Shadow Magic
Shadow Magic
PG | 06 April 2001 (USA)
Shadow Magic Trailers

Beijing, 1902: an enterprising young portrait photographer named Liu Jinglun, keen on new technology, befriends a newly-arrived Englishman who's brought projector, camera, and Lumière-brothers' shorts to open the Shadow Magic theater. Liu's work with Wallace brings him conflict with tradition and his father's authority, complicated by his falling in love with Ling, daughter of Lord Tan, star of Beijing's traditional opera. Liu sees movies as his chance to become wealthy and worthy of Ling. When the Shadow Magic pair are invited to show the films to the Empress Dowager, things look good. But, is disaster in the script? And, can movies preserve tradition even as they bring change?

Reviews
Charles Herold (cherold)

A very sweet movie about a young Chinese man enamored of western technology and an Englishman trying to make his fortune showing movies in China. It's a very interesting story that is presumably based on true events, although I'm assuming it's more fantasy than real. It's got a fairy tale quality you rarely get in real life, and it's also got 8 people credited for the script, so they must have been making up stuff right and left.This is a very likable movie that conveys how magical film was to people who had never seen it before. It is not an especially deep movie, touching briefly on the loss of tradition and the encroachment of western culture but mainly just being a pleasant little movie. It's actually a movie I enjoyed very much that is already beginning to disappear from my mind 15 minutes after seeing it. Light as a soufflé, but I enjoyed every minute.

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lingmeister

This film is loosely based on history of the introduction of motion pictures to China, with a westerner Raymond Wallace, bringing in the format to the country and the shock and fear people had on this new piece of technology. At the same time, it is embraced by a chinese named Liu Jinglun, who has the curiosity for new things. Together, they eventually persuade the people embrace the medium.It is a light film, with the Liu facing the dilemma of respecting his culture and tradition or embracing the new medium that is so frightening to his people. There is also the side plot of his desire to marry Lord Tan's daughter, but he would have to be rich. His path to richness would also make Lord Tan lose respect for him, since Lord Tan is a performer in the old medium of stage theater and his moving pictures would push that into oblivion. Of course, we end up with a happy ending because the new medium becomes a tool to supplement everything around it instead of taking it over. Which is basically the point of the story. Don't fear it, embrace and integrate it into your environment.This film does not tackle the subjects it encounters very hard, it uses light mellowdrama and resolve all the issues amicably.All in all, this film is easy to enjoy, but it will not be mistaken for the fifth generation films that came out of china a decade or so ago.

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dsulpy

A lovely little film about the introduction of motion pictures to China. Captures the amazement of film's first audiences pretty much as it's described to have been worldwide, and uses actual Lumiere films for most of the actualities. I don't agree with other people about bad acting on the British fellow's part - I thought he was fine, but the Chinese lead really stole the show. In any case, I found myself with a smile on my face through most of the movie. People who fear subtitles might note that a lot of the film is in English (which for some reason is given subtitles as well as the Chinese on the DVD).

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webdak

... the acting by Mr. Wallace is really terrible. Being the only foreigner in this Chinese movie, the role could have been a master performance by an experienced actor or new talent. However, the acting is so bad, that it disturbs the otherwise quite nicely flowing story about how the movies came to China.

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