I have no idea why i watched the movie until the end.It gets extremely repetitive and bores you to death. Besides it has a repugnant ending and that you will feel the stress in your body.

Watched this on the plane, could not get my eyes off it. Masterful theatrical performance , 2 people inside a townhouse somewhere in U.S. Big city. Plot reviewed by others. Camera action captures a plethora of emotions and takes you where the actors want you to go. You will love this if you like watching uncoiling emotions from interactions of both characters, if you don't mind the sexual setting (no nudity) but nevertheless it very sexually charged, and if you like small cast theatrical performances. The ending is indeed unexpected, but in a way may the best way to end this escalating very emotionally charged movie. Both actors make it very believable at every moment. Their dialog may leave you irritated at times, but it is very realistic.

Neil LaBute's work has always been raw in tone, frequently offensive, yet never lacking in punch.SOME VELVET MORNING proves no exception to this rule. Set in a split-level apartment in a big city, is concerns an apparently unstable relationship between middle-aged lawyer Fred (Stanley Tucci), and his twentysomething former mistress Velvet (Alice Eve). Fred claims to have left his wife and returned to Velvet after a four-year absence, while Velvet apparently resents his unexpected appearance in her apartment.Most of the film's eighty-two minute running-time is devoted to a roller-coaster depiction of the characters' relationship as it veers from protestations of love, false demonstrations of passion, and the more obvious depicting of male power based on strength. In the final reel there is an unexpected denouement that calls into question the entire basis on which the plot has been constructed. Some might consider it artificial; others a too-obvious elaboration of the film's basic theme.In terms of style, SOME VELVET MORNING has much of the rawness of David Mamet's OLEANNA (1994), another two-hander based on the clash between a man and woman of varying ages, combined with the destructive potential of Mike Nichols's WHO'S AFRAID OF VIRGINIA WOOLF (1966), wherein the main characters tear emotional lumps out of each other in pursuit of emotional as well as physical mastery.As director, LaBute refuses to let his characters out of sight of his penetrating camera. We feel uncomfortably close to them, especially Fred as he tries to ingratiate himself once again into Velvet's emotions. Yet there is a sense in which the film glorifies as well as condemns male power; Tucci portrays Fred as the initiator of most of the conversations he conducts with Velvet. Until he achieves his desired aim, he will never give up.In truth the plot begins to pall as it unfolds, as we wonder why Fred is so insistent on achieving his desired aim. Is it part of his own feeling of insecurity; that he is an emotional wreck with a pathological inability to articulate his emotions? As Velvet, Eve tends to be too much of a foil to him; in Beckettian fashion she tells us she is going out but never actually takes any positive action.It might be said that SOME VELVET MORNING gives an uncompromising portrait of modern relationships. In truth it actually reveals the bile at the heart of the writer/ director's consciousness, which manifests itself in a consciously sexist piece of work.

I found this movie on Amazon, and it sounded pretty interesting, and when I saw a short running time, it made me curious.In my experience, independent movies are either far too long, or the perfect length. Likewise, they vary from pitiful, instantly forgettable, or phenomenal, like most films I guess, however independent movies are even more difficult to analyze as there is little in between. At less than an hour and a half, I knew I wouldn't have that problem. What I watched surprised me even more and was extremely impressive.Only two characters throughout the entire film, in one location. This is an extremely difficult task for any filmmaker, but as opposed to others with similar types of settings, this took place in real-time, even more difficult.Alice Eve delivers another brilliant performance, who I hope will get some more starring mainstream roles soon. I loved her in She's Out of My League, and she has done a string of indies, all of which she was impressive. This film will certainly help her career.Stanley Tucci was, for lack of a better word, Stanley Tucci. Always spot on, and will always add extra depth to whatever character he is playing.What I loved about this film was the on-going back-and-forth between the two. There is a deep history between the characters, with anger growing between both, and a history of problems. What made this so interesting, is that it is never actually stated what the issues are, but the viewer completely understands the complexities of both characters.I was riveted to see what was going to happen with the facts given, and those not given explicitly. The ending is perfectly executed. I thought I guessed the surprise ending, and I was right...right up until the second shocker came and my mouth was dropped wide open.This film will stick with you. It is a great watch, and a short film, which makes it all the more satisfying. I hope this can get some more play and some buzz about it. It is certainly deserving.