Shenandoah
Shenandoah
NR | 16 October 2012 (USA)
Shenandoah Trailers

An epic feature documentary about a coal mining town with a fiery immigrant heritage, once pivotal in fueling America’s industrial revolution and today in decline and struggling to survive and retain its identity, soul and values – all of which were dramatically challenged when four of the town’s white, star football players were charged in the beating death of an undocumented Mexican immigrant named Luis Ramirez. Pulitzer Prize-winning photographer David Turnley’s most personal work, SHENANDOAH creates a deeply felt portrait of a working class community, and the American Dream on trial.

Reviews
pensacolacomputer

Very important subject...yet could have easily been a 30 minute documentary. It would go on and on about things that had NOTHING to do with the main subject. Someone please edit this, and it would easily get 10 stars from me, but instead it gets 5 stars for wasting over an hour of my time.

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elcasserino

The film opens up to the sound of fire engines and the squeals of children that evokes a kind of ominous feeling that foretells the direction of the film. We witness a parade of people celebrating the coming holiday season in this very small and outdated coal mining town in west Pennsylvania. This documentary is surprisingly filmed in 2012 even though one gets the feeling of being transported back to 1995. This community of people comes from a long line of very proud Polish and Irish immigrants. The hypocrisy of the film is that they are very opposed to the current movement of Hispanic immigrants into their small town, Shenandoah. Their racial views come into the spot light when the film centers in on an incident that had happened in the town. The director depicts the crime scene like a horror film leaving you on suspense. The dark images of the murder scene where a group of boys from the local football team beat a man of Mexican descent to death send chills through the audience. The viewer gets an inside look to the thoughts of one of the convicted murderers, Brian Scully who speaks as a naïve young boy. Throughout the movie you are conflicted with your feelings toward him as he seems to be a product of his environment held under pressure during the moments of the crime. Though he feels remorse for his actions, one is still unsure of how much he has learned. The film proceeds to show how this crime has affected the convicted, the families involved, and the town as a whole. The audience learns of the family of Luis Ramirez and the obstacles they have dealt with while living in America. The films juxtaposes Mr. Ramirez's home town in Mexico to Shenandoah to show the audience how similar the two towns are despite their cultural differences. One of the most compelling parts of the documentary are the scenes from a local protest, where community member's ferociously yell their opposing views on immigration and other racial ethnicities that seem to have "taken over" their town. The constant intolerance from the people of Shenandoah makes the audience understand how racial discrimination is still an issue in the United States. The director seems to have a reason for every style choice and organizational decision involved with the production of the film that makes the experience cohesive and interesting. Overall I feel this film does a great job of creating a compelling and objective view point for the viewer to create their own opinions.

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tieman64

A documentary by David Turnley, "Shenandoah" observes as a gang of Pennsylvanian youths, all members of a High School football team, assault and kill Luis Suarez, a Mexican teenager.Issues of race are immediately delved into. Shenandoah is a small town, closely knit, and low wages and hard times have left locals seething with anger. Immigrants, illegal or otherwise, are seen as a threat. More than a threat, immigrants are deemed "not human". "I didn't think of him as a person," one of the killers admits.Turnley then takes us to the football field. Here, young men are indoctrinated, hypermasculinized, dubious notions of manhood, power, aggression, gender, sexuality, race and nationhood instilled. To be a "man", one must win, one must dominate, one must crush. Crush what? Anything deemed feminine, deemed Other, deemed different, deemed weak. But whilst the mastering of violence as a necessary test of masculinity (and eventually patriotism) once led to young men being shipped abroad to kill the Other – foreigners deemed subhuman and soft – now the Other is in one's own backyard. The killing happens here, on home soil.Studies have shown that young men who are members of certain school sports teams are twice as likely to abuse their dating partners. The term "hyper-masculine identity disorder" is itself increasingly entering gender identity disorder indices. The purported symptoms of this "disorder" are an overly inflated sense of entitlement, a propensity for violent outbursts (physical, sexual or verbal), homophobia, bigotry, the belief that all things "feminine" are inferior, emotional detachedness, feelings of inadequacy, a disregard for others, hyper-nationalism, obsessions with physical strength and a propensity toward risky behaviour and/or extreme competitiveness.It's thus fitting that one of the film's subplots contrasts the testosterone of the football field with the more placid arenas of school theatre halls. Here, one of the killers sings, hops, skips and acts on stage. Before the murder, he'd probably have been mocked for indulging in such a hobby.As the perpetrators were local football stars, Luis Suarez's murder – more a symbolic gang rape – was quickly covered up by local police officers. They deliberately botched the investigation, but activists and several upstanding townsfolk ensured that the crime wasn't suppressed. Climaxing powerfully with Bruce Springsteen's "Lift Me Up", "Shenandoah" ends with some semblance of justice, and the hope that further progress will one day be made.8/10 – See the haunting documentary, "Murder on a Sunday Morning".

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Tom Dooley

This amazing and rewarding documentary is one that will not fail to move you. It tells the story of the brutal, racially motivated killing of Mexican Luis Suarez. The assailants were all members of the High Scholl football team and had been drinking. They chased him down and kicked him to death.In this small close knit town all the locals know each other and so the police colluded to ensure there was a cover up. What director David Turnley has done here is allow both sides to have their say – that is those that were willing to appear on camera. This is non judgmental and allows the viewer to make up their own minds. It is a very moving and gripping story and raises issues of racism, truth, honour and justice. I watch a few documentaries bit am no way near a fan, but if they were all of a calibre such as this then I would quite quickly become an addict – absolutely recommended.

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