Slasher House
Slasher House
| 29 April 2012 (USA)
Slasher House Trailers

When RED awakens in a prison cell within an old abandoned Madhouse, she has no idea how she got there and why she has been placed there. As her cell door opens she soon discovers that she is not alone. Trapped with the worlds most notorious serial killers she finds herself caught in a deadly game with no escape as one by one the other 'inmates' are released to stalk her as their own prey. RED must now battle impossible enemies as she tries to find her freedom and soon realizes that there is a bigger plan for all this than she first realized. Will this 'Final' girl have what it takes? Or will she see the last of her days in the endless corridors of SLASHER HOUSE!

Reviews
whittakerben

I'm not really a fan of slasher films to begin with but when it comes to independent horror filmmakers you can always see the true passion come through even on a low budget. Slasher House is no different and it's clear the director knows his slasher films and what fans of the genre want to see. I'm really surprised how much I liked this film as I was not expecting it to be as good as it is. What starts as a mystery of a girl waking up on what looks like an abandoned prison turns into an expansive mythology of horror with different types of horror movie killers all hunting the lead actress. There are knife wielding slashers, creepy clowns and crazy psychopaths all out to get here and a few good twists along the way. The action is well staged and although it looks like it was filmed on a DSLR the creative choice of lighting and editing elevates the film above its low budget roots. Im sure you can pick this film up pretty cheap now so if you see it I would really recommend buying it. The director has also made a few spin off films and it seems like all the characters have their own connected universe so it will be interesting to see where things go.

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BA_Harrison

A naked chick, Red (Eleanor James), wakes up in a locked cell with no recollection of how she got there or who she is. When her cell door is electronically unlocked, she finds post-it notes instructing her what to do. She is not at all perturbed by the fact that everything is green with just an occasional splash of red. She puts on a dress, finds a weapon inside a fridge, and wanders around a bit until she discovers someone else locked in a cell: a young man called Nathan (Adam Dillon). Everything is still green and red.While Red is trying to free Nathan, a homicidal clown called Cleaver (Andrew M. Greenwood) makes an appearance and the pair are forced to defend themselves. Cleaver is just the first of several psychos to be released over a period of time. Why are they there, who is controlling the 'game', and who will make it out alive? These questions and more will be answered by the end of the film, although why everything is green and red remains a mystery.With such a generic title, I wasn't expecting much from Slasher House other than a whole lot of gore; sadly, it didn't even deliver much of that. What we do get is a badly written, poorly acted mess that only displays a modicum of innovation in it's closing moments, when it builds a mythos around the central character that proves rather intriguing. The remainder of the film is dull and derivative, the film's opening being little bit Cube and a little bit Saw, but with none of either film's scares or tension, while the stark colour scheme is straight out of an Argento film, but rather than being used sparingly and with consideration, the effect is clumsily splashed over virtually every scene and soon becomes extremely irritating (while ruining what gore there is).And call me pedantic, but I also have a problem with the scene where one of the killers is pushed into an electric chair and fried with the throw of a switch: in a real electrocution, the whole chair isn't carrying the current—the process requires the application of moist electrodes to the head (via a metal skullcap) and the leg.

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Chris Mackey (guestar57)

This is a pretty wild ride of a scare flick.For one thing,Why isn't Eleanor James in more or bigger flicks…Look up the titles : Backslasher,Bordello Death Tales,Was that her in CAM GIRL? ! Four serial killers and a babe: Well-We have CLEAVER the clown,CORBEN(Richard?),NATHAN(goblin) and THORN-The doom bringer ? CLEAVER,Like the others has a back story and it reeks in crimson and CORBEN reminds me of THE LACKEY,But bloodier and NATHAN has a GOBLIN/TROLL 2 alter ego that is amazing to watch take him over for the kills and THORN ….we found out is a franchise character who has a prequel in his future or something similar.The set is wonderful and obviously was Used at one time,make-up and effects RAWKED and the sound bothered me—Kept adjusting and then a kill will scare us and sound went down,Back and forth with the remote.

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WilliamBlake01

Where to begin? The film is called "Slasher House", which has to be the laziest, most uninspired film title I've ever come across. To add to that, the film isn't set in a house. That sounds facetious, but when the TITLE is both clunky and inaccurate, how good can the film actually be? As it is, the film, title included, is more or less what would happen if you had a five-year-old describe what he thinks horror films are like, wrote it down and shot that. The film is a dull, incoherent assemblage of lacklustre horror clichés, stilted dialogue, laughable acting, messy action and a painfully feeble plot, all cobbled together by a bunch of incompetents.Highlights include the character with a hat pulled over his eyes, who was obviously intended as a Hannibal Lecter type but instead comes across like Brian from Spaced. There's also the embarrassing killer clown (complete with an origins flashback that doesn't say anything about its origins), the extremely awkward kiss between the two leads who until that point have barely even looked at each other, the plastic budget fright mask which for no clear reason turns a snotty emo kid into a tubby metalhead with two big fake swords, and to round it all off a scene captioned "Russia" which immediately includes clear shots of roadsigns written in English.I won't even start to list the constant continuity problems, the patchy editing, the painful sound mix - it's enough to say that the film looks and sounds in the worst possible way like an amateur production. Obviously it's a film with a tiny budget, but the budget really isn't the problem here. The problem is that the people who made the film set themselves seriously unambitious goals and were then too lazy to make sure they achieved them. The script is obviously a first draft - Hell, the story seems like it hadn't been revised since it was first scribbled on the back of a fag packet by Uwe Boll's less talented brother. The majority of the cuts are first take, technical errors and all. I'm not sure if the garish green tint they've slapped all over everything is just a misguided attempt to be arty or a last-ditch effort to give the film a coherent look, but either way it's your first clue that the director isn't on speaking terms with subtlety, taste or style. Things he's also unfamiliar with include subtext, themes, tone, pacing, composition and lighting. Which, I'm sure you'll agree, is a lot for someone to not have learned and still decide they should make films.Anyway, you get the idea. Make a pile of the worst, most badly-made horror films you can think of and every last one of them will still on most levels be far better than this. So watch one of them instead. You're welcome.P.S. I have just remembered that the production company's logo is a Jeson-style hockey mask. I challenge you to think of a clearer way of telling the world that you have no ideas of your own than branding your own product with someone else's concept.

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