had been as good as this one moment, it would have been a classic for all time.It's a shame the film around those two incredible performances and two fantastic moments is so frequently a drag. The opening and closing narrations, though expressed with Bradbury's lyrical verse, paint the film's themes out too neatly. The subplot concerning Mr. Cooger is unresolved. Royal Dano is delightful as Tom Fury, the lightening rod salesman. Fury's overall importance to the plot is somewhat murky. His sudden reappearance at the end reeks of sloppy writing. A long scene where Will and Jim are attacked by spiders and a hand made of mist in their bedroom is awkwardly executed and goes on much too long. The film's climax is muddled and lacks satisfaction. Charles Halloway escaping the Mirror Maze through the power of love comes off as helplessly hokey. Mr. Dark dragged to his doom by the carousel comes off as grim and mean-spirited. Considering the book ended with Will and Dad pushing Dark with laughter and happiness, the film's ending seems murky and inconclusive. "Something Wicked This Way Comes" is haphazardly paced. The film is only 97 minutes long but feels much longer.Changing the Dust Witch from an old crone to a siren-like embodiment of male desire was a smart decision. Pam Grier is sensual and enchanting in the part. Jack Clayton's direction is occasionally quite striking, such as a single shot of Will and Jim running down the darkened town street. Sometimes, Clayton's direction is a bit flat. The film had a troubled post-production, with rewrites, a completely new ending shot, and a new score recorded. Georges Delerue's original score is appropriately sinister at times but drones too much. James Horner's new score works for the film a little better but it's too light at times. "Something Wicked This Way Comes" is a troubled adaptation of a wonderful book. It's honorable in some ways and worth checking out for Bradbury fans, despite maudlin and uneven elements.

The devil-comes-to-town premise is one that Stephen King has practically built half his smelly career on. He has used it – or shall we say "ripped it off" – from Bradbury (and others) and turned it into countless formulaic stories and novels. Satan comes to a small town to wreck havoc, and it's always the same shticks, over and over, at least when it comes to his drivel. There are, however, worlds between how an intelligent, skillful writer such as Bradbury treated this idea and how a commercial, fluff-for-the-masses mediocrity such as King does. SWTWC is a moody, subtle, enjoyable take on the subject. King treats this type of story (his favourite story) with much more pomp, clichés, and very exaggerated and annoying small-town stereotypes – most of which reveal this left-winger's barely hidden resentment towards small-town folk (and people in general; perhaps he's just frustrated that nearly all of us are much prettier than him). King wrote these kinds of stories with the primary intention of dragging small-town America through the mud, because - as every good Marxist - he detests the success of democracy and Capitalism, and nothing annoys him more than religious folk. (I am an atheist myself, and yet I do not hate believers the way King does.) No such pathetic, sociopathic, misanthropic tendencies are to be found in SWTWC.The movie has an excellent visual quality; the photography, the look of the movie is reason enough to watch it. Most of the special effects stand up very well to today's CGI; there is very little of that miserable cheesy quality or hoakeyness that some 80s fantasy movies have. It's a Disney flick, but it strikes a fairly decent balance between a kid's movie and adult horror, although obviously leaning more toward the former. Nowadays, the Disney conglomerate would be hard-pressed to squeeze anything of quality out of its ravaged/fruitless Mickey Mouse butt, let alone make a movie that either kids (with taste) or adults (with brains) can like. (I do not count Pixar's movies as Disney produce.)The only "beef" I have with SWTWC centers around Jason Robards. No, not the actor himself; he is excellent, as always (one of the very few top-notch nepotists in Hollywood). I am referring first-and-foremost to the age difference between him and his wife, played by a useless nepotist that goes by the name of Ellen Geer; she was 42 at the time of filming, he was 61, which is simply ludicrous. Far from make-up reducing the difference between them, they actually look as if there's 30 years between them - though this is by no means intended as a compliment to the homely Geer. Robards looks like the kid's grandpa, not his father. The other thing that I found silly was Mr. Halloway's unlikely/exaggerated obsession with his failure to save his son from drowning a few years earlier. It would make perfect sense had his son drowned - but he didn't. Halloway (Robards) even states that he harbors ill-feelings toward the man who saved his son – which I find highly far-fetched and a bit of a leap; it would imply that the life of his son takes a backseat to his own Ego, i.e. the issue of whether he is a "real man" and brave father. Still, I guess the story needed some kind of "inner conflict" in order to make the all pieces fall together in the movie's evil-snuffs-it finale.For other film versions of Bradbury's material, I highly recommend "Fahrenheit 451", and especially the lesser-known, fairly ignored gem "The Illustrated Man".