Great sceneries and great acting from many well-known actors could not save this film from a horrible plot flow that failed to connect well with each other.The movie instead was successful at leaving many questions unanswered. And all the plot holes consequently turn the whole thing entirely 180 degrees back into 'nothing makes any sense at all' material. What more needed to say? This is probably the worst that can happen of a horror/dark noir/ crime thriller - based film. Whoever the director is should restudy on making a convincing movie, because the subject matter it is based on is a unique thing but the potential was not developed properly.Please do the world justice by destroying this movie in a storm!

While in a party promoted by her chief and friend Måns Wenngren (Jakob Eklund), the fiscal attorney Rebecka Martinsson (Izabella Scorupco) receives a call from her former sister-in-law Sanna Strandgård (Maria Sundbom) telling that her brother and preacher Viktor (André Sjöberg) was murdered, stabbed and with severed hands, and she would be arrested. Rebecka heads to her hometown Kiruna and defends Sanna, but the evidences found by the police in her house prove her guilty and she is arrested. While investigating the crime, Rebecka is haunted by her past and faces the bigoted and fanatic religious dwellers that worship the local church, and is more convinced of the innocence of Sanna."Solstorm" is a weird, but good thriller with great performances, highlighting the gorgeous Izabella Scorupco, and awesome locations and cinematography in Kiruna (Northern Sami: Giron), the northernmost city in Sweden, situated in Lappland province, that makes the viewer feel cold, no matter where he is. The non-linear screenplay is a little confused but never uses clichés; is very tense and uncomfortable and has an unexpected plot point in the end. My vote is six.Title (Brazil): Not Available

There's no glamorous international jet setting, no big names or well known locations. The story line is slick, tense and well paced. The setting alone adds the drama without Hollywood special effects or unbelievable court room antics thrown in. It's a gripping tight thriller that will satisfy the moviegoer that appreciates a good storyline without being told what to think. I also enjoyed the cinema photography - it would have been hard to brings this aspect of the film to life when you are dealing with a predominately white subject but it passes muster and adds a real sense of emotion and isolation. Food for thought - the setting in which the story takes place could be anywhere, any town any country - just proving how alike the world can be. A great rainy afternoon film and one that you could watch again.

I was looking forward to seeing this, mostly because I have frequently visited Kiruna, where it was shot, the past few years. Technically there is a solid craftsmanship at work here, the photography is nice and so forth. Still, where it is lacking is in the scriptwriting and directing departments. The storytelling is unfocused, confused and sometimes just plain sloppy. Crucial information is conveyed by jarring use of voice-overs, where it just as easily could have been worked into the dialog. The backstory of the congregation and the charismatic leader is not properly setup and explained, and thus never becomes believable. I get a sense of post-production tinkering, along the lines of "oh, we should explain this or that because we forgot (could't afford) to shoot it...etc". The use of fast cross-cutting between dramatic events, flashbacks etc, is irritating and oftentimes deprives scenes of dramatic potential (possible spoiler: the incident with the dog, for example). Despite the best of intentions, this emerges as a fairly mediocre movie. I have not read the book on which it is based, and if this is anything to go by, I probably will not bother. Isabella does the best she can with the thin material, as well as most of the other actors. All in all, the scriptwriter and director is to blame here.