I watched this film because I had seen Alice Lowe in "Snuff Box" (more black comedy) and I was curious about her accent. So I didn't know what to expect. If you've read many comments, you'll know—lots of psychopathic violence.I may be wrong. Ben Wheatley may have just woken up and thought, "Wouldn't it be funny to have a mentally off-balance couple on vacation?" I assume that it's more than that, but the British like their comedy black.Here's my take. It seemed to me more about questions than statements:What role did Tina's mother play in the creation of a monster? Why did her mother dislike the boyfriend? Was she just being selfish or petty,or did she really see something evil in him? Would he have turned out the same way if not for the first accident? What is it that makes couples move toward each other—thinking alike, doing alike, trying to please the other—when the things they think or do are often so destructive? Is the movie saying something about a society that, while often rude, is civil and trusting enough that people put themselves in the path of murder without even being the least bit suspicious? What is going through the characters' heads as they commit each act? How many Chris's are there in society just waiting to pop? I think there is one statement that the movie is making: You don't have to like or sympathize with the main characters just because they're the main characters. Not every story has to have a hero. Just because you can't identify with or like the main characters doesn't make it a bad movie.I gave it 8 out of 10, not because I'm recommending it for everyone--far from it--but because I thought it was interesting in a way that so many movies are not.

I you have enough time to waste I will say: go ahead and watch this. I was not impressed at all and the only thing that kept me watching until the end was the British humor that is well known. The movie is absurd, it tries to be funny but it fails sometimes. It tries to be normal, but it definitely isn't normal and what the story suggests is quite very Utopian. The characters are very far away from the society and if the movie would have been a little bit more funnier, maybe, just maybe, we would have had a better vision about this one.Maybe it's just my opinion but I will definitely not want to watch something like this again.

Never trust a bearded man with a caravan...The dark comedy darkened throughout the scene with random people intervening on their road trip Some parts of the film did in fact make me laugh however as it was bizarre it wouldn't be one of the films I would advise, and it would be a waste of time. The unrealism was astonishing. Chris Oram who was basically seen as being a psycho (in his own written film) turned his girlfriend Tina also into a psychopath. The film includes a variety of unusual and catastrophic scenes. Who would have guessed that it is she who caused the main death at the end.Every death was an accident...

Chris (Steve Oram) wants to show Tina (Alice Lowe) his world and he wants to do it his way - on a journey through the British Isles in his beloved Abbey Oxford Caravan. Tina's led a sheltered life and there are things that Chris needs her to see - the Crich Tramway Museum, the Ribblehead Viaduct, the Keswick Pencil Museum and the rolling countryside that separates these wonders in his life. But it doesn't take long for the dream to fade. Litterbugs, noisy teenagers and pre-booked caravan sites, not to mention Tina's meddling mother, soon conspire to shatter Chris's dreams and send him, and anyone who rubs him the wrong way, over a very jagged edge.If I would have to describe this film I would describe it as a dark, confusing and horrifying film if you don't like violence and blood. In my eyes this film is not for children under 15 Years because this film contains scenes of sex and quite a lot of violence.