Horror is the only genre I feel nostalgic about. I fondly remember the days when I trawled through the horror bins of the local video store, marvelling at the outrageous covers promising unspeakable oddities not meant for the regular, god-fearing folk; Ze do Caixao, Nurse Sherri, Ilsa, I Drink your Blood, it was all there. The covers and ballyhoos were usually misleading, but the tingle of excitement out the store clutching the next film was the same every time. But for every five or six Nurse Sherris there came a Cannibal Holocaust to tear me asunder.So I hadn't been in a video store in ages, and I got the craving the other day. I went down and trawled like I did then; only now the collection was small and mostly recent films. Yet lo and behold, the experience was just the same. Another mess, avidly promoted as a searing experience that I would not forget.City people moving to a small village in the county surrounded by ominous forests, the village as a hotbed of dark secrets buried deep - within the woods -, mystery pursued through a google search that yields the crucial clue, and the revelation meant to throw us for a loop; a bunch of well-worn tropes mashed together into shapeless murk.We're left with the dark forest and some time-lapse photography of shifting skies. But the forest means nothing, the skies mean nothing, and the shocking twist is plodding and stupid.So lately the Spanish - probably inspired by Del Toro's well-received, Spanish-speaking efforts abroad - have been working out a genre industry of their own. They turned to horror, always a profitable market. I've seen very few of these to pass judgement, but what I've seen so far has been mostly crap. I lament this, because the essence of their world is religious suffering and so much could come from it. No, not Del Toro.Watch this to be reminded again that you can make a better movie.

Shiver starts out as a promising Vampire / Werewolf story but actually travels into a much more plausible (well not really) plot about a boy who has a skin condition that doesn't allow him to be exposed to the sun and a girl who has been raised by wild animals. The style and story reminds of Let The Right One In but it's not as satisfying. It's as if you were expecting a story about Frankenstein but then it turned into a story about a lunatic who thinks he's a scientist who is involved with another lunatic who thinks he's come back from the dead and you think, hey, this is artsy I'll keep on watching but it's not artsy enough so you start yawning but you are compelled to finish it regardless. Then you say, I'll give it a 6 because it was well made, though it did make you yawn, so now that you think about it, you are going to give it a five.

A wonderful imaginative film that make me enjoy a lot whit a very good constructed story and a couple of greats actors(From the novel Blanca Suarez to the best actor academy winner Fransec Orella and especially the main character Junio Valverde). The art direction from Pilar Revuelta ( Oscar for "El labyrinth....) is solid and the music from Fernando Velazquez sounds like the classics.The light of JM Civit show us the continuous battle between the light and the darkness (or is in the other way). Isidro Ortiz plays with the mains topics of the genre to give us a complete new version of the genre films for this century where he don't need blood explosions o sound effects to keep us sitting in the chair.

Santi is a young lad with a strange disease. Bright sunlight has him running for cover. Not surprisingly, he's a hoodie with sunglasses. Mum is a translator. She works from home. Parents are separated but on good terms. Santi also gets bullied a lot (he's very bully-able – you could want to cosset or kick him).Doctor persuades Mum to take Santi to remote village. Less sunlight, you see. But kids pick on him there too. They don't understand his disease and treat him as a wimp. Shortly afterwards, locals turn on him. Especially when sheep are eviscerated. And a bully murdered. And we know there's something Nasty In The Woods. A waiting game is to see whether Shiver implodes in orgiastic excess of CGI, vampires, werewolves, radiation mutants, CIA viruses, supernatural gore or other well-worn concoctions. Remarkably, it doesn't. Even when the attacker is revealed, momentum keeps going and we can enjoy a mix of terror with fairly down-to-earth explanations.Like many other genres, horror can be more about minor deviation on clichés than whole new formulae. But although the Shiver 'monster' avoids paths too well-trodden, the backdrop of the film is highly derivative. A flitting in the trees reminds me of Predator. Farmer and policeman are stereotypes. Santi discovers truth and, guess what – his parents don't want to know. Santi susses things out on Google – the current answer for every geek-on-a-mission. And the night vision camera thing is all a bit too Blair Witch.Low-budget interactions and nice scenery are mixed with occasional fast editing, unnerving sounds, jolting cameras, and horrific dream sequences. Director Isidro Ortiz says he wanted, "to build a monster thriller where the monsters are the heroes, and where you must flee from the light to take refuge in the darkness. A back-to-front tale." This sophisticated theoretical foundation is almost more interesting than the movie itself. "I wanted the film to have two kinds of monsters," he continues determinedly, "those which are such because they're 'different' and cannot adapt to what society defines as 'normal', and those which are real monsters and hide their dark side while they look like a model of social behaviour." Wow! Is this film really deep? Or is the depth flown in afterwards as P.R.-flavoured gibberish? It sounds sensible enough, but out of place when referring to such a low-brainer.To Ortiz' credit, he trimmed down his original plan to avoid relying on American budgets, but the end result, while enjoyable enough, falls slightly short of the grand concepts he envisages. It does keep you guessing for a bit but, although decently acted, characterisation and dialogue do not have the profundity to redeem such aspirations.On the plus side, this is a broad appeal 'horror' film. It isn't offensively gory, and has an almost warm cozy feel to it. But in other words, it's a bit of a girly horror. A nice little movie with some atmospheric tension, and maybe not quite enough to satisfy late-night fans.