And that's how the astonishingly thought-provoking and five-decade spanning "Up" documentaries series started, a TV odyssey following the lives of a dozen of British boys and girls with one episode every seven years, the most recent one was "56 Up" and it was released in 2012 and always directed by Michael Apted (with the exception of the first episode from 1964). What a concept!Indeed, it's not much about these boys and girls that it is about time and life, the real protagonists, heroic, neutral or villainous depending on the circumstances or each life's narrative. But don't pay too much attention to my praises, I've only seen the first episode so far, yet I find the concept extraordinary and riveting on an emotional level. And for that, I'm glad I bumped into that "Siskel& Ebert" show that covered the "35 Up" episode of 1991 which made me immediately think, "wait? Such a documentary existed and I never heard about it?" As far as I was concerned, the groundbreaking creation on that subject was Richard Linklater's "Boyhood", you know "12 years in the making" was I fooled? That this series is so unknown is beyond me.So, I didn't hesitate one second and started my journey with the documentary and now, I've just finished the 1964 episode. I can't say I remembered all the names but I identified the "archetypes"! a lonely child from an isolated village, a little tough one who likes fighting and jumping all around, three kids from the upper class who certainly talk better than many adults today, one girl who practice ballet and is quite disciplined, other girls who are more playful etc. But I wasn't exactly taking notes, I just let the flow of images operate and I'll leave that up for the next chapters to put the right names on the right faces. It's got to be a slow process and we have plenty of time (five decades is quite a lot, isn't it?)Now, watching the film, I noticed how not so different kids have always behaved, they are from my father's generation (he was 9 in 1964) but listen to them talking, listen to the boys whining about girls constantly screaming, or girls about boys immaturely fighting, listen to them talking about rich people or the lack of education; the vocabulary might change from one generation to another, or place to place, but the core of childhood is there. Childhood is defined in very simple terms, there's no room for complexity, you fight to express disagreement, you play to have fun, you work because you have to, you sleep at specific times, you respect the authority or you don't, but each department of life doesn't leave you with many choices. Yet, there's no doubt that childhood is perhaps the most crucial part of one's life, the one that hits it or breaks it. Some would say youth but teenage behavior is also forged by childhood memories (I expect the next chapter to cover that).So you better not ruin your childhood, and the maxim about "men at seven" is true. It has been demonstrated by psychologists that after six or seven, you can't change the core personality of your kid, Daniel Goldman's "Emotional Intelligence" dedicates a whole chapter for fear and shyness, explaining that you can cure a child from his insecurities before the age of six. And speaking from my own experience, I can say my personality started at seven, I started reading comic books, playing games, drawing much better than my friends, being aroused by the artistic and intellectual stuff, it was in 1989, the year where I also started wearing glasses. At six, I was painfully shy but I could triumph over it, but at seven, I started to behave like I would usually do. Some parts were accidental; others under one's influence. See, my mother was a teacher in my school so the day I wanted to have fun with boys and pick on girls, my teacher took me and said that she would tell my mother if I did that again. I feared the authority, I couldn't help it. I became a "good boy" (sigh).But I'm not saying I enjoyed the film because it echoed my own memories, but because it plays like the perfect set-up to a series of discoveries, some you know to be happy and some sad. The film shows kids from rich or poor neighborhoods, public or private school, boys', girls' or mixed schools, cities or farms, different backgrounds, different personalities and different prospects. One wants to be a missionary to civilize Africa, some know they will leave school at the age of 15, some girls wants only two children, a kid doesn't want any. I didn't know how to feel because they were so young, I was like "why are you closing so many doors, life is so full of opportunities" but maybe it is not, maybe it's true that the die are cast from the start and it's only out of a defensive mechanism that we try to set ourselves goals, and the more definite vision a kid has about the future, the happier he or she will be. I don't know how true it is, I just expect the next episodes to come with a load of surprises, to prove me wrong or tell me something I didn't know... and I naturally wish them the best.(On a side note, the film was made in 1964 at the peak of the Beatle-mania, and I can't resist quoting John Lennon: "Life is what happens when you make plans", these kids talk a lot about life and future, but they'll soon discover that life is a series of random stuff happening for better or worse, they're called circumstances, they're too young to realize it. At seven, I didn't either. At least, the rules are the same for everybody.)

The 'Up Series' represents one of the most fascinating and unusual uses of film in cinema history - a documentary life-long chronicle of the lives of 14 people starting at 7 years old, revisiting them every seven years through age 49 (so far). While I could quibble, wishing for a bit more depth here and there (especially with the women, where there's a bit too much emphasis on love and marriage at the expense of all else), it's really an astounding, moving, frightening and uplifting document. There's no way to watch this remarkable series of films without reflecting deeply on one's own life, and how you have changed (and stayed the same) over your own lifetime. While Michael Aped deserves every bit of credit he's received for this amazing piece of cultural anthropology, it's important to note this first film, 7 Up,was actually directed by Paul Almond, and Apted was a that point a researcher for the project.

One of the most fascinating films that I have ever witnessed. It is so interesting to see children of 7 grow up right before your eyes. After watching the 42UP,I feel as if I know most of these people. I found most of the subjects very likable,with the exception of the snooty John. He is one of those type of guys that you just yearn to slap the snug smirk off of his face..lol. If you haven't seen this...make this a must-see on your list of films. Especially on your list of documentaries to watch. A great idea,great film and a great cross-section of British society. I was totally engrossed from the first minute to the last. I hope they keep making these as long as the participants are alive. Very interesting to see how much some change,yet some stay the same. My favorite individual was Neil..the homeless wanderer. Although he is beset by mental problems,he is super intelligent and ya get the feeling that of all the people profiled..he just may be the smartest of all. I can relate to Neil.

I first saw this about five years ago, and I couldn't wait to see the 7+7, 14, 21, 28 and 35, and am eagerly awaiting 42 up. It gets you in, it will make you want to know how these kids will turn out. I'm a lucky one, who didn't have to wait seven years for each of these episodes to come out.If you have any interest in human behaviour, whether it be in kids or adults; if you wonder if what you thought you would be at seven, or fourteen is actually what you turn out to be; then you should watch this, and the rest of the series.