Sleeping Car is a remake of the very good 1932 Rome Express with Conrad Veidt providing a much more sinister and intense Zurta in that one than Albert Lieven does in this remake - to his credit, though, Lieven does exude a debonair, charming sliminess, and I like both actors' widely different takes on the role.Lieven is actually better suited to the role of Zurta than Veidt would have been, since the tone of Sleeping Car is lighter, despite the biting satire overall. Rome Express, while absorbing, is by comparison somewhat flat and humorless. The action and dialogue in both are crisp, fast-paced without being frenzied; the subplots in Sleeping Car are more entertaining.Scottish actor Finlay Currie is in both. He's a fast-talking American show business promoter in Rome Express, and an overbearing author in the Trieste version. Urbane actor Paul Dupuis is more satisfying as the detective Jolif in Trieste. He has classier, funnier lines, and comes across as a three-dimensional sophisticate. In Rome Express, the role is a dull mish- mash attempted by Frank Vosper.Not to be missed is the fun performance by always-watchable Jean Kent, in full control of her role.Overall, Trieste corrects some of Rome's plot weaknesses, as well as adding life and humor, If you have a chance, watch both of them. They're both enjoyable.

SLEEPING CAR TO TRIESTE is a post-war thriller set on board a train in which various spies and interested political parties attempt to get their hands on a precious stolen diary. After a slow first hour which is all set-up, the story gets quite interesting and throws some thrillery-type thrills into the mix. The cast isn't bad, including the familiar likes of Hugh Burden, David Tomlinson, and Finlay Currie in the mix, and things build to an effective 'who's the bad guy?' twist climax. It's not one of the most exciting films ever made, but it does the job well enough.

The theft of a lethal diary which could create scandal and possible war leads to intrigue amongst the rather shady passengers on the Orient Express they are all traveling upon. This isn't a collection of nice people, as the thief killed a valet during the theft, another government agent is determined to get his hands on it, and other assorted amoral people become involved through their own schemes and the close proximity to the people after the hidden diary, which results in murder. The poor American soldier on leave gets taken in by a French girl wanting to avoid customs charges, and after having been bored by the British expert on birds, you can see why he was taken in so easily. Another passenger is an obvious ruthless businessman whose assistant briefly gets his hands on the diary with nefarious plans of his own.This remake of a classic (and rare) earlier British film ("Rome Express") is updated neatly to Post War Europe and features a cast of mostly obscure British actors amongst its large ensemble. Most familiar to American audiences is future Disney star David Tomlinson during his years as a character actor in both comedic and dramatic roles. Excellent photography aids in the tension of the film which builds to a frightening climax.

Albert Lieven (Zurta) and Jean Kent (Valya) pursue Alan Wheatley (Karl) aboard the Orient Express. The object of their attention is a diary which Lieven must recover and leave the train with before he reaches Trieste.The film needed to go in either the comedy direction or the thriller direction. As it goes, it combines both which is frustrating. The final moments on the train are quite shocking given the rather lame humour which we have been fed during the previous hour and forty minutes. The ending seems out of place in this otherwise frothy adventure.Most of the actors are irritating. They play comedy roles that never make you laugh, except once – lawyer Derek De Marney (George) comes out with a classic laugh-out-loud moment when he presents his 3 theories of how someone has ended up dead to policeman Paul Dupuis (Inspector Jolif). It's the best moment of the film and we re-winded it twice! The best in the cast are Lieven and Kent, who play it straight and provide the thriller part to the film – the reason to watch it. Some characters are actually completely superfluous to the story – the bird watcher, the GI, the French cook and the British cook. There are too many characters providing comedy parts.As a whole, you watch to see what happens but it gets boring and the Brits speak in that ridiculous posh way that makes you cringe, and it basically helps to portray them as twerps. Not what is required for a good thriller.