Janey Andrews lost her family in a crash. She's alone in the world. A judge sends her to a meditation retreat for assault despite her plea of self-defense. The all-female retreat is in the middle of the woods run a doctor and his two sons. The women are forbidden to speak or even make eye contact. Janey tries to escape but she's captured by one of the sons although he seems to be afraid of something in the woods.It's a watchable Canadian indie horror. It starts off with a creepy notion of these women being controlled by this weird doctor. It could have gone down many different paths. It tries to do something with sound. At least, it's unusual. It does need to decide whether the creature is attracted by sound or is hurt by it. It may make more sense for everybody to be quiet including the men. It may be even better if the doctor's introduction is done in a sound-proof room. The sound idea has issues that needs to be addressed. As for the creature itself, it is not the best although I'm sure the low budget restricted the movie. The main problem is the way the creature moves and the way it is filmed. It isn't scary. The blood looks too red especially in the dark. This horror has an intriguing premise and it needs more work to hash it out.

Well, well. Looks like someone gave a movie camera to a feminist.Original story. Started out very well. And then the girls started talking.The movies goes downhill from there.If they had edited out 10 or 12 lines from this movie, I would have given it a 7.5 instead of a 5.But they brought in this whole angle about how no one listens to women and they are oppressed and forced to obey men.At first I really identified with the women/prisoners but in the end I was begging for them to get bumped off. This is a tremendous irony because instead of developing sympathy for the oppressed women, we end up wanting them to be killed... quickly and quietly. By the last 10 minutes I suspect even the Pope would want to smack them.The worst part is the protohumanoid monster, who in the end spares the bitchy protagonist as it is revealed that the monster too, is a woman complete with a suckling baby monster.I kept waiting for the film maker to insert anti male scenes of the perpetrators sexually assaulting the prisoners or leaving the toilet seat up, but was spared, thank God.The movie makes a big deal about screaming. "We scream so that others know we are alive."Three quarters of the way through the movie, I was screaming for the film projectionist to have a heart attack and spare us the ending .Another decent movie ruined by Left Wing "I am a victim" overtones. Do yourself a favor. Skip this one. If this movie was made 30 or 40 years ago it may have been relevant, but in an age where women are given special treatment under the law and graduate from college in greater numbers than men, not so much.Oh God, when will film makers stop trying to teach us social lessons and get back to entertainment?

The fact that so many reviews point out the inconsistency in tone of the film is a hint. I mean, I get it, I get that they wanted to do all of this, but it just doesn't work. The first half of the film is fine, it's just that it seems to turn direction in such a jarring way that it really kills all the momentum it had been building up. The performances are fine, even if the characters are nothing to write home about, and the production values for an indie film are also pretty impressive. It really comes down to the screenplay and the fact that the directing needed to be toned down a bit. Even for a good time, this doesn't all work, although it could've.

I've heard some good thing about this movie, so I give it a chance (even tho AfterDark movies are usually hit or miss).While it started out OK, then turned weird since it had no dialog for the first 20 minutes or so (which I actually liked), it sacrificed it's premise for more of a standard movie, because message has to be heard, right?and the feminist(ic) overtone in this movie are so obvious that it really start to hear your ears. While I have no problems with some feminist tones in movies like Stepford Wifes (original): it had feminist ideas within the story, but it still treated itself like sf horror movie, but in Silent Run? Hell no! Most of the dialogues consist of usual feminist tropes like "We are so oppressed, no one wants to hear us, man want to change us" to the point that movie become too annoying. Every man in this movie is complete psycho who want women to bi silent, obedient and "perfect" wives for themselves who must be at kitchen (they also want girls for their wives purely based on their looks!). They even showed the "woman in kitchen" mame image treating it like serious thing for brainwashing young girls. I am not even kidding. Creature itself that happens to be in the woods for some reason is also a female (also in sign of feminism).Robert Nolan is only saving grace, he is really good in most of his scenes. Other two lead actresses are also rather descent, it's not their fault that movie is so absurd.There are some FX scenes which are well made, descent amount of gore for this type of movie (maybe even too much), some blood. Creature design was descent, but not too original, you'll swear you've seen it in some other movie.Ending was ridiculous with needless fight scene at the end, because hey, you must satisfy the casual audience (who will probably be bored by then anyway). If movie ended with strong emotional scene that happen before it (also, applause for two lead actresses, it was carried purely on their acting, because script didn't do anything to root for any of their characters), it would end on high note, but nope, let's do the generic fight scene and end the movie.Honestly, if this movies wasn't "So-obviously-feministic" movie, I would probably like it more, but I really couldn't stand annoyance of majority of lines being "we are so oppressed by those evil man"... or at least keep your feminist views at minimum and don't use your movie as way to express your own socio-political ideas. Look how Stepford Wives turned out (which I actually liked). It managed to poke at feminist ideas, but it was still enjoyable, creepy and "legit" horror movie. It was never used as a way to spew ideas right into audiences faces.